tag:blogger.com,1999:blog-75192240279902964252024-03-19T00:44:19.603-07:00UPSET THE RHYTHMLONDON + MUSIC + FUN = UPSET THE RHYTHMUPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.comBlogger1518125tag:blogger.com,1999:blog-7519224027990296425.post-46824650884395825122024-03-19T00:43:00.000-07:002024-03-19T00:43:24.251-07:00Slumberland Records showcase!<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtrQzTaBuy3rk3xIJIj6ZCRNLvEbmMmQRdII_vnAEPKjxfpIdG_CPoQSPUQNPhX1DzM_Igh9E-XkwQUV3hP9Xr0am8PeI3LbTm3KJblJQ1jFYTP38TLwYVmCpNTx4B2016WckplnKkrW6-eU8tpnpnf6c2kae4FyE6TPjScYckV8-RSkvqgaQrLRVamQM/s4400/London%20Flyer%20-%20Tony%20Molina%202%20tone.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3400" data-original-width="4400" height="383" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtrQzTaBuy3rk3xIJIj6ZCRNLvEbmMmQRdII_vnAEPKjxfpIdG_CPoQSPUQNPhX1DzM_Igh9E-XkwQUV3hP9Xr0am8PeI3LbTm3KJblJQ1jFYTP38TLwYVmCpNTx4B2016WckplnKkrW6-eU8tpnpnf6c2kae4FyE6TPjScYckV8-RSkvqgaQrLRVamQM/w496-h383/London%20Flyer%20-%20Tony%20Molina%202%20tone.jpg" width="496" /></a></div><p></p><p><br /></p><p>Upset The Rhythm present a Slumberland Records showcase featuring…<br /><br /><b>BIRDIE<br />TONY MOLINA<br />LIGHTHEADED<br />HANGOVER LOUNGE DJs</b><br />Wednesday 24 July<br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £14.00 | Tickets: <a href="https://link.dice.fm/j163b4c82f7b" rel="nofollow" target="_blank">https://link.dice.fm/j163b4c82f7b</a> <br /><br /><b>BIRDIE</b>’s
roots go all the way back to 1992 at Saint Etienne live band
rehearsals. Debsey Wykes had been in Etienne (and everybody's!) faves
Dolly Mixture and was on board as a backing vocalist, while Paul Kelly
had been in the equally legendary East Village and was now part of St
Etienne's touring band. The pair became fast friends and then a couple,
bonding over a love of the sunshine pop and soft rock music of the 60s
and 70s, and began spending hours together strategising a new band,
eventually forming Birdie in 1994 and releasing the "Spiral Staircase"
7" in 1997.<br /><br />In the summer of 1998 Birdie recorded their debut
album "Some Dusty" with the estimable Brian O'Shaughnessy (Denim, Moose,
The Clientele). It's a deep and beautiful album, with Paul's melodic,
sophisticated arrangements providing the perfect setting for Debsey's
sweet and soulful soft-pop vocals. Birdie followed up the 1999 release
of "Some Dusty" on It Records with a series of essential singles - “Let
Her Go," "Such A Sound," and "Sidewalk" -- culminating in the release of
their second album "Triple Echo" in 2001. Family life and other
artistic pursuits called, and Birdie has only been sporadically active
since then. Their brief but perfectly-formed discography has become the
stuff of legend, charming savvy pop fans around the world. Summer 2024
will see the long overdue vinyl reissue of "Some Dusty" on US indie
label Slumberland Records.<br /><a href="https://www.discogs.com/artist/292344-Birdie-2" rel="nofollow" target="_blank">https://www.discogs.com/artist/292344-Birdie-2</a> <br /><br /><b>TONY MOLINA</b>
is a northern Californian native with a restless, multi-faceted musical
personality. He got his start playing in hardcore bands, but over time
developed two distinct styles that are very far removed from that sound.
Initially under the name Ovens, then as a solo artist, he crafts
bite-sized chunks of melodic pop that can be broken into two
sub-headings: quiet acoustic guitar-led ballads and noisy electric songs
that sound like Teenage Fanclub with J Mascis and the Fastbacks' Kurt
Bloch spearheading a dual guitar attack. In 2009 Molina released the
first music under his own name, the 12-song Embarrassing Times cassette.
In 2013, Molina released his second solo album, Dissed and Dismissed, a
collection of 12 short and fuzzy tunes that took notes from '90s indie
and power pop acts like Weezer, Redd Kross, and Dinosaur Jr. What was
intended as a demo caught the attention of fans of melodic guitar pop
and hooked two legendary American labels, Matador and Slumberland. The
former released the Six Tracks EP later in 2013; the latter signed him
and reissued Dissed and Dismissed in 2014. <br /><br />His next album,
2018's Kill the Lights, came about much more naturally. He worked on
some songs with a friend, Jasper Leach, and they decided to make a
record out of the demos they had started. Recorded in two studios and a
bedroom, the album was again built around Molina's acoustic guitar and
winsome pop melodies, but this time featured some folk-rock-ready
12-string electric, a full-band sound, and Leach's keyboards. Molina’s
latest album, In the Fade, was released by Summer Shade, an offshoot of
Run for Cover, in August of 2022 and was the first of his solo records
to contain all the sides of his musical personality under one roof. <br /><a href="https://tonymolina650.bandcamp.com/" rel="nofollow" target="_blank">https://tonymolina650.bandcamp.com/</a> <br /><br /><b>LIGHTHEADED</b>
from New Jersey have conjured, through some mysterious alchemy, a
distinctive flavor of pop that draws as much from 60s Brill Building,
garage-pop and folk-pop as it does from the DIY indie explosion of the
80s/early 90s. Their debut EP "Good Good Great!" shows that band core
Cynthia and Stephen are clearly students of pop in all its permutations,
but they wear their influences lightly - a typical Lightheaded song
could have been released in 1966 or 1986, but in fact sounds just right
in 2024! Their sound has just right amount of elemental murk, drawing to
mind a mythical collab between Phil Spector and Curt Boettcher's
Sagittarius, working their way through the Goffin & King songbook.
Cynthia's rich vocals are the secret weapon, possessing a depth and
swing that can handle with aplomb the sprightliest pop or the
tear-jerkingest drama. The group’s debut album titled “Combustible
Gems”, will be released on Slumberland this May!<br /><a href="https://areyoufeelinglightheaded.bandcamp.com/" rel="nofollow" target="_blank">https://areyoufeelinglightheaded.bandcamp.com/</a> <br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-11681681462133429972024-03-14T05:28:00.000-07:002024-03-14T05:28:06.035-07:00Empires into Sand<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1bgaohgKlUvpfpPmCDj_WfL-J8G6sQqdugLPw6iCHxLRJ2wWj3X4ykH6cHw-XIGYRoFjfflOZMxuodyCkNAbIDkzEoVLTZKyn-FtMseDXejC_qS3eDpnEFDDA6SxHbigOTVDQnVwoM1FKRrzBOR8qBhjSuMx8M0cqGB_8nf4F2mwkGGZ0Zr7RusXSPnk/s800/Normil%20Hawaiians_Empire%20into%20Sand_mockup.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="457" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1bgaohgKlUvpfpPmCDj_WfL-J8G6sQqdugLPw6iCHxLRJ2wWj3X4ykH6cHw-XIGYRoFjfflOZMxuodyCkNAbIDkzEoVLTZKyn-FtMseDXejC_qS3eDpnEFDDA6SxHbigOTVDQnVwoM1FKRrzBOR8qBhjSuMx8M0cqGB_8nf4F2mwkGGZ0Zr7RusXSPnk/w457-h457/Normil%20Hawaiians_Empire%20into%20Sand_mockup.jpg" width="457" /></a></div><br /><p><br /></p><p>Huge day today! <b>Normil Hawaiians</b>’ first new album in 40 years will be coming out on Upset The Rhythm on May 3rd. Titled ‘Empires into Sand’, the record is an incredible patchwork cloak of ideas drawing on ambient drone, motorik impulse, folk idiom and a certain cosmic uncanny. </p><p> A Windswept album recorded in a windswept Scottish coastal retreat, ‘Empires into Sand’ swims with short wave radio interference and overheard satellite transmissions. These are winding rivers of song, peopled with the displaced, determined, downhearted yet hopeful. Swirling atmospheres, field recordings, tape-looped drums, rapid synth flights and soaring vocals all abound in this echo from the now. </p><p>‘Empires into Sand’ will be released on gatefold LP, CD and digitally on May 3rd, it is available to pre-order now from our <a href="https://upsettherhythm.bigcartel.com/" target="_blank">shop now</a>.</p><p>Lead single ‘Exiles’ is released today, exploring the continuous movement of human beings, check out the video for more sublime signs from the firmament.</p><p> </p><p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="409" src="https://www.youtube.com/embed/DVFJEufA2aw" width="492" youtube-src-id="DVFJEufA2aw"></iframe></div><br /> <p></p><p></p><p><br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-6624164067488693162024-03-12T05:48:00.000-07:002024-03-14T05:47:30.776-07:00Earth Ball - 'It's Yours' album announced!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyCxg1indiGe1Z8w57IGfb0_KBwhfV_MW1nL7MsKo1Tgo011tJSqHymYy9843IZLrOJtRewtRjCTJCAVPdcNFiKrqqcZ-yXm2wdNdNUnuCJVMYIUFW0i53TFSAbtAa6WFP5q0bT8pHGvVBF9whcqvXAtfnXs8wvuZjIPGB_w3_bMTa3NK_VqCqf9q7foM/s1716/Earth%20Ball_clear%20vinyl.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1090" data-original-width="1716" height="339" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyCxg1indiGe1Z8w57IGfb0_KBwhfV_MW1nL7MsKo1Tgo011tJSqHymYy9843IZLrOJtRewtRjCTJCAVPdcNFiKrqqcZ-yXm2wdNdNUnuCJVMYIUFW0i53TFSAbtAa6WFP5q0bT8pHGvVBF9whcqvXAtfnXs8wvuZjIPGB_w3_bMTa3NK_VqCqf9q7foM/w534-h339/Earth%20Ball_clear%20vinyl.jpg" width="534" /></a></div><br /><p></p><p>Arise! </p><p>It's time to take on <b>Earth Ball</b>! Earth Ball are a wild ride of an ensemble from Nanaimo (Canada); spontaneous, instinctual and eruptive inside out. When Earth Ball fire up the amps in their basement you can hear the voices of ghosts hum through the speakers. Kellan's hued feedback, Izzy's sturdy basslines, Jer's paperbag guitar tone and rumble pack zaps, Liam's sheets of sound and Brennen's multidirectional drums are expansive, restlessly inventive and truly psychedelic. Their debut LP ‘It’s Yours’ will be coming out on May 17th via Upset The Rhythm. Take a first listen to ‘A Need To Cool Down’ and reframe your brain, all is temporary.</p><p> </p><p></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="355" src="https://www.youtube.com/embed/S0sb_ZPWogA" width="471" youtube-src-id="S0sb_ZPWogA"></iframe></div><p> </p><p>‘It’s Yours’ is available to <a href="https://upsettherhythm.bigcartel.com/" target="_blank">pre-order</a> on clear 180g vinyl w/ a hand-painted insert from the band now.<br /><br />Earth Ball are also touring the UK this May in support of this release with their friend-in-sound Chris Corsano, see you at a show!<br /><br /><br /><b><u>EARTH BALL & CHRIS CORSANO - UK TOUR</u></b></p><p><br />May 20 - London - Cafe OTO<br />May 21 - London - Cafe OTO<br />May 22 - Manchester - Aatma<br />May 23 - Bristol - Cube Cinema<br />May 24 - Shrewsbury - English Bridge Workshop<br />May 25 - Glasgow - Flying Duck<br />May 26 - Newcastle - Lubber Fiend<br />May 28 - Nottingham - The Chapel<br />May 29 - Lewes - Con Club<br /><br />UTR<br />x<br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-40108715235047811822024-03-11T10:15:00.000-07:002024-03-11T10:15:42.590-07:00The Umbrellas - Live in London this Wednesday!<p> </p>
<table cellpadding="0" cellspacing="0" class="YMLPS17" id="YMLPS17" style="width: 100%;"><tbody><tr><td align="left" class=""><div>
<table border="0" cellpadding="0" cellspacing="0" style="width: 100%;">
<tbody>
<tr>
<td style="text-align: justify; width: 80%;" valign="top">
<div>Look out!</div>
<div> </div>
<div>On Wednesday night (March 13th) San Francisco’s <b>The Umbrellas</b>
will unfurl in London at OSLO Hackney. Bristling with fizzy pop bliss
and some poignant lyricism, we’re excited to experience the
helter-skelter energy of their new album ‘Fairweather Friend’ (Tough
Love / Slumberland) in the thrilling moment.</div>
<div> </div>
<div>This concert is a serious indie pop triumvirate with <b>Swansea Sound</b> and <b>Autocamper</b>
also treating us to performances. We’re ready to dance ourselves silly,
hope you are! Live music from 8pm, tickets on the door from 7.30pm or
in advance <a href="https://upsettherhythm.co.uk/">here</a>.<br /><br /><br /></div>
</td>
<td align="left" style="width: 5%;" valign="top"> </td>
<td align="left" style="width: 15%;" valign="top">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_002863924010.jpg" style="border: 0pt none; vertical-align: baseline;" width="300" /></a></div>
</td>
</tr>
</tbody>
</table>
</div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS51" id="YMLPS51" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS4" id="YMLPS4" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS21" id="YMLPS21" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS42" id="YMLPS42" style="width: 100%;"><tbody><tr><td align="left" class=""><div align="center"><a href="https://www.youtube.com/watch?v=D2SAsk8mev8"><img src="https://img.ymlp.com/upset_the_rhythm_Screenshot20240311at170055.png" style="border: 0pt none; vertical-align: baseline;" width="550" /></a></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS1" id="YMLPS1" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS57" id="YMLPS57" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS55" id="YMLPS55" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">Lots more on Wednesday's concert to follow, along with full show listings for our forthcoming London events with <b>Mary Lattimore</b>, <b>Luce Mawdsley</b>, <b>Alison Cotton</b>, <b>Stereocilia</b>, <b>House Of All</b> and <b>The Courtesy Group</b> too.</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">You'll also find new listings for <b>Earth Ball</b>, <b>Chris Corsano</b>, <b>Jeremiah Chiu</b> and <b>Mohammad Syfkhan</b> added to our upcoming programme too, all on sale now!<b><br /></b></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS2" id="YMLPS2" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS58" id="YMLPS58" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS11" id="YMLPS11" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS13" id="YMLPS13" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS65" id="YMLPS65" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS27" id="YMLPS27" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS24" id="YMLPS24" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS47" id="YMLPS47" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_umbrellastourposter--2.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>THE UMBRELLAS</b></div>
<div style="text-align: justify;"><b>SWANSEA SOUND</b></div>
<div style="text-align: justify;"><b>AUTOCAMPER</b></div>
<div style="text-align: justify;">Wednesday 13 March<br />OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/ee39bba86945">https://link.dice.fm/ee39bba86945</a> <br /><br /><b>THE UMBRELLAS</b>
are four renegade romantics crafting irresistible indie pop hymns. The
band’s self-titled 2021 debut album became a breakout moment, winning
critical praise and sparking an international tour. Follow-up LP
‘Fairweather Friend’ goes a step further – absorbing the sonic attack of
their live shows, it balances this with studio finesse, allowing the
San Francisco four-piece to become the band they’ve always aspired to
be.</div>
<div style="text-align: justify;"><br />It’s a record overflowing with
highlights. The candyfloss melodies of introductory track ‘Three
Cheers!’ are matched to an impactful percussive punch; ‘Say What You
Mean’ finds The Umbrellas working with total confidence, letting the
song ride out to its chiming conclusion, four voices working in
precision. ‘When You Find Out’ offers rotating notes of guitar
punctuated by a vocal that pushes past angst to accept a world full of
hope. A lean 10 track affair, it grasps towards beatific pop while
fuelled by a sense of risk, and the precision that comes from long
months on the road. Taken as a whole ‘Fairweather Friend’ is a bold
indie pop triumph, crafted with purpose and attention. Taking their time
over each note, the four-piece have strengthened their songwriting,
adding depth and assurance while unlocking their potential. Some bonds
last a lifetime – The Umbrellas are ready to capture your heart. <br /><a href="https://theumbrellasca.bandcamp.com/album/the-umbrellas">https://theumbrellasca.bandcamp.com/album/the-umbrellas</a></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><b>SWANSEA SOUND</b> are Hue Williams
(The Pooh Sticks), Amelia Fletcher and Rob Pursey (both Talulah
Gosh/Heavenly, The Catenary Wires), Bob Collins (The Dentists, The
Treasures of Mexico), Ian Button, (Death in Vegas, with Louis Philippe,
Pete Astor and Papernut Cambridge). Swansea Sound’s recent album
Twentieth Century was released by Skep Wax Records. On this second album
of unapologetic indie pop and punk they sing about things like Pete
Shelley, vinyl, online shopping and getting older.<br /><a href="https://swanseasound.bandcamp.com/album/swansea-sound">https://swanseasound.bandcamp.com/album/swansea-sound</a><br /><br /><b>AUTOCAMPER</b>
are a four-piece jangle pop band playing scuzzy C86-inspired music. The
band’s recent demo EP came out on Discontinuous Innovation Inc (run by
Nick from The Umbrellas), they’ve recently played shows with The
Orchids, Lande Hekt, The Vaselines and Jeanines.<br /><a href="https://autocamper.bandcamp.com">https://autocamper.bandcamp.com</a></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS50" id="YMLPS50" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS52" id="YMLPS52" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS14" id="YMLPS14" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS53" id="YMLPS53" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS41" id="YMLPS41" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS7" id="YMLPS7" style="width: 100%;"><tbody><tr><td align="left" class="section_selected"><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_marylattimore2024poster--2.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>MARY LATTIMORE</b></div>
<div style="text-align: justify;"><b>LUCE MAWDSLEY</b></div>
<div style="text-align: justify;">Tuesday 26 March<br />Scala, 275 Pentonville Rd, London, N1 9NL<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/E8624bc1f2eb">https://link.dice.fm/E8624bc1f2eb</a> <br /><br /><b>MARY LATTIMORE</b>
is a harpist and composer living in Los Angeles. She experiments with
her Lyon and Healy Concert Grand harp and effects. Her solo debut, The
Withdrawing Room, was released in 2013 on Desire Path Recordings.
Lattimore also writes harp parts for songs and recordings, performing
and recording with such great artists as Meg Baird, Thurston Moore,
Sharon Van Etten, Jarvis Cocker, Kurt Vile, Steve Gunn, Ed Askew and
Fursaxa. Her debut solo record for Ghostly International, 'At The Dam',
was recorded during stops along a road trip across America and released
in March 2016. The next year, she compiled sounds from her past life in
Philadelphia for a cassette tape titled 'Collected Pieces'. Released in
May 2018 to acclaim from the likes of NPR, Pitchfork, and The New Yorker
Lattimore's next album 'Hundreds of Days' presented an expression of
mystified gratitude for the natural world. <br /><br />‘Goodbye, Hotel
Arkada’ (Ghostly International), Lattimore’s new LP, speaks not just
for its beloved namesake - a hotel in Croatia facing renovation - but
for a universal loss that is shared. Six sprawling pieces shaped by
change; nothing will ever be the same, and here, the artist, evolving in
synthesis, celebrates and mourns the tragedy and beauty of the
ephemeral, all that is lived and lost to time. Documented and edited in
uncharacteristically measured sessions over the course of two years, the
material remains rooted in improvisation while glistening as the most
refined and robust in Lattimore’s decade-long catalog. It finds her
communing with friends, contemporaries, and longtime influences, in full
stride yet slowing down to nurture songs in new ways. The cast includes
Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy
Montgomery, Samara Lubelski, and Walt McClements.<br /><a href="https://marylattimoreharpist.bandcamp.com/">https://marylattimoreharpist.bandcamp.com/</a></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">
<div><b>LUCE MAWDSLEY</b> (they/them) is an autistic non-binary composer
and guitarist based in Liverpool with a practice rooted in progressive
experimentation. Drawing from a range of poetic art forms, their work
uses personal experience of neurodivergence, mental health disorders and
queerness as a ligature from which to generate subversive explorations
of gender, sexuality, place and identity formation. 'Northwest &
Nebulous' (out this March on Pure O Records) is a lush and accomplished
album suffused with radiant and fluid possibilities. A world-building
album pulling from folk, Americana and soundtrack influences, it fuses
their romantic and exploratory energies and signals the beginning of a
new journey for composer, with an open invitation for listeners to come
along for the ride. Luce Mawdsley will be accompanied by fellow North
Liverpool musicians Nicholas Branton and Luci Mercer for this
performance.</div>
<div><a href="https://lucemawdsleymusic.com/">https://lucemawdsleymusic.com/</a></div>
</div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS31" id="YMLPS31" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS36" id="YMLPS36" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS22" id="YMLPS22" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS39" id="YMLPS39" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS26" id="YMLPS26" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS6" id="YMLPS6" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_alisoncottonposter.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>ALISON COTTON<br />STEREOCILIA</b><br />Friday 5 April<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/Hc9626d08025">https://link.dice.fm/Hc9626d08025</a><br /><br /><b>ALISON COTTON</b>
is a viola player based in London working in composition and
improvisation. Her debut album ’All Is Quiet at the Ancient Theatre’ was
released in 2018 firstly on cassette on Bloxham Tapes, followed by a
vinyl release on Cardinal Fuzz (UK) and Feeding Tube (USA). In July 2019
her longform piece, ‘Behind the Spiderweb Gates’ was released on the
Australian label, Longform Editions. As well as the viola, she uses an
array of other instruments (her voice, harmonium, percussion, recorder,
omnichord, shruti box and piano) to create long, haunting folk drones.
Cotton’s recent album ‘The Portrait You Painted of Me’, is a 6-track
record – her first for Rocket Recordings. This will be followed up in
March with ‘Engelchen’, an album reflecting on the intrepid Cook sisters
whose efforts helped refugees escape Nazi-occupied Europe in the 1930s.
It’s a celebration of the human spirit, one that reflects a
universality in its narrative which transcends the boundaries of history
and impacts very urgently on our daily lives. Whatever attempts may be
made to tell this story, it’s hard to imagine one that resonates deeper
than ‘Engelchen’. <br /><a href="https://alisoncotton-uk.bandcamp.com">https://alisoncotton-uk.bandcamp.com</a> <br /><br /><b>STEREOCILIA</b>
is Bristol, UK based guitarist and composer, John Scott. John uses his
guitar, analog synths and live looping techniques to create dense, rich
layers of sound. Over the past 10 years John has performed all over the
UK and Europe. in the past he has shared a stage with acts including Ben
Frost, William Baskinski, Gnod, Nadja, Daniel Lanois, Noveller, White
Hills, Acid Mothers Temple, Josef Van Wissem, Mick Turner (The Dirty
Three) and performed in three of Rhys Chatham’s guitar Orchestras. He
has also presented work for live radio broadcasts and regularly composes
for Short Film, including the Channel 4 award winning documentary, 'The
Boy With The 8-Hour Heart.' Stereocilia has released several albums and
EP’s on UK independent labels, Drone Rock Records, Low Point, Champion
Version, Weird Beard, and his own imprint, Echoic Memory. His 5th album
“Crystalline” released in April 2023 was his third release for Brighton
based label, Drone Rock Records.<br /><a href="https://stereocilia.bandcamp.com/music">https://stereocilia.bandcamp.com/music</a></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS45" id="YMLPS45" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS30" id="YMLPS30" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS48" id="YMLPS48" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS46" id="YMLPS46" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS38" id="YMLPS38" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS23" id="YMLPS23" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_houseofall.jpeg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents...<br /><br /><b>HOUSE Of ALL<br />THE COURTESY GROUP</b><br />Thursday 18 April<br />The Dome, 2A Dartmouth Park Hill, Tufnell Park, N19 5QH<br />7pm | £18 | Tickets: <a href="https://link.dice.fm/wac85b671659">https://link.dice.fm/wac85b671659</a></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><b>HOUSE Of ALL</b>'s first report of
existence only appeared one year ago, followed by a
magnificently-received debut album and two UK tours. Praise was
immediate and ecstatic, in spite of controversy from former management
of The Fall, who took offence at Martin Bramah's off-the-cuff
description of the band as "part of The Fall family continuum". Despite
this self-evident fact - Bramah was The Fall's original singer before
switching to guitar, and with the other members (Peter Greenway, Paul
Hanley, Steve Hanley and Si Wolstencroft) HOUSE Of ALL collectively
spanned the entire length of The Fall's career. Controversy arose,
resulting in a full Guardian article on the band months before the
album's release - a scant three days after it was announced. Their two
brief tours were flawless; nearly every show sold out, and the latter
tour was bolstered by "Bay City Pistols", a limited package that sold
out in two weeks.</div>
<div style="text-align: justify;"><br />Even before the first album was
released, HOUSE Of All re-entered the studio to record their second
album 'Continuum' which will be released this April by Tiny Global
Productions.<br /><a href="https://houseofall.bandcamp.com/album/house-of-all">https://houseofall.bandcamp.com/album/house-of-all</a><br /><br /><b>THE COURTESY GROUP</b>
are set apart in their own musical galaxy as Birmingham's own
tunemongering grinesters. They survive against fashion, mediocrity,
systematic dullness and impossible odds. Marmite to most musical
confectionery, their debut album 'Tradesman's Entrance' and its
successor 'Second City Liquor' have aired on BBC6's Stuart Maconie's
Freakzone, Jarvis Cocker's Sunday Service and Guy Garvey's Finest Hour
(and previously on The John Peel Show on Radio 1), as well as receiving
glowing reviews from Mojo, Uncut, Louder Than War and Stewart Lee in
'The Sunday Times': live, they remain consistently dangerous and a
robust antidote to a fully digitalised itunes world. <br /><a href="https://thecourtesygroup.bandcamp.com/">https://thecourtesygroup.bandcamp.com/</a></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS35" id="YMLPS35" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS28" id="YMLPS28" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS37" id="YMLPS37" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS33" id="YMLPS33" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS29" id="YMLPS29" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS49" id="YMLPS49" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS12" id="YMLPS12" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS15" id="YMLPS15" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS5" id="YMLPS5" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS43" id="YMLPS43" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS9" id="YMLPS9" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS40" id="YMLPS40" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS20" id="YMLPS20" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="YMLPS16" id="YMLPS16" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><br /></td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS19" id="YMLPS19" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS25" id="YMLPS25" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="YMLPS32" id="YMLPS32" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: center;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: center;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>Thanks for spending your time with us.</div>
<div>See you down the front on Wednesday!</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<div style="text-align: center;"><b>Upset The Rhythm<br /></b></div>
<div style="text-align: center;"> </div>
<div style="text-align: center;"> </div>
<div class="separator" data-blogger-escaped-style="clear: both; text-align: center;" style="clear: both; text-align: center;"> <a href="http://www.upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_utr.png" style="border: 0pt none; vertical-align: baseline;" width="33" /></a><span style="color: #f6acb3;"> </span> <span style="color: #f6acb3;"> </span> <span style="color: #f6acb3;"> </span> </div>
<div align="center" data-blogger-escaped-style="margin-bottom: 0; margin-left: 0; margin-right: 0; margin-top: 0; padding-bottom: 0; padding-left: 0; padding-right: 0; padding-top: 0;" id="yui_3_16_0_ym19_1_1489757892418_18928" style="margin: 0; padding: 0;">
<div class="separator" style="clear: both; text-align: center;"> </div>
<div> </div>
</div></td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS18" id="YMLPS18" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS10" id="YMLPS10" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS34" id="YMLPS34" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS3" id="YMLPS3" style="width: 100%;">
<tbody><tr>
<td align="left" class="">
<div>
<div><b> </b></div>
<div><b>UPSET THE RHYTHM</b></div>
<div><b><i>UPCOMING SHOWS </i></b></div>
</div>
</td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="YMLPS44" id="YMLPS44" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div><b>THE UMBRELLAS</b></div>
<div><b>SWANSEA SOUND</b></div>
<div><b>AUTOCAMPER</b></div>
<div>Wednesday 13 March<br />OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/ee39bba86945">https://link.dice.fm/ee39bba86945</a></div>
<div> </div>
<div><b>MARY LATTIMORE</b></div>
<div><b>LUCE MAWDSLEY</b><br />Tuesday 26 March<br />Scala, 275 Pentonville Rd, London, N1 9NL<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/E8624bc1f2eb">https://link.dice.fm/E8624bc1f2eb</a></div>
<div> </div>
<div><b>ALISON COTTON</b></div>
<div><b>STEREOCILIA</b></div>
<div>Friday 5 April<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/Hc9626d08025">https://link.dice.fm/Hc9626d08025</a></div>
<div> </div>
<div><b>MARTIN NEWELL</b> (Cleaners From Venus)</div>
<div>Thursday 11 April <br />St Matthias Church, Wordsworth Road, Dalston, London, N16 8DD<br />7.30pm | <b>SOLD OUT</b><br /><br /></div>
<div><b>HOUSE OF ALL</b></div>
<div><b>THE COURTESY GROUP</b></div>
<div>Thursday 18 April<br />The Dome, 2A Dartmouth Park Hill, Tufnell Park, N19 5QH<br />7pm | £18 | Tickets: <a href="https://link.dice.fm/wac85b671659">https://link.dice.fm/wac85b671659</a></div>
<div> </div>
<div><b>SCREAM<br />SOULSIDE</b><br />Friday 10 May<br />Saturday 11 May<br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £20 | Tickets: <a href="https://link.dice.fm/xc9953269e0e">https://link.dice.fm/xc9953269e0e</a> & <a href="https://link.dice.fm/Qfab66a55a93">https://link.dice.fm/Qfab66a55a93</a></div>
<div> </div>
<div><b>LANKUM</b><br />Saturday 18 May<br />Sunday 19 May<br />Hackney Empire, 291 Mare St, London E8 1EJ
<div>
<div>
<div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">(Produced by UTR and Parallel Lines) </span></div>
</div>
</div>
</div>
8pm | <b>SOLD OUT</b></div>
<div> </div>
<div><b>EARTH BALL - ‘It’s Yours’ album launch<br />CHRIS CORSANO<br />TERRINE</b><br />Monday 20 May<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £14 | Tickets: <a href="https://link.dice.fm/Q5215784e354">https://link.dice.fm/Q5215784e354</a></div>
<div> </div>
<div><b>MOHAMMAD SYFKHAN</b><br />Thursday 23 May<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | £12 | Tickets: <a href="https://link.dice.fm/y06425199b5b">https://link.dice.fm/y06425199b5b</a><br /><br /></div>
<div><b>JEREMIAH CHIU</b><br />Friday 7 June<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | £11 | Tickets: <a href="https://link.dice.fm/L6830b5745d6">https://link.dice.fm/L6830b5745d6</a></div>
<div> </div>
<div><b>THE REDS, PINKS AND PURPLES</b></div>
Wednesday 12 June <br />Thursday 13 June <br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm |<b> SOLD OUT</b></div>
<div> </div>
<div><b>FUTURE ISLANDS</b></div>
<div><b>BAXTER DURY</b></div>
<div><b>JULIE BYRNE</b></div>
<div>Saturday 27 July</div>
<div>Crystal Palace Bowl, Crystal Palace Park, London, SE19 2BA</div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">(Produced by UTR and Parallel Lines) </span></div>
<div>2pm | Tickets: <a href="https://www.ticketmaster.co.uk/event/3500603AB71C3B14">https://www.ticketmaster.co.uk/event/3500603AB71C3B14</a></div>
<div> </div>
<div><b>LANKUM</b><br />Saturday 26 October<br />Eventim Apollo, 45 Queen Caroline St, Hammersmith, London, W6 9QH<br />7pm | Tickets: <a href="https://www.eventimapollo.com/events/lankum/">https://www.eventimapollo.com/events/lankum/</a></div>
<div> </div>
<div><b>TARA CLERKIN TRIO</b><br />Saturday 16 November<br />EartH Theatre, 11-17 Stoke Newington Rd, London, N16 8BH<br />6.30pm-10.30pm | £16 | Tickets: <a href="https://link.dice.fm/Aeb338640a1d">https://link.dice.fm/Aeb338640a1d</a></div>
</div>
<div>
<div>
<div>
<div>
<div></div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div></td>
</tr>
</tbody></table>
<div id="YMLPNTATD_SPACER" style="font-size: 8px;"> </div>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-45663638113689025922024-03-08T03:41:00.000-08:002024-03-08T03:41:28.289-08:00Jeremiah Chiu - London show for June 7th<p>Very much looking forward to this newly announced concert with Jeremiah Chiu on June 7th!<br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4UiAzJtX-YCYC3MSkiRzk1lcgjh-2BBtLmOgTSI-3-zPp3AfzIJn-Wcc6DtuThHzRxVblViVSf_GNC_1H0sC1nOCAM8SQRq9OQQKtOHvNIu6A6lODZvK8Ad9WBs0-U1qjmldvQipLYJKyzMso6qeBOLj-W5O4WyoIcm_t17Z1L1DpeCQgewk9uG6lsK8/s5037/JChiu_by_ElizabethWeinberg3.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5037" data-original-width="4055" height="439" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4UiAzJtX-YCYC3MSkiRzk1lcgjh-2BBtLmOgTSI-3-zPp3AfzIJn-Wcc6DtuThHzRxVblViVSf_GNC_1H0sC1nOCAM8SQRq9OQQKtOHvNIu6A6lODZvK8Ad9WBs0-U1qjmldvQipLYJKyzMso6qeBOLj-W5O4WyoIcm_t17Z1L1DpeCQgewk9uG6lsK8/w354-h439/JChiu_by_ElizabethWeinberg3.jpeg" width="354" /></a></div><br /><p><br />Upset The Rhythm presents…<br /><br /><b>JEREMIAH CHIU</b><br />Friday 7 June<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | £11 | Tickets: <a href="https://link.dice.fm/L6830b5745d6">https://link.dice.fm/L6830b5745d6</a><br /><br /><b>JEREMIAH CHIU</b> is a Los Angeles-via-Chicago artist and musician who released his International Anthem debut duo record with Marta Sofia Honer, Recordings from the Åland Islands, in March of 2022. In Chicago, Chiu was an active member of the notoriously inter-connected improvisational and experimental music scenes. Chiu’s musical CV to that point included work with Icy Demons and Chandeliers, as well as visual art as Some All None. In Los Angeles, he is an electronic music composer and sound-artist, where he performs and composes solo as well as with a variety of collaborators including Josh Johnson, Anna Butterss, Greg Uhlmann, Booker Stardrum, Celia Hollander, Dustin Wong, and Sam Prekop. <br /><br />Most recently, he has toured with Mary Lattimore, Sam Prekop & John McEntire, and was the opener for M83 on their U.S. Fantasy Tour. He recently released In Electric Time (on International Anthem), a improvised suite of organic electronic music created entirely analog, in-situ at Los Angeles’s Vintage Synth Museum as well as The Closest Thing to Silence, the debut from his trio with Marta Sofia Honer and legendary French born new age musician and electronic music composer Ariel Kalma. <br /><br /><a href="https://intlanthem.bandcamp.com/album/in-electric-time">https://intlanthem.bandcamp.com/album/in-electric-time</a></p><p> </p><p> <br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="359" src="https://www.youtube.com/embed/-5g1vC2Mknk" width="432" youtube-src-id="-5g1vC2Mknk"></iframe></div><br /><p><br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-8652572695093076172024-03-06T23:37:00.000-08:002024-03-06T23:37:50.774-08:00May show for Mohammad Syfkhan in London!<p>Get ecstatic as Mohammad Syfkhan is coming to town!</p><p><br /></p><p></p><p></p><p></p><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIQQE01LK8mx9iKduhovxBoYxI8LcxgKKY6PPZp_RCrhDc-0kNY2UjIfK4kppQNotIgV8Kx0kEoCs2TtEQFhPKpCm5yz42ZF9heKSV4jiTA8bziqlZa8vIKis7CGjrDNy8pS9PI_Hg2MBmPISAX_F6PQ1lsDm_rYYOsZoUAFleyG_-MB28U4xDplMf9E4/s5184/by%20Willie%20Stewart.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3888" data-original-width="5184" height="329" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIQQE01LK8mx9iKduhovxBoYxI8LcxgKKY6PPZp_RCrhDc-0kNY2UjIfK4kppQNotIgV8Kx0kEoCs2TtEQFhPKpCm5yz42ZF9heKSV4jiTA8bziqlZa8vIKis7CGjrDNy8pS9PI_Hg2MBmPISAX_F6PQ1lsDm_rYYOsZoUAFleyG_-MB28U4xDplMf9E4/w439-h329/by%20Willie%20Stewart.JPG" width="439" /></a></div><br /><p><br />Upset The Rhythm presents…<br /><br /><b>MOHAMMAD SYFKHAN</b><br />Thursday 23 May<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | £12 | Tickets: <a href="https://link.dice.fm/y06425199b5b">https://link.dice.fm/y06425199b5b</a><br /><br /><b>MOHAMMAD SYFKHAN</b> is an Irish based Kurdish/Syrian singer and Bouzouki player. Mohammad’s own brand of ecstatic music takes elements from Middle Eastern and North African music to create an atmosphere of joy, love and happiness. Since arriving in Ireland, Mohammad has used the language of music to integrate into the local community by playing at private parties and concerts. He has been playing music since the 1980’s, while living in the city of Raqqa, Syria where he began working as a professional singer and started his own band, The Al-Rabie Band which played concerts, parties, weddings and festivals all over Syria. His debut album ‘I Am Kurdish’ came out on Nyahh Records in February.<a href=" https://nyahhrecords.bandcamp.com/album/mohammad-syfkhan-i-am-kurdish " target="_blank"><br />https://nyahhrecords.bandcamp.com/album/mohammad-syfkhan-i-am-kurdish </a><br /></p><p><br />“Syfkhan takes his domestic influences and fuses them with music from beyond those regions, from North African folk rhythms to Turkish psychedelia. It’s a glorious alembic not bound by borders, where Mohammad himself brings a cultivated exuberance to his playing that belies his vintage.”<b> The Quietus</b><br /><br />“I Am Kurdish includes luscious covers of 1970s Turkish hit Leylim Ley, Baligh Hamdim’s A Thousand and One Nights and Kurdish songwriter Mihemed Elî Şakir’s gorgeous Put a Coffee in a Glass. The title track, an original with Syfkhan’s deep, husky voice in full flow, is also a highlight.” <b>The Guardian</b></p><p><b> </b></p><p><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><iframe allowfullscreen="" class="BLOG_video_class" height="360" src="https://www.youtube.com/embed/PMJCx2SjUoU" width="498" youtube-src-id="PMJCx2SjUoU"></iframe></b></div><b><br /> </b><p></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-11078996840258367192024-03-01T03:15:00.000-08:002024-03-01T03:15:06.980-08:00Wyrd Psearch - out today!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjFvmUexIxC_43XRxPKA7ilxNY8Wgk-65LGZ3mEm1nxp9e7uIR67I2wB-Nv8fuClLzrHQYRmHP7J-_zqffiOnLTOoZr8bu2YD4NQRcJsaPP45DGZTtLohbg-qRGWIXn_5xtFI8vwqn47igx1OUYrISiqS_ASRw9921YnvbO5zCsB1jO-dVpQuBrt9AyMg/s4032/Wyrd_Psearch_LP.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="359" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjFvmUexIxC_43XRxPKA7ilxNY8Wgk-65LGZ3mEm1nxp9e7uIR67I2wB-Nv8fuClLzrHQYRmHP7J-_zqffiOnLTOoZr8bu2YD4NQRcJsaPP45DGZTtLohbg-qRGWIXn_5xtFI8vwqn47igx1OUYrISiqS_ASRw9921YnvbO5zCsB1jO-dVpQuBrt9AyMg/w478-h359/Wyrd_Psearch_LP.jpg" width="478" /></a></div><br /><p></p><p>March comes in like a lion carrying a copy of <b><i>Wyrd Psearch</i></b> by <b>The Pheromoans</b>! Released today, lucky album 13 from the lo-fi peddlers has been hailed by Uncut magazine as a “sleek return of droll social commentary and DIY invention”, whilst The Quietus urged “the ghost of Mark E. Smith to crown them the kings of the sprechgesang gang.” Wow! We’re celebrating the release of the album today by sharing this video for ‘Twibbon Wife’, a track musing on the legacy of The Stone Roses, Sophie Ellis-Bextor and armchair occultists. <br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="360" src="https://www.youtube.com/embed/4FT7GjnIk0o" width="448" youtube-src-id="4FT7GjnIk0o"></iframe></div><br /><p><br /></p><p><b><i>Wyrd Psearch</i></b> is available now in all the best shops and our own webstore <a href="https://upsettherhythm.bigcartel.com/" target="_blank">here</a>.<br /><br />Cafe OTO will host an official album launch next Tuesday (March 5th) with The Pheromoans, Apostille and Dean Rodney Jr & The Cowboys all performing, lucky London. The band will also appear on deXter Bentley’s Hello GoodBye show on Resonance FM tomorrow from noon to chat more about the release, enjoy!</p><p></p><p><br /><br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-64579021315536801412024-02-29T05:55:00.000-08:002024-02-29T05:55:28.734-08:00Earth Ball, Chris Corsano and Terrine in London this May!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhapbo1iUojGGVZTwqEBfqxQp9UrEkYbguLWIePmAzXz_ZJ3OpWRz9Ofg4i-0eES1UdEoev72xDnDaoagm02fOu3KxouADd27v55R2AVQ9n79s0xpt5qvDCvjbS0g4vxTHldoaL71V2ZKWz-nFrUtTgeINbbJx0MT-GDJR6ckjN1E4YgiuMq7DgOkkjY68/s2838/Tour%20Photo_EB_Corsano.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2652" data-original-width="2838" height="445" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhapbo1iUojGGVZTwqEBfqxQp9UrEkYbguLWIePmAzXz_ZJ3OpWRz9Ofg4i-0eES1UdEoev72xDnDaoagm02fOu3KxouADd27v55R2AVQ9n79s0xpt5qvDCvjbS0g4vxTHldoaL71V2ZKWz-nFrUtTgeINbbJx0MT-GDJR6ckjN1E4YgiuMq7DgOkkjY68/w476-h445/Tour%20Photo_EB_Corsano.jpg" width="476" /></a></div><br /><p></p><p>Thrilled to have Earth Ball, Chris Corsano and Terrine playing in London this May at Cafe OTO!!! We're booking some extra dates in the UK for EB and CC too, so drop us a line if you're inspired to set up a show by these heavy heads: upset_the_rhythm@yahoo.com<br /></p><p><br /><br />Upset The Rhythm presents…<br /><br /><b>EARTH BALL - ‘It’s Yours’ album launch<br />CHRIS CORSANO<br />TERRINE</b><br />Monday 20 May<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £14 | Tickets: <a href="https://link.dice.fm/Q5215784e354">https://link.dice.fm/Q5215784e354</a><br /><br /><b>EARTH BALL</b> are a wild ensemble from Canada, mainly based on Vancouver Island. Their inception was serendipitous, emerging out of necessity when Isabel Ford, John Brennan, and Jeremy Van Wyck needed a name for a gig. What began as a pragmatic solution blossomed into an artistically conceived project. Embracing complete improvisation, free expression and a truly psychedelic sound, the group's lineup expands for different projects and now features Kellen Maclaughlin on Guitar and Liam Murphy on Saxophone. Each member brings a diverse musical background, having been part of various bands such as Shearing Pinx, Plan Your Future, Kamikaze Nurse, Eschatons and Psychedelic Dirt. Their individual collaborations with artists like Deerhoof, Raven Chacon, Chris Corsano, William Hooker, and others enrich their collective experience, forging a powerful musical force.<br /><br />Earth Ball’s first cassette 'Fruiting Bodies', released in 2021 under Misophonia Records, was followed by the self-released album 'Go to Earth.' The creative momentum continued with the digital and cassette release of 'Have One' in 2023. Earth Ball's dynamic presence has reverberated across the west coast of Canada. The group’s live shows are ecstatic and spontaneous, offering audiences a unique experience at every performance. Notably, their appearance alongside legendary experimental duo Wolf Eyes in August 2023 underscored their standing in the experimental scene. As Earth Ball continues to push the boundaries of improvisation and sonic exploration, they remain a guiding light for those seeking a transcendental musical experience. The group’s upcoming album ‘It’s Yours’ will be released on LP / digital by Upset The Rhythm this May and marks another significant leap forward.<br /><a href="https://earthball.bandcamp.com/ " target="_blank">https://earthball.bandcamp.com/ </a><br /><br /><br /><b>CHRIS CORSANO</b> is an upstate NY-based drummer who has been active at the intersections of collective improvisation, free jazz, avant-rock, and noise music since the late 1990's. Corsano is one of the greatest drummers working today, developing a percussive language of extraordinary amplitude and infinite resources. His collaborations stretch from free jazz greats (Joe McPhee, Evan Parker, Paul Flaherty & more) to noise mavens (Jandek, Bill Nace, C Spencer Yeh etc) and pop superstars (Björk). Capable of generating narrative out of permanent ecstasy, Corsano never ceases to be profoundly affirmative and imposing of his language, and being an absolute and charismatic virtuoso, he simultaneously is one of the most noble and generous improvisers of the few last decades. <br /><br />A move from western Massachusetts to the UK in 2005 led Corsano to develop his solo music - a dynamic, spontaneously-composed amalgam of extended techniques for drum set and non-percussive instruments of his own making: e.g. bowed violin strings stretched across drum heads, modified reed instruments, and stockpiles of resonant metal. In February 2006, Corsano released his first solo recording, The Young Cricketer, and toured extensively throughout Europe, USA, Australia, and Japan. In 2009, Corsano returned focus to his own projects, including a duo with Michael Flower, Vampire Belt (with Bill Nace), Rangda (with Richard Bishop and Ben Chasny) and his solo work, further expanded in its use of contact microphones and synthesizers. In 2017, he received the Foundation for Contemporary Arts Grants to Artist Award.<br /><br />Corsano's dedication to collective improvisation has led to collaborations with many kindred spirits and his appearance on over 150 records and 1000 live performances. He's worked with, among others: Paul Dunmall (released by ESP-Disk), Joe McPhee (Roaratorio), Okkyung Lee (Open Mouth), Earth Ball (Upset The Rhythm), Nate Wooley (No Business & Astral Spirits), Jim O'Rourke & Akira Sakata (Drag City), Merzbow (Family Vineyard), Jessica Rylan (Load Records), Bill Orcutt, John Edwards, Nels Cline, Heather Leigh, Ghédalia Tazartès and Sunburned Hand Of Man.<br /><a href="https://chriscorsano.bandcamp.com/music">https://chriscorsano.bandcamp.com/music</a><br /></p><p><br /><b>TERRINE</b> is Claire Gapenne, an artist and musician from Amiens in the north of France. She has been part of the experimental scene since 2012, notably in the industrial rock band Headwar with whom she discovered other ways of performing music. Begun in 2013, her solo project Terrine develops spontaneous and immediate music. From 2014, she also formed Me Donner alongside Romain Simon, a band at the fringes of no-wave, no-techno and improvised music. In 2017 Me Donner and Les Conférences Bunker founded the group Les Conférences Donner where Claire plays free guitar. Finally in 2021 she started an electronic project with Amédée de Murcia called Jazzoux during a residency at Paris’ Instants Chavirés. Claire Gapenne’s music is hosted on many different labels, from No Lagos, to Tanzprocesz, Bruit Direct, Third Type Tape.<br /><a href="https://terrine.bandcamp.com/">https://terrine.bandcamp.com/</a><br /><br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-83719875399939638702024-02-22T01:50:00.000-08:002024-02-22T01:50:46.103-08:00Scream + Soulside in London this May!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWy2TIKnbSLxEEUTJlDurRZXl-LwxEnxSrv5_5bys4NhRSJKnWifCWoN41DTFYU6Ea5wPNnMnupuHfUacLM7gBamIGGOsB3Yp-veLf2iKUCqYFktByVgmibK5ceuFFEXklDeEeD-lopg3wKc-pchwpjhh9hh7hCAwb9bFexCgSxo-yFA4Th-Qr73b0XGA/s2000/ScreamSoulside-UK01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="2000" height="529" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWy2TIKnbSLxEEUTJlDurRZXl-LwxEnxSrv5_5bys4NhRSJKnWifCWoN41DTFYU6Ea5wPNnMnupuHfUacLM7gBamIGGOsB3Yp-veLf2iKUCqYFktByVgmibK5ceuFFEXklDeEeD-lopg3wKc-pchwpjhh9hh7hCAwb9bFexCgSxo-yFA4Th-Qr73b0XGA/w529-h529/ScreamSoulside-UK01.jpg" width="529" /></a></div><br /><p></p><p>Deep breath! <br />We have a DC special heading to town this May with Scream and Soulside playing two shows back to back at The Lexington! Tickets are on sale now, most likely for a very short time!<br /><br />Upset The Rhythm presents…<br /><br /><b>SCREAM<br />SOULSIDE</b><br />Friday 10 May<br />Saturday 11 May<br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £20.00 | Tickets: <a href="https://link.dice.fm/xc9953269e0e">https://link.dice.fm/xc9953269e0e</a> & <a href="https://link.dice.fm/Qfab66a55a93">https://link.dice.fm/Qfab66a55a93</a><br /><br /><b>SCREAM</b> formed in 1979. Drummer Kent Stacks, bassist Skeeter Enoch Thompson and the brothers Pete and Franz Stahl attended school together in Bailey’s Crossroads, Virginia, when they began to discover the punk and new wave scene in DC and the provocative power of making music. Like most of the punk bands in DC, they were influenced by the Bad Brains, but their rock and roll sensibilities set them apart. In 1982, they went into Inner Ear Studio with Ian MacKaye and Eddie Janney to record Dischord's first full length album, Still Screaming.<br /><br />Scream followed this with a second full length album, This Side Up, in 1984. The band toured throughout the US and were one of the first US hardcore bands to tour Europe and the UK. In 1987, they released Banging the Drum, which was recorded at both Southern Studios in London and Inner Ear. In 1988, No More Censorship was released on reggae label RAS records. Scream returned to Dischord to release Fumble in 1993.<br /><br />Scream’s newest album, DC Special, was released late last year on Dischord Records. For this record, Scream invited their extensive music community to help create a unique project that weaves the history of music in Washington DC into the story of the band. DC Special embodies the same sense of community and politics that inspired Scream from the start and is a truly special collection of new music that speaks to the present and also tells the story of DC music, Scream, and the influences that shaped them.<br /><br /><a href="https://dischord.com/release/194/dc-special">https://dischord.com/release/194/dc-special</a><br /><br /><br /><b>SOULSIDE</b> formed in Washington, D.C. in 1985, split up in 1989, then reformed in 2014 and has continued playing and writing music since then. After releasing their debut album on Sammich/Dischord, they recorded Trigger (Dischord, 1988) and Hot Bodi-Gram (Dischord, 1989), which were combined on the Soon Come Happy CD in 1990. The band toured extensively in the US and Europe during these years, including groundbreaking shows in Poland and East Berlin shortly before the Berlin Wall fell in 1989. <br /><br />In 2020, Soulside put out a new 7-inch, This Ship, their first release in 30 years, which was recorded in Prague. In late 2022, Dischord released a 12-song Soulside album, A Brief Moment in the Sun, which was written during the heart of the pandemic and recorded in person by J. Robbins in November 2021. Soulside toured the US and Europe in 2023 to support the new album. Soulside is: Alexis Fleisig (drums), Scott McCloud (guitar and vocals), Bobby Sullivan (vocals), and Johnny Temple (bass).<br /><br /><a href="https://soulside.bandcamp.com/">https://soulside.bandcamp.com/</a></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-69939219392307720462024-02-21T05:29:00.000-08:002024-02-21T05:29:24.174-08:00Tara Clerkin Trio - London show for November announced!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe4f1-Nwg56U3smPHPPlEzOdwuGtvLzq0f6JAxrXm47Z9eXmp3fjD9TaZC0Bjli-84riboXg_HFMDXh9G9upYQQ86Cmt3L7KS2Ra5efvEqP0oNiEk_ViZHRs099eRLEXXAmqmAlcF_vLE3hWenwwuV6uYXOj-2QcKfoOXI2BmyfmITJj0WU0ndT8t5_5M/s1242/TCT_Nov_24_London.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1242" data-original-width="1242" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe4f1-Nwg56U3smPHPPlEzOdwuGtvLzq0f6JAxrXm47Z9eXmp3fjD9TaZC0Bjli-84riboXg_HFMDXh9G9upYQQ86Cmt3L7KS2Ra5efvEqP0oNiEk_ViZHRs099eRLEXXAmqmAlcF_vLE3hWenwwuV6uYXOj-2QcKfoOXI2BmyfmITJj0WU0ndT8t5_5M/w426-h426/TCT_Nov_24_London.jpg" width="426" /></a></div><br /> <p></p><div data-contents="true"><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="1abr9-0-0"><div class="_1mf _1mj" data-offset-key="1abr9-0-0"><span data-offset-key="1abr9-0-0"><span data-text="true">Huge news! </span></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="2qcqo-0-0"><div class="_1mf _1mj" data-offset-key="2qcqo-0-0"><span data-offset-key="2qcqo-0-0"><span data-text="true">We’ve booked Tara Clerkin Trio to play again for us on Sat 16th November at EartH Theatre. Tickets are on sale… now!</span></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="8sune-0-0"><div class="_1mf _1mj" data-offset-key="8sune-0-0"><span data-offset-key="8sune-0-0"><span data-text="true">The 100 Club show on Monday is long sold out, so we’re not expecting tickets to linger. Exciting times.</span></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="44iie-0-0"><div class="_1mf _1mj" data-offset-key="44iie-0-0"><span data-offset-key="44iie-0-0"><br data-text="true" /></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="f0778-0-0"><div class="_1mf _1mj" data-offset-key="f0778-0-0"><span data-offset-key="f0778-0-0"><span data-text="true">Upset The Rhythm presents…</span></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="876gm-0-0"><div class="_1mf _1mj" data-offset-key="876gm-0-0"><span data-offset-key="876gm-0-0"><br data-text="true" /></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="6jgvg-0-0"><div class="_1mf _1mj" data-offset-key="6jgvg-0-0"><b><span data-offset-key="6jgvg-0-0"><span data-text="true">TARA CLERKIN TRIO</span></span></b></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="90jm9-0-0"><div class="_1mf _1mj" data-offset-key="90jm9-0-0"><span data-offset-key="90jm9-0-0"><span data-text="true">Saturday 16 November</span></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="3opda-0-0"><div class="_1mf _1mj" data-offset-key="3opda-0-0"><span data-offset-key="3opda-0-0"><span data-text="true">EartH Theatre, 11-17 Stoke Newington Rd, London, N16 8BH</span></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="b617r-0-0"><div class="_1mf _1mj" data-offset-key="b617r-0-0"><span data-offset-key="b617r-0-0"><span data-text="true">6.30pm-10.30pm | £16 | Tickets: </span></span><span class="x1fey0fg"><span data-offset-key="b617r-1-0"><span data-text="true"><a href="https://link.dice.fm/Aeb338640a1d">https://link.dice.fm/Aeb338640a1d</a></span></span></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="fgpcn-0-0"><div class="_1mf _1mj" data-offset-key="fgpcn-0-0"><span data-offset-key="fgpcn-0-0"><br data-text="true" /></span></div><div class="_1mf _1mj" data-offset-key="fgpcn-0-0"><span data-offset-key="fgpcn-0-0"><br data-text="true" /></span></div><div class="_1mf _1mj" data-offset-key="fgpcn-0-0"><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="361" src="https://www.youtube.com/embed/e66r1HgCUMI" width="452" youtube-src-id="e66r1HgCUMI"></iframe></div><br /><span data-offset-key="fgpcn-0-0"><br data-text="true" /></span></div><div class="_1mf _1mj" data-offset-key="fgpcn-0-0"><span data-offset-key="fgpcn-0-0"><br data-text="true" /></span></div></div><div class="x1e56ztr" data-block="true" data-editor="c2j4s" data-offset-key="2sus9-0-0"><div class="_1mf _1mj" data-offset-key="2sus9-0-0"><span data-offset-key="2sus9-0-0"><span data-text="true">x</span></span></div><div class="_1mf _1mj" data-offset-key="2sus9-0-0"><span data-offset-key="2sus9-0-0"><span data-text="true"> </span></span></div></div></div>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-13138943311459190472024-02-13T04:19:00.000-08:002024-02-13T04:19:29.387-08:00Behold... PARSNIP!<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkaUiMn7QJZbncLJqfLmYlklFgFZ6g4sVW1vqWe6I0PLvfGXDH5d1IS26fc3G3bA7kzeSKqryGOehEx38Nl5wyHE_diObGYEjn_gHG251CSTmg_Z9vr4sI_SngzG7ovA0t4LYxVy3AaJqGTMCcOopc0E-5pvVg93vACMq0CF7PoWBTVTSTZMlsHlW1DR8/s5616/Parsnip.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3744" data-original-width="5616" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkaUiMn7QJZbncLJqfLmYlklFgFZ6g4sVW1vqWe6I0PLvfGXDH5d1IS26fc3G3bA7kzeSKqryGOehEx38Nl5wyHE_diObGYEjn_gHG251CSTmg_Z9vr4sI_SngzG7ovA0t4LYxVy3AaJqGTMCcOopc0E-5pvVg93vACMq0CF7PoWBTVTSTZMlsHlW1DR8/w479-h322/Parsnip.jpg" width="479" /></a></div><br /><p></p><p>Green shoots have burst forth from <b>Parsnip</b>! The Australian group have a super-catchy single out today called ‘The Light’, taken from their sophisticated sophomore album ‘Behold’. Drawing comparisons with Dolly Mixture, Sara Goes Pop and Look Blue Go Purple, Parsnip are an animated ensemble, full of life, emotional complexity and humour. On ‘Behold’ they explore both the inner and outer realms of consciousness with quick wits and some seriously quality jangle and jolt. Take a listen to ‘The Light’, a whip smart workout if there ever was one!<br /><br />Upset The Rhythm and Anti Fade Records will release ‘Behold’ on April 26th. There’s a limited transparent vinyl edition, available to pre-order (drum roll please)… <u><a href="https://upsettherhythm.bigcartel.com/" target="_blank">now</a></u>!<br /><br /></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="384" src="https://www.youtube.com/embed/mTB29CLKEvE" width="460" youtube-src-id="mTB29CLKEvE"></iframe></div><p><br /><br />UTR<br />x<br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-58027664266354016282024-02-09T04:31:00.000-08:002024-02-09T04:31:33.085-08:00Are you being served this Sunday?<p> </p>
<table cellpadding="0" cellspacing="0" class="divider YMLPS51" id="YMLPS51" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS22" id="YMLPS22" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS11" id="YMLPS11" style="width: 100%;"><tbody><tr><td align="left" class="section_selected"><div>
<table border="0" cellpadding="0" cellspacing="0" style="width: 100%;">
<tbody>
<tr>
<td style="text-align: justify; width: 80%;" valign="top">
<div>Alright there!</div>
<div> </div>
<div>This Sunday <b>Upset The Rhythm</b> will be setting out our wares in a highly entertaining pop-up independent label department store event called <b>Are You Being Served?</b></div>
<div> </div>
<div>This will take place across three floors of the <b>Betsey Trotwood</b> on <b>Sunday 11th Feb</b>, from 1pm-7pm. <b> </b></div>
<div> </div>
<div><b>Russell Walker</b> from <b>The Pheromoans</b> will be performing
a 20-min set at 1pm, alongside many other artists and label DJs
throughout the day, well worth the £1 entry fee! Check out all the acts
performing and labels involved below and if you love a good theme tune
this <a href="https://www.instagram.com/p/C19pNBiAM5T/">trailer</a> is for you.</div>
<div> </div>
<div>See YOU there!</div>
</td>
<td align="left" style="width: 5%;" valign="top"> </td>
<td align="left" style="width: 15%;" valign="top">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_utrbadge2021foggymoon.jpg" style="border: 0pt none; vertical-align: baseline;" width="300" /></a></div>
<div> </div>
<div> </div>
</td>
</tr>
</tbody>
</table>
</div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS42" id="YMLPS42" style="width: 100%;"><tbody><tr><td align="left" class=""><p align="center"><img src="https://img.ymlp.com/upset_the_rhythm_4246202148920306826467238892998891222499422n.jpg" style="border: 0pt none; float: left; vertical-align: baseline;" width="300" /><img src="https://img.ymlp.com/upset_the_rhythm_GFmIRuEWgAA2DL.jpg" style="border: 0pt none; float: right; vertical-align: baseline;" width="300" /></p></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS64" id="YMLPS64" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS76" id="YMLPS76" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS4" id="YMLPS4" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS59" id="YMLPS59" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS6" id="YMLPS6" style="width: 100%;"><tbody><tr><td align="left" class=""><table border="0" cellpadding="0" cellspacing="0" style="width: 100%;">
<tbody>
<tr>
<td align="left" style="width: 15%;" valign="top"><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_pherosquare.jpg" style="border: 0pt none; vertical-align: baseline;" width="300" /></a><br /></td>
<td align="left" style="width: 5%;" valign="top"> </td>
<td style="text-align: justify; width: 80%;" valign="top">
<div>Talking of <b>The Pheromoans</b>, they rolled up their trouser leg
and consulted with the master mason this week too as they rebounded with
a second single from their upcoming <i><b>Wyrd Psearch</b></i> album.</div>
<div> </div>
<div>‘Faith in the Future’ “cautiously tugs at a thread of certain
patterns, mishearings and misinterpreted gestures” according to vocalist
Russell Walker.<br /><br />The song is complemented by the visual recordings of 11-year-old Hitchin resident <b>Rowan Walker</b> and his keen eye for transportation.</div>
<div> </div>
<div><b><i>Wyrd Psearch</i></b> will be released on March 1st by Upset The Rhythm and is available to <a href="https://upsettherhythm.bigcartel.com/">pre-order</a> now.</div>
<div> </div>
<div>The band will be launching the record with us at <b>Cafe OTO</b> on <b>March 5th</b> too, more info below.</div>
<div> </div>
</td>
</tr>
</tbody>
</table></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS55" id="YMLPS55" style="width: 100%;"><tbody><tr><td align="left" class=""><p align="center"><a href="https://youtu.be/9CFONGkkMT0"><img src="https://img.ymlp.com/upset_the_rhythm_Screenshot20240209at121018.png" style="border: 0pt none; vertical-align: baseline;" width="550" /></a></p></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS33" id="YMLPS33" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS13" id="YMLPS13" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS65" id="YMLPS65" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS7" id="YMLPS7" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS17" id="YMLPS17" style="width: 100%;"><tbody><tr><td align="left" class=""><div>
<table border="0" cellpadding="0" cellspacing="0" style="width: 100%;">
<tbody>
<tr>
<td style="text-align: justify; width: 80%;" valign="top">
<div>Read on for lots more information on our upcoming UTR London shows, including a new listing for <b>Future Islands</b> at Crystal Palace Bowl later this July.</div>
<div> </div>
<div>Our next event by the way will take place on Feb 22nd at The Lexington when we're lucky enough to have Dutch trio <b>The Homesick</b> (Sub Pop) performing. The Homesick write giddily brilliant odd-pop, expect to be bowled over by the fizzing energy of it all.<b> </b></div>
<div> </div>
<div><b>Findom</b> and <b>Home Secretary</b> are performing too, so look out for some No Wave / Dub / Goth thrills and rhythmic non-songs of crude sound collage.</div>
<div> </div>
<div> </div>
</td>
<td align="left" style="width: 5%;" valign="top"> </td>
<td align="left" style="width: 15%;" valign="top">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_thehomesick2019promo02sarahcass2250x1500300.jpg" style="border: 0pt none; vertical-align: baseline;" width="300" /></a></div>
</td>
</tr>
</tbody>
</table>
</div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS2" id="YMLPS2" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS54" id="YMLPS54" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS21" id="YMLPS21" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS1" id="YMLPS1" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS63" id="YMLPS63" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS14" id="YMLPS14" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_homesickposter2024.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>THE HOMESICK<br />FINDOM</b></div>
<div style="text-align: justify;"><b>HOME SECRETARY</b><br />Thursday 22 February<br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £10.00 | Tickets: <a href="https://link.dice.fm/bf946caa252b">https://link.dice.fm/bf946caa252b</a><br /><br /><b>THE HOMESICK</b>
are Elias Elgersma (Vocals, Effects), Jaap van der Velde (Vocals,
Effects) and Erik Woudwijk (Drums). The Homesick fuse post-punk rhythms
with melodic whimsical pop into an experimental blend of great songs.
The Dutch group have been around since their first EP Television from
2013 and released their debut album Youth Hunt (Subroutine) in 2017.
Hailing from the backwater Frisian municipality of Dokkum, the band
enjoy exploring the extremes of their music. Their albums play with this
ambiguity as they incorporate dark post-punk alongside sure-fire pop
earworms. Their second album The Big Exercise (SubPop) from 2020
inverted this sound, second-guessing their core chemistry as a live
unit. Where the debut album incorporates vocals drenched in reverb,
warped synths and distorted guitars, the Big Excercise leaves a hint of
romanticism through the baroque elements such as piano, acoustic guitar,
percussion and clarinet.</div>
<div style="text-align: justify;"><br />Shortly after the release of The
Big Exercise they individually started to explore new musical
directions. Guitar and bass were dropped as Elias and Jaap searched for
other sounds playing keys, sample boxes and more new rhythmic
instruments. “We wanted to come up with something that we can dance to”,
Jaap says. “After these last two years we very much felt like this is
what we need now.” The new songs are unmistakably The Homesick and at
the same time like you've never heard them before. The third and
self-titled album by The Homesick is out now.<br /><a href="https://thehomesick.bandcamp.com">https://thehomesick.bandcamp.com</a><br /><br /><b>FINDOM</b>
know a thing about Britain’s death drive. They know that morbid
fascinations of bad faith, morose binds and slow crawls have led us
here. Their debut tape (on Gob Nation) confronts the conceit of class
deterioration, clashing together energies of No Wave, Jazz, Dub and Goth
into a work that, through part satire and part protest, has the hooks
to fight back. We are left with five tracks self-described as anti-jazz
with an overarching structure that feels like a Killing Joke inspired
noir thriller, where moments of dark aggression are sonically punctuated
by open stretches of rhythmic disorientation. <br /><a href="https://gobnation.bandcamp.com/album/pay-pig">https://gobnation.bandcamp.com/album/pay-pig</a></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><b>HOME SECRETARY</b> are a duo from
South London, creating rickety and occasionally rhythmic non-songs that
combine spoken word with improvised instrumentation. Expect to hear
crude sound collage, fumbled instruments, and vocals whispered and
proclaimed. <br /><a href="https://homesec.bandcamp.com">https://homesec.bandcamp.com</a><br /><br /><br /></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS30" id="YMLPS30" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS31" id="YMLPS31" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS39" id="YMLPS39" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS36" id="YMLPS36" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS27" id="YMLPS27" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS38" id="YMLPS38" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_pheromoansinvorangeposter.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…</div>
<div style="text-align: justify;"><br /><b>THE PHEROMOANS - <i>Wyrd Psearch</i> album launch<br />APOSTILLE<br />DEAN RODNEY JR. & THE COWBOYS<br />FLEX DJs</b> (HP Sorcery & The Plague)<br />Tuesday 5 March<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £10 | Tickets: <a href="https://link.dice.fm/ed1d116c8c37">https://link.dice.fm/ed1d116c8c37</a><br /><br /><b>THE PHEROMOANS</b>
are tenants of an unruly domain. Over the last 18 years the group have
evolved from garage rock primitivists to auteurs of their own curious
sound; a frothy brew of loose electronics, refractory rock and humdrum
musing. Their songs are mutable, capricious, unreliable narrations,
often withholding as much as they reveal. Russell Walker’s understated
vocal has always been the band’s unifying focus, it is wry, unsparing
and wilfully honest. Walker’s lyrics are an observational tour de force,
sometimes droll, yet often tipping over into unlikely pathos. With
previous releases on Upset The Rhythm, Convulsive and Alter, 2024 will
witness The Pheromoans return with lucky album number 13, entitled ‘Wyrd
Psearch’ (out March 1st on Upset The Rhythm). <br /><br />‘Wyrd Psearch’
was recorded in Lewes throughout 2023. This was undertaken by founding
member James Tranmer, his keen instinct for how the band should sound
shaping many of the creative decisions. Joined by new guitarist Henry
Holmes, the five piece doubled down on a decidedly breezy, melodic
approach. Scott Reeve’s drumming is ever brisk, whilst Daniel Bolger
explores AOR peripheries on keyboard and bass. “Wyrd Psearch finds us on
relatively zestful form” affirms Walker “whether it be merrily
recalling the Jason Williamson / Tim Lovejoy Covid summit, or mentally
bathing in the pleasures of lunch hours spent strapped to a listening
post in Borders.” With The Pheromoans there is always a familiarity at
play, only broken and reassembled, like a bygone sitcom gone rogue in
your memory. This contributes to the group’s peculiarly British outsider
perspective, one that shouts from the sidelines, but never goes
unnoticed.<br /><a href="https://upsettherhythm.bandcamp.com/album/wyrd-psearch">https://upsettherhythm.bandcamp.com/album/wyrd-psearch</a><br /><br /><b>APOSTILLE</b>
is a man who's torn through enough soundsystems to know the difference
between gesture and meaning. Alongside running his own DIY record label
Night School Records, Glasgow native Michael Kasparis has previously
made forays into the realm of hardcore punk with his groups Anxiety and
The Lowest Form. Throughout all this, his solo electronic venture
Apostille has continued to evolve with each twist and turn of the world.
What started off as a quest to whip up a mood and force that into a
song has steadily become more of a mission in communication. The third
Apostille album, ‘Prisoners Of Love And Hate’, was released on Night
School on September 22nd.<br /><a href="https://apostille.bandcamp.com/album/prisoners-of-love-and-hate">https://apostille.bandcamp.com/album/prisoners-of-love-and-hate</a><br /><br /><b>DEAN RODNEY JR.</b>
is an artist and the lead singer of Dean Rodney Jr. & The Cowboys.
In this latest project he puts on the golden suit and riffs about food,
jiggling body parts and more over tight disco pop. Backed by Rosie
Ridgeway, Jack Barraclough, Tom Hirst and Robyn Steward, you better
watch out as there’s a new sheriff in town! Their debut album ‘The
Yeehaw Moment’ is out now. Dean was also the frontman of The Fish
Police, has collaborated with Ravioli Me Away and during lockdown, Dean
wrote and recorded 54 albums, describing a fictional alternative version
of the present day, Dean TV World. <br /><a href="https://deanrodneyjrandthecowboys.bandcamp.com">https://deanrodneyjrandthecowboys.bandcamp.com</a><br /><br /></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS45" id="YMLPS45" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS56" id="YMLPS56" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS46" id="YMLPS46" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS24" id="YMLPS24" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS47" id="YMLPS47" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_umbrellastourposter--2.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>THE UMBRELLAS</b></div>
<div style="text-align: justify;"><b>SWANSEA SOUND</b></div>
<div style="text-align: justify;"><b>AUTOCAMPER</b></div>
<div style="text-align: justify;">Wednesday 13 March<br />OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/ee39bba86945">https://link.dice.fm/ee39bba86945</a> <br /><br /><b>THE UMBRELLAS</b>
are four renegade romantics crafting irresistible indie pop hymns. The
band’s self-titled 2021 debut album became a breakout moment, winning
critical praise and sparking an international tour. Follow-up LP
‘Fairweather Friend’ goes a step further – absorbing the sonic attack of
their live shows, it balances this with studio finesse, allowing the
San Francisco four-piece to become the band they’ve always aspired to
be.</div>
<div style="text-align: justify;"><br />It’s a record overflowing with
highlights. The candyfloss melodies of introductory track ‘Three
Cheers!’ are matched to an impactful percussive punch; ‘Say What You
Mean’ finds The Umbrellas working with total confidence, letting the
song ride out to its chiming conclusion, four voices working in
precision. ‘When You Find Out’ offers rotating notes of guitar
punctuated by a vocal that pushes past angst to accept a world full of
hope. A lean 10 track affair, it grasps towards beatific pop while
fuelled by a sense of risk, and the precision that comes from long
months on the road. Taken as a whole ‘Fairweather Friend’ is a bold
indie pop triumph, crafted with purpose and attention. Taking their time
over each note, the four-piece have strengthened their songwriting,
adding depth and assurance while unlocking their potential. Some bonds
last a lifetime – The Umbrellas are ready to capture your heart. <br /><a href="https://theumbrellasca.bandcamp.com/album/the-umbrellas">https://theumbrellasca.bandcamp.com/album/the-umbrellas</a></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><b>SWANSEA SOUND</b> are Hue Williams
(The Pooh Sticks), Amelia Fletcher and Rob Pursey (both Talulah
Gosh/Heavenly, The Catenary Wires), Bob Collins (The Dentists, The
Treasures of Mexico), Ian Button, (Death in Vegas, with Louis Philippe,
Pete Astor and Papernut Cambridge). Swansea Sound’s recent album
Twentieth Century was released by Skep Wax Records. On this second album
of unapologetic indie pop and punk they sing about things like Pete
Shelley, vinyl, online shopping and getting older.<br /><a href="https://swanseasound.bandcamp.com/album/swansea-sound">https://swanseasound.bandcamp.com/album/swansea-sound</a><br /><br /><b>AUTOCAMPER</b>
are a four-piece jangle pop band playing scuzzy C86-inspired music. The
band’s recent demo EP came out on Discontinuous Innovation Inc (run by
Nick from The Umbrellas), they’ve recently played shows with The
Orchids, Lande Hekt, The Vaselines and Jeanines.<br /><a href="https://autocamper.bandcamp.com">https://autocamper.bandcamp.com</a></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS50" id="YMLPS50" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS52" id="YMLPS52" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS48" id="YMLPS48" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS53" id="YMLPS53" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS41" id="YMLPS41" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS23" id="YMLPS23" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_marylattimore2024poster.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>MARY LATTIMORE</b><br />Tuesday 26 March<br />Scala, 275 Pentonville Rd, London, N1 9NL<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/E8624bc1f2eb">https://link.dice.fm/E8624bc1f2eb</a> <br /><br /><b>MARY LATTIMORE</b>
is a harpist and composer living in Los Angeles. She experiments with
her Lyon and Healy Concert Grand harp and effects. Her solo debut, The
Withdrawing Room, was released in 2013 on Desire Path Recordings.
Lattimore also writes harp parts for songs and recordings, performing
and recording with such great artists as Meg Baird, Thurston Moore,
Sharon Van Etten, Jarvis Cocker, Kurt Vile, Steve Gunn, Ed Askew and
Fursaxa. Her debut solo record for Ghostly International, 'At The Dam',
was recorded during stops along a road trip across America and released
in March 2016. The next year, she compiled sounds from her past life in
Philadelphia for a cassette tape titled 'Collected Pieces'. Released in
May 2018 to acclaim from the likes of NPR, Pitchfork, and The New Yorker
Lattimore's next album 'Hundreds of Days' presented an expression of
mystified gratitude for the natural world. <br /><br />‘Goodbye, Hotel
Arkada’ (Ghostly International), Lattimore’s new LP, speaks not just
for its beloved namesake - a hotel in Croatia facing renovation - but
for a universal loss that is shared. Six sprawling pieces shaped by
change; nothing will ever be the same, and here, the artist, evolving in
synthesis, celebrates and mourns the tragedy and beauty of the
ephemeral, all that is lived and lost to time. Documented and edited in
uncharacteristically measured sessions over the course of two years, the
material remains rooted in improvisation while glistening as the most
refined and robust in Lattimore’s decade-long catalog. It finds her
communing with friends, contemporaries, and longtime influences, in full
stride yet slowing down to nurture songs in new ways. The cast includes
Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy
Montgomery, Samara Lubelski, and Walt McClements.<br /><a href="https://marylattimoreharpist.bandcamp.com/">https://marylattimoreharpist.bandcamp.com/</a></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS35" id="YMLPS35" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS28" id="YMLPS28" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS37" id="YMLPS37" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS29" id="YMLPS29" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS26" id="YMLPS26" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS49" id="YMLPS49" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS12" id="YMLPS12" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS15" id="YMLPS15" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS5" id="YMLPS5" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS43" id="YMLPS43" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS9" id="YMLPS9" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS40" id="YMLPS40" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS20" id="YMLPS20" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="YMLPS16" id="YMLPS16" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><br /></td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS19" id="YMLPS19" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS25" id="YMLPS25" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="YMLPS32" id="YMLPS32" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: center;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: center;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>Thanks for reading and we'll see you on Sunday in shop assistant mode!</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<div style="text-align: center;"><b>Upset The Rhythm<br /></b></div>
<div style="text-align: center;"> </div>
<div style="text-align: center;"> </div>
<div class="separator" data-blogger-escaped-style="clear: both; text-align: center;" style="clear: both; text-align: center;"> <a href="http://www.upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_utr.png" style="border: 0pt none; vertical-align: baseline;" width="33" /></a><span style="color: #f6acb3;"> </span> <span style="color: #f6acb3;"> </span> <span style="color: #f6acb3;"> </span> </div>
<div align="center" data-blogger-escaped-style="margin-bottom: 0; margin-left: 0; margin-right: 0; margin-top: 0; padding-bottom: 0; padding-left: 0; padding-right: 0; padding-top: 0;" id="yui_3_16_0_ym19_1_1489757892418_18928" style="margin: 0; padding: 0;">
<div class="separator" style="clear: both; text-align: center;"> </div>
<div> </div>
</div></td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS18" id="YMLPS18" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS10" id="YMLPS10" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS34" id="YMLPS34" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS3" id="YMLPS3" style="width: 100%;">
<tbody><tr>
<td align="left" class="">
<div>
<div><b> </b></div>
<div><b>UPSET THE RHYTHM</b></div>
<div><b><i>UPCOMING SHOWS </i></b></div>
</div>
</td>
</tr>
</tbody></table>
<table cellpadding="4" cellspacing="0" class="YMLPFT" id="YMLPFT" style="width: 100%;">
<tbody><tr>
<td align="left" id="YMLPFTTD">
<table cellpadding="0" cellspacing="0" class="YMLPS44" id="YMLPS44" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div><b><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">THE HOMESICK</span></span></b></div>
<div><b><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">FINDOM</span></span></b></div>
<div><b><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">HOME SECRETARY<br /></span></span></b></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">Thursday 22 February </span></span></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">The Lexington, 96-98 Pentonville Rd, London, N1 9JB </span></span></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">7.30pm | £10 | Tickets: </span><a class="css-4rbku5 css-18t94o4 css-901oao css-16my406 r-1cvl2hr r-1loqt21 r-poiln3 r-bcqeeo r-qvutc0" dir="ltr" href="https://t.co/Bqstpc57cs" rel="noopener noreferrer nofollow" role="link" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;" target="_blank"><span aria-hidden="true" class="css-901oao css-16my406 r-poiln3 r-hiw28u r-qvk6io r-bcqeeo r-qvutc0">https://</span>link.dice.fm/bf946caa252b</a></span></div>
<div> </div>
<div><b>TARA CLERKIN TRIO</b></div>
<div><b>GENGHIS COHN</b></div>
<div>Monday 26 February<br />100 Club, 100 Oxford St, London, W1D 1LL<br />7.30pm | <b>SOLD OUT</b></div>
<div> </div>
<div><b>THE PHEROMOANS - 'Wyrd Psearch' album launch<br />APOSTILLE<br />DEAN RODNEY JR. & THE COWBOYS<br />FLEX DJs (HP Sorcery & The Plague)</b><br />Tuesday 5 March<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £10 | Tickets: <a href="https://link.dice.fm/ed1d116c8c37">https://link.dice.fm/ed1d116c8c37</a></div>
<div> </div>
<div><b>THE UMBRELLAS</b></div>
<div><b>SWANSEA SOUND</b></div>
<div><b>AUTOCAMPER</b></div>
<div>Wednesday 13 March<br />OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/ee39bba86945">https://link.dice.fm/ee39bba86945</a></div>
<div> </div>
<div><b>MARY LATTIMORE</b><br />Tuesday 26 March<br />Scala, 275 Pentonville Rd, London, N1 9NL<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/E8624bc1f2eb">https://link.dice.fm/E8624bc1f2eb</a></div>
<div> </div>
<div><b>ALISON COTTON</b><br />Friday 5 April<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/Hc9626d08025">https://link.dice.fm/Hc9626d08025</a></div>
<div> </div>
<div><b>MARTIN NEWELL</b> (Cleaners From Venus) <br />Thursday 11 April <br />St Matthias Church, Wordsworth Road, Dalston, London, N16 8DD<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/b9f5c252d897">https://link.dice.fm/b9f5c252d897</a><br /><br /></div>
<div><b>HOUSE Of ALL</b><br />Thursday 18 April<br />The Dome, 2A Dartmouth Park Hill, Tufnell Park, N19 5QH<br />7pm | £18 | Tickets: <a href="https://link.dice.fm/wac85b671659">https://link.dice.fm/wac85b671659</a></div>
<div> </div>
<div><b>LANKUM</b><br />Saturday 18 May<br />Sunday 19 May<br />Hackney Empire, 291 Mare St, London E8 1EJ
<div>
<div>
<div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">(Produced by UTR and Parallel Lines) </span></div>
</div>
</div>
</div>
8pm | <b>SOLD OUT</b></div>
<div> </div>
<div><b>THE REDS, PINKS AND PURPLES</b></div>
Wednesday 12 June - <b>SOLD OUT</b><br />Thursday 13 June <br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £14 | Tickets: <a href="https://link.dice.fm/gf4a71a6788c">https://link.dice.fm/gf4a71a6788c</a></div>
<div> </div>
<div><b>FUTURE ISLANDS</b></div>
<div><b>BAXTER DURY</b></div>
<div><b>JULIE BYRNE</b></div>
<div>Saturday 27 July</div>
<div>Crystal Palace Bowl, Crystal Palace Park, London, SE19 2BA</div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">(Produced by UTR and Parallel Lines) </span></div>
<div>2pm | Tickets: <a href="https://www.ticketmaster.co.uk/event/3500603AB71C3B14">https://www.ticketmaster.co.uk/event/3500603AB71C3B14</a></div>
</div>
<div>
<div>
<div>
<div>
<div></div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div></td>
</tr>
</tbody></table>
<table border="0" cellpadding="0" cellspacing="0" id="YMLPNTA" style="height: 30px; width: 600px;">
<tbody><tr>
<td align="left" id="YMLPNTATD">
<div id="YMLPNTATD_SPACER" style="font-size: 8px;"> </div>
</td>
</tr>
</tbody></table>
</td>
</tr>
</tbody></table>
<img height="20" src="https://www.ymlp.com/app/img/space.gif" width="1" />UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-42501727712628592052024-02-06T06:29:00.000-08:002024-02-06T06:29:22.379-08:00Faith In The Future!<p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="352" src="https://www.youtube.com/embed/9CFONGkkMT0" width="466" youtube-src-id="9CFONGkkMT0"></iframe></div><br /> <p></p><p>The Pheromoans roll up their trouser and consult with the master mason today as they rebound with a second single from their glorious upcoming ‘Wyrd Psearch’ album. ‘Faith in the Future’ “cautiously tugs at a thread of certain patterns, mishearings and misinterpreted gestures” according to vocalist Russell Walker. <br /><br />The song is complemented here by the visual recordings of 11-year-old Hitchin resident Rowan Walker and his keen eye for transportation. ‘Wyrd Psearch’ will be released on March 1st by Upset The Rhythm and is available to <a href="https://upsettherhythm.co.uk" target="_blank">pre-order now</a>.</p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-9962864665476782024-01-24T05:02:00.000-08:002024-01-24T05:02:11.118-08:00London shows and events!<p><br /></p><table cellpadding="0" cellspacing="0" class="divider YMLPS51" id="YMLPS51" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS22" id="YMLPS22" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS64" id="YMLPS64" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS76" id="YMLPS76" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS17" id="YMLPS17" style="width: 100%;"><tbody><tr><td align="left" class=""><div>
<table border="0" cellpadding="0" cellspacing="0" style="width: 100%;">
<tbody>
<tr>
<td style="text-align: justify; width: 80%;" valign="top">
<div>Hello there!</div>
<div> </div>
<div><b>Upset The Rhythm</b> return to live shows in February and our first concert off the block is a real humdinger.</div>
<div> </div>
<div>We have Dutch trio <b>The Homesick</b> (Sub Pop) bringing their
giddily brilliant odd-pop to The Lexington on Feb 22nd, expect to be
bowled over by the fizzing energy of it all. <b> Findom</b> and <b>Home Secretary</b> are performing too, so look out for No Wave / Dub / Goth thrills and rhythmic non-songs of crude sound collage.</div>
<div> </div>
<div>What a thing to exist!</div>
</td>
<td align="left" style="width: 5%;" valign="top"> </td>
<td align="left" style="width: 15%;" valign="top">
<div> </div>
<div> </div>
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_thehomesick2019promo01sarahcass2250x1500300.jpg" style="border: 0pt none; vertical-align: baseline;" width="300" /></a></div>
<div> </div>
</td>
</tr>
</tbody>
</table>
</div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS4" id="YMLPS4" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS59" id="YMLPS59" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS6" id="YMLPS6" style="width: 100%;"><tbody><tr><td align="left" class=""><table border="0" cellpadding="0" cellspacing="0" style="width: 100%;">
<tbody>
<tr>
<td align="left" style="width: 15%;" valign="top"><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_pherosquare.jpg" style="border: 0pt none; vertical-align: baseline;" width="300" /></a><br /></td>
<td align="left" style="width: 5%;" valign="top"> </td>
<td style="text-align: justify; width: 80%;" valign="top">
<div>We have another excellent evening planned for March 5th too! Come and help us launch <b>The Pheromoans</b> new album 'Wyrd Psearch' in style at Cafe OTO with mega-pals <b>Apostille</b> and <b>Dean Rodney Jr & The Cowboys</b> performing too. Counting the days!</div>
<div> </div>
<div>Read on for everything you need to know about both these events, as well as full write-ups for our upcoming shows for <b>Mary Lattimore</b> (March 26th, Scala) and <b>The Umbrellas</b> (March 13th, OSLO) too.</div>
<div> </div>
<div>Since we last talked we've also announced a very special event for <b>Alison Cotton</b> (April 5th) at St Pancras Old Church too, tickets now on sale.</div>
<div> </div>
<div>This is also your last call for tickets to <b>Tara Clerkin Trio</b> at The 100 Club on Feb 26th, we're down to our last small handful, heed taken.</div>
<div> </div>
<div> </div>
</td>
</tr>
</tbody>
</table></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS33" id="YMLPS33" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS13" id="YMLPS13" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS65" id="YMLPS65" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS11" id="YMLPS11" style="width: 100%;"><tbody><tr><td align="left" class=""><div>
<table border="0" cellpadding="0" cellspacing="0" style="width: 100%;">
<tbody>
<tr>
<td style="text-align: justify; width: 80%;" valign="top">
<div>One last bit of new news for you!</div>
<div> </div>
<div>We're thrilled that Upset The Rhythm will be setting out our wares
in a wonderful pop-up independent label department store event called <b>Are You Being Served?</b></div>
<div> </div>
<div>This will take place across three floors of the <b>Betsey Trotwood</b> on <b>Sunday 11th Feb</b>, from 1pm-7pm. <b> </b></div>
<div> </div>
<div><b>Russell Walker</b> from The Pheromoans will be performing a
20-min set, alongside many other artists and label DJs throughout the
day, well worth the £1 entry fee!</div>
<div> </div>
<div>Check out the <a href="https://www.instagram.com/p/C19pNBiAM5T/">trailer</a> for the full list of ace labels involved. See YOU there!</div>
</td>
<td align="left" style="width: 5%;" valign="top"> </td>
<td align="left" style="width: 15%;" valign="top">
<div><a href="https://www.instagram.com/p/C19pNBiAM5T/"><img src="https://img.ymlp.com/upset_the_rhythm_4167488728900798397839734273253777479892193n.jpg" style="border: 0pt none; vertical-align: baseline;" width="300" /></a></div>
<div> </div>
<div> </div>
</td>
</tr>
</tbody>
</table>
</div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS2" id="YMLPS2" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS7" id="YMLPS7" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS21" id="YMLPS21" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS1" id="YMLPS1" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS63" id="YMLPS63" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS14" id="YMLPS14" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_homesickposter--3.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>THE HOMESICK<br />FINDOM</b></div>
<div style="text-align: justify;"><b>HOME SECRETARY</b><br />Thursday 22 February<br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £10.00 | Tickets: <a href="https://link.dice.fm/bf946caa252b">https://link.dice.fm/bf946caa252b</a><br /><br /><b>THE HOMESICK</b>
are Elias Elgersma (Vocals, Effects), Jaap van der Velde (Vocals,
Effects) and Erik Woudwijk (Drums). The Homesick fuse post-punk rhythms
with melodic whimsical pop into an experimental blend of great songs.
The Dutch group have been around since their first EP Television from
2013 and released their debut album Youth Hunt (Subroutine) in 2017.
Hailing from the backwater Frisian municipality of Dokkum, the band
enjoy exploring the extremes of their music. Their albums play with this
ambiguity as they incorporate dark post-punk alongside sure-fire pop
earworms. Their second album The Big Exercise (SubPop) from 2020
inverted this sound, second-guessing their core chemistry as a live
unit. Where the debut album incorporates vocals drenched in reverb,
warped synths and distorted guitars, the Big Excercise leaves a hint of
romanticism through the baroque elements such as piano, acoustic guitar,
percussion and clarinet.</div>
<div style="text-align: justify;"><br />Shortly after the release of The
Big Exercise they individually started to explore new musical
directions. Guitar and bass were dropped as Elias and Jaap searched for
other sounds playing keys, sample boxes and more new rhythmic
instruments. “We wanted to come up with something that we can dance to”,
Jaap says. “After these last two years we very much felt like this is
what we need now.” The new songs are unmistakably The Homesick and at
the same time like you've never heard them before. The third and
self-titled album by The Homesick is out now.<br /><a href="https://thehomesick.bandcamp.com">https://thehomesick.bandcamp.com</a><br /><br /><b>FINDOM</b>
know a thing about Britain’s death drive. They know that morbid
fascinations of bad faith, morose binds and slow crawls have led us
here. Their debut tape (on Gob Nation) confronts the conceit of class
deterioration, clashing together energies of No Wave, Jazz, Dub and Goth
into a work that, through part satire and part protest, has the hooks
to fight back. We are left with five tracks self-described as anti-jazz
with an overarching structure that feels like a Killing Joke inspired
noir thriller, where moments of dark aggression are sonically punctuated
by open stretches of rhythmic disorientation. <br /><a href="https://gobnation.bandcamp.com/album/pay-pig">https://gobnation.bandcamp.com/album/pay-pig</a></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><b>HOME SECRETARY</b> are a duo from
South London, creating rickety and occasionally rhythmic non-songs that
combine spoken word with improvised instrumentation. Expect to hear
crude sound collage, fumbled instruments, and vocals whispered and
proclaimed. <br /><a href="https://homesec.bandcamp.com">https://homesec.bandcamp.com</a><br /><br /><br /></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS30" id="YMLPS30" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS31" id="YMLPS31" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS39" id="YMLPS39" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS36" id="YMLPS36" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS27" id="YMLPS27" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS38" id="YMLPS38" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_pheromoansinvorangeposter.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…</div>
<div style="text-align: justify;"><br /><b>THE PHEROMOANS - <i>Wyrd Psearch</i> album launch<br />APOSTILLE<br />DEAN RODNEY JR. & THE COWBOYS<br />FLEX DJs</b> (HP Sorcery & The Plague)<br />Tuesday 5 March<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £10 | Tickets: <a href="https://link.dice.fm/ed1d116c8c37">https://link.dice.fm/ed1d116c8c37</a><br /><br /><b>THE PHEROMOANS</b>
are tenants of an unruly domain. Over the last 18 years the group have
evolved from garage rock primitivists to auteurs of their own curious
sound; a frothy brew of loose electronics, refractory rock and humdrum
musing. Their songs are mutable, capricious, unreliable narrations,
often withholding as much as they reveal. Russell Walker’s understated
vocal has always been the band’s unifying focus, it is wry, unsparing
and wilfully honest. Walker’s lyrics are an observational tour de force,
sometimes droll, yet often tipping over into unlikely pathos. With
previous releases on Upset The Rhythm, Convulsive and Alter, 2024 will
witness The Pheromoans return with lucky album number 13, entitled ‘Wyrd
Psearch’ (out March 1st on Upset The Rhythm). <br /><br />‘Wyrd Psearch’
was recorded in Lewes throughout 2023. This was undertaken by founding
member James Tranmer, his keen instinct for how the band should sound
shaping many of the creative decisions. Joined by new guitarist Henry
Holmes, the five piece doubled down on a decidedly breezy, melodic
approach. Scott Reeve’s drumming is ever brisk, whilst Daniel Bolger
explores AOR peripheries on keyboard and bass. “Wyrd Psearch finds us on
relatively zestful form” affirms Walker “whether it be merrily
recalling the Jason Williamson / Tim Lovejoy Covid summit, or mentally
bathing in the pleasures of lunch hours spent strapped to a listening
post in Borders.” With The Pheromoans there is always a familiarity at
play, only broken and reassembled, like a bygone sitcom gone rogue in
your memory. This contributes to the group’s peculiarly British outsider
perspective, one that shouts from the sidelines, but never goes
unnoticed.<br /><a href="https://upsettherhythm.bandcamp.com/album/wyrd-psearch">https://upsettherhythm.bandcamp.com/album/wyrd-psearch</a><br /><br /><b>APOSTILLE</b>
is a man who's torn through enough soundsystems to know the difference
between gesture and meaning. Alongside running his own DIY record label
Night School Records, Glasgow native Michael Kasparis has previously
made forays into the realm of hardcore punk with his groups Anxiety and
The Lowest Form. Throughout all this, his solo electronic venture
Apostille has continued to evolve with each twist and turn of the world.
What started off as a quest to whip up a mood and force that into a
song has steadily become more of a mission in communication. The third
Apostille album, ‘Prisoners Of Love And Hate’, was released on Night
School on September 22nd.<br /><a href="https://apostille.bandcamp.com/album/prisoners-of-love-and-hate">https://apostille.bandcamp.com/album/prisoners-of-love-and-hate</a><br /><br /><b>DEAN RODNEY JR.</b>
is an artist and the lead singer of Dean Rodney Jr. & The Cowboys.
In this latest project he puts on the golden suit and riffs about food,
jiggling body parts and more over tight disco pop. Backed by Rosie
Ridgeway, Jack Barraclough, Tom Hirst and Robyn Steward, you better
watch out as there’s a new sheriff in town! Their debut album ‘The
Yeehaw Moment’ is out now. Dean was also the frontman of The Fish
Police, has collaborated with Ravioli Me Away and during lockdown, Dean
wrote and recorded 54 albums, describing a fictional alternative version
of the present day, Dean TV World. <br /><a href="https://deanrodneyjrandthecowboys.bandcamp.com">https://deanrodneyjrandthecowboys.bandcamp.com</a><br /><br /></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS45" id="YMLPS45" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS56" id="YMLPS56" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS46" id="YMLPS46" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS24" id="YMLPS24" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS47" id="YMLPS47" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_umbrellastourposter.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>THE UMBRELLAS</b><br />Wednesday 13 March<br />OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/ee39bba86945">https://link.dice.fm/ee39bba86945</a> <br /><br /><b>THE UMBRELLAS</b>
are four renegade romantics crafting irresistible indie pop hymns. The
band’s self-titled 2021 debut album became a breakout moment, winning
critical praise and sparking an international tour. Follow-up LP
‘Fairweather Friend’ goes a step further – absorbing the sonic attack of
their live shows, it balances this with studio finesse, allowing the
San Francisco four-piece to become the band they’ve always aspired to
be.</div>
<div style="text-align: justify;"><br />It’s a record overflowing with
highlights. The candyfloss melodies of introductory track ‘Three
Cheers!’ are matched to an impactful percussive punch; ‘Say What You
Mean’ finds The Umbrellas working with total confidence, letting the
song ride out to its chiming conclusion, four voices working in
precision. ‘When You Find Out’ offers rotating notes of guitar
punctuated by a vocal that pushes past angst to accept a world full of
hope. A lean 10 track affair, it grasps towards beatific pop while
fuelled by a sense of risk, and the precision that comes from long
months on the road. Taken as a whole ‘Fairweather Friend’ is a bold
indie pop triumph, crafted with purpose and attention. Taking their time
over each note, the four-piece have strengthened their songwriting,
adding depth and assurance while unlocking their potential. Some bonds
last a lifetime – The Umbrellas are ready to capture your heart. <br /><a href="https://theumbrellasca.bandcamp.com/album/the-umbrellas">https://theumbrellasca.bandcamp.com/album/the-umbrellas</a></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS50" id="YMLPS50" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS52" id="YMLPS52" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS48" id="YMLPS48" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS53" id="YMLPS53" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS41" id="YMLPS41" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS23" id="YMLPS23" style="width: 100%;"><tbody><tr><td align="left" class=""><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_marylattimore2024poster.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm presents…<br /><br /><b>MARY LATTIMORE</b><br />Tuesday 26 March<br />Scala, 275 Pentonville Rd, London, N1 9NL<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/E8624bc1f2eb">https://link.dice.fm/E8624bc1f2eb</a> <br /><br /><b>MARY LATTIMORE</b>
is a harpist and composer living in Los Angeles. She experiments with
her Lyon and Healy Concert Grand harp and effects. Her solo debut, The
Withdrawing Room, was released in 2013 on Desire Path Recordings.
Lattimore also writes harp parts for songs and recordings, performing
and recording with such great artists as Meg Baird, Thurston Moore,
Sharon Van Etten, Jarvis Cocker, Kurt Vile, Steve Gunn, Ed Askew and
Fursaxa. Her debut solo record for Ghostly International, 'At The Dam',
was recorded during stops along a road trip across America and released
in March 2016. The next year, she compiled sounds from her past life in
Philadelphia for a cassette tape titled 'Collected Pieces'. Released in
May 2018 to acclaim from the likes of NPR, Pitchfork, and The New Yorker
Lattimore's next album 'Hundreds of Days' presented an expression of
mystified gratitude for the natural world. <br /><br />‘Goodbye, Hotel
Arkada’ (Ghostly International), Lattimore’s new LP, speaks not just
for its beloved namesake - a hotel in Croatia facing renovation - but
for a universal loss that is shared. Six sprawling pieces shaped by
change; nothing will ever be the same, and here, the artist, evolving in
synthesis, celebrates and mourns the tragedy and beauty of the
ephemeral, all that is lived and lost to time. Documented and edited in
uncharacteristically measured sessions over the course of two years, the
material remains rooted in improvisation while glistening as the most
refined and robust in Lattimore’s decade-long catalog. It finds her
communing with friends, contemporaries, and longtime influences, in full
stride yet slowing down to nurture songs in new ways. The cast includes
Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy
Montgomery, Samara Lubelski, and Walt McClements.<br /><a href="https://marylattimoreharpist.bandcamp.com/">https://marylattimoreharpist.bandcamp.com/</a></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS35" id="YMLPS35" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS28" id="YMLPS28" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS37" id="YMLPS37" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS29" id="YMLPS29" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS26" id="YMLPS26" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS49" id="YMLPS49" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS12" id="YMLPS12" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS15" id="YMLPS15" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS5" id="YMLPS5" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS43" id="YMLPS43" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS9" id="YMLPS9" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS40" id="YMLPS40" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS20" id="YMLPS20" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="YMLPS16" id="YMLPS16" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><br /></td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS19" id="YMLPS19" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS25" id="YMLPS25" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="YMLPS32" id="YMLPS32" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: center;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: center;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>Thanks for spending this time with us!</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<div style="text-align: center;"><b>Upset The Rhythm<br /></b></div>
<div style="text-align: center;"> </div>
<div style="text-align: center;"> </div>
<div class="separator" data-blogger-escaped-style="clear: both; text-align: center;" style="clear: both; text-align: center;"> <a href="http://www.upsettherhythm.co.uk/"><img src="https://img.ymlp.com/upset_the_rhythm_utr.png" style="border: 0pt none; vertical-align: baseline;" width="33" /></a><span style="color: #f6acb3;"> </span> <span style="color: #f6acb3;"> </span> <span style="color: #f6acb3;"> </span> </div>
<div align="center" data-blogger-escaped-style="margin-bottom: 0; margin-left: 0; margin-right: 0; margin-top: 0; padding-bottom: 0; padding-left: 0; padding-right: 0; padding-top: 0;" id="yui_3_16_0_ym19_1_1489757892418_18928" style="margin: 0; padding: 0;">
<div class="separator" style="clear: both; text-align: center;"> </div>
<div> </div>
</div></td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS18" id="YMLPS18" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="divider YMLPS10" id="YMLPS10" style="width: 100%;">
<tbody><tr>
<td align="left" class=""> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="divider YMLPS34" id="YMLPS34" style="width: 100%;">
<tbody><tr>
<td class=""> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" class="YMLPS3" id="YMLPS3" style="width: 100%;">
<tbody><tr>
<td align="left" class="">
<div>
<div><b> </b></div>
<div><b>UPSET THE RHYTHM</b></div>
<div><b><i>UPCOMING SHOWS </i></b></div>
</div>
</td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" class="YMLPS44" id="YMLPS44" style="width: 100%;">
<tbody><tr>
<td align="left" class=""><div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div><b><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">THE HOMESICK</span></span></b></div>
<div><b><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">FINDOM</span></span></b></div>
<div><b><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">HOME SECRETARY<br /></span></span></b></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">Thursday 22 February </span></span></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">The Lexington, 96-98 Pentonville Rd, London, N1 9JB </span></span></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">7.30pm | £10 | Tickets: </span><a class="css-4rbku5 css-18t94o4 css-901oao css-16my406 r-1cvl2hr r-1loqt21 r-poiln3 r-bcqeeo r-qvutc0" dir="ltr" href="https://t.co/Bqstpc57cs" rel="noopener noreferrer nofollow" role="link" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;" target="_blank"><span aria-hidden="true" class="css-901oao css-16my406 r-poiln3 r-hiw28u r-qvk6io r-bcqeeo r-qvutc0">https://</span>link.dice.fm/bf946caa252b</a></span></div>
<div> </div>
<div><b>TARA CLERKIN TRIO</b><br />Monday 26 February<br />100 Club, 100 Oxford St, London, W1D 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/a16641a4040a">https://link.dice.fm/a16641a4040a</a></div>
<div> </div>
<div><b>THE PHEROMOANS - 'Wyrd Psearch' album launch<br />APOSTILLE<br />DEAN RODNEY JR. & THE COWBOYS<br />FLEX DJs (HP Sorcery & The Plague)</b><br />Tuesday 5 March<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £10 | Tickets: <a href="https://link.dice.fm/ed1d116c8c37">https://link.dice.fm/ed1d116c8c37</a></div>
<div> </div>
<div><b>THE UMBRELLAS</b><br />Wednesday 13 March<br />OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/ee39bba86945">https://link.dice.fm/ee39bba86945</a></div>
<div> </div>
<div><b>MARY LATTIMORE</b><br />Tuesday 26 March<br />Scala, 275 Pentonville Rd, London, N1 9NL<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/E8624bc1f2eb">https://link.dice.fm/E8624bc1f2eb</a></div>
<div> </div>
<div><b>ALISON COTTON</b><br />Friday 5 April<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/Hc9626d08025">https://link.dice.fm/Hc9626d08025</a></div>
<div> </div>
<div><b>MARTIN NEWELL</b> (Cleaners From Venus) <br />Thursday 11 April <br />St Matthias Church, Wordsworth Road, Dalston, London, N16 8DD<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/b9f5c252d897">https://link.dice.fm/b9f5c252d897</a><br /><br /></div>
<div><b>HOUSE Of ALL</b><br />Thursday 18 April<br />The Dome, 2A Dartmouth Park Hill, Tufnell Park, N19 5QH<br />7pm | £18 | Tickets: <a href="https://link.dice.fm/wac85b671659">https://link.dice.fm/wac85b671659</a></div>
<div> </div>
<div><b>LANKUM</b><br />Saturday 18 May - <b>SOLD OUT</b><br />Sunday 19 May<br />Hackney Empire, 291 Mare St, London E8 1EJ
<div>
<div>
<div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">(Produced by UTR and Parallel Lines) </span></div>
</div>
</div>
</div>
8pm | £25-£31.50 | Tickets: <a href="https://upsettherhythm.co.uk/">https://upsettherhythm.co.uk/</a></div>
<div> </div>
<div><b>THE REDS, PINKS AND PURPLES</b></div>
Wednesday 12 June - <b>SOLD OUT</b><br />Thursday 13 June <br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £14 | Tickets: <a href="https://link.dice.fm/gf4a71a6788c">https://link.dice.fm/gf4a71a6788c</a><br /><br /><br /></div>
</div>
<div>
<div>
<div>
<div>
<div></div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div></td>
</tr>
</tbody></table>
<div id="YMLPNTATD_SPACER" style="font-size: 8px;"> </div>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-71575789301734559972024-01-23T02:22:00.000-08:002024-01-23T02:22:31.129-08:00The Homesick - London show on Feb 22nd!<p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="406" src="https://www.youtube.com/embed/ksd4D7za6m4" width="489" youtube-src-id="ksd4D7za6m4"></iframe></div> <p></p><p> <br />We’re back baby! Upset The Rhythm return to live shows in February and our first concert off the block is a real humdinger. We have Dutch trio The Homesick (Sub Pop) bringing their giddily brilliant odd-pop to The Lexington on Feb 22nd, expect to be bowled over by the fizzing energy of it all. Findom and Home Secretary are performing too, so look out for No Wave / Dub / Goth thrills and rhythmic non-songs of crude sound collage. What a thing to exist, here’s the details:<br /><br />Upset The Rhythm presents…<br /><br /><b>THE HOMESICK<br />FINDOM<br />HOME SECRETARY</b><br />Thursday 22 February<br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £10.00 | Tickets: <a href="https://link.dice.fm/bf946caa252b">https://link.dice.fm/bf946caa252b</a> <br /><br /><b>THE HOMESICK </b>are Elias Elgersma (Vocals, Effects), Jaap van der Velde (Vocals, Effects) and Erik Woudwijk (Drums). The Homesick fuse post-punk rhythms with melodic whimsical pop into an experimental blend of great songs. The Dutch group have been around since their first EP Television from 2013 and released their debut album Youth Hunt (Subroutine) in 2017. Hailing from the backwater Frisian municipality of Dokkum, the band enjoy exploring the extremes of their music. Their albums play with this ambiguity as they incorporate dark post-punk alongside sure-fire pop earworms. Their second album The Big Exercise (SubPop) from 2020 inverted this sound, second-guessing their core chemistry as a live unit. Where the debut album incorporates vocals drenched in reverb, warped synths and distorted guitars, the Big Excercise leaves a hint of romanticism through the baroque elements such as piano, acoustic guitar, percussion and clarinet. </p><p><br />Shortly after the release of The Big Exercise they individually started to explore new musical directions. Guitar and bass were dropped as Elias and Jaap searched for other sounds playing keys, sample boxes and more new rhythmic instruments. “We wanted to come up with something that we can dance to”, Jaap says. “After these last two years we very much felt like this is what we need now.” The new songs are unmistakably The Homesick and at the same time like you've never heard them before. The third and self-titled album by The Homesick will be released now.<br /><a href="https://thehomesick.bandcamp.com">https://thehomesick.bandcamp.com</a><br /><br /><b>FINDOM</b> know a thing about Britain’s death drive. They know that morbid fascinations of bad faith, morose binds and slow crawls have led us here. Their debut tape (on Gob Nation) confronts the conceit of class deterioration, clashing together energies of No Wave, Jazz, Dub and Goth into a work that, through part satire and part protest, has the hooks to fight back. We are left with five tracks self-described as anti-jazz with an overarching structure that feels like a Killing Joke inspired noir thriller, where moments of dark aggression are sonically punctuated by open stretches of rhythmic disorientation. <br /><a href="https://gobnation.bandcamp.com/album/pay-pig">https://gobnation.bandcamp.com/album/pay-pig</a><br /><br /><b>HOME SECRETARY</b> are a duo from South London, creating rickety and occasionally rhythmic non-songs that combine spoken word with improvised instrumentation. Expect to hear crude sound collage, fumbled instruments, and vocals whispered and proclaimed. <br /><a href="https://homesec.bandcamp.com">https://homesec.bandcamp.com</a><br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-51342934720756803512024-01-15T03:17:00.000-08:002024-01-15T03:18:05.504-08:00Alison Cotton - London show!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTsIrh2-2zmhVFQyXAM6inaaojCx6HlHNihaHXw7rKHGqrn_2U89NWBy1R2JWAOaOwerFOlzIyspdnVndGRuciUneW_s6HGV4bTz9irndTlsemg47NL5oGXJxbpoQDqC7ddtaB0C_Anje317QkvR0_1XJgYs-O8LLwR2YqtYkrTIc_3h_2Wn02Hd1S_Sw/s1875/alsion%20cotton%20poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1875" data-original-width="1500" height="519" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTsIrh2-2zmhVFQyXAM6inaaojCx6HlHNihaHXw7rKHGqrn_2U89NWBy1R2JWAOaOwerFOlzIyspdnVndGRuciUneW_s6HGV4bTz9irndTlsemg47NL5oGXJxbpoQDqC7ddtaB0C_Anje317QkvR0_1XJgYs-O8LLwR2YqtYkrTIc_3h_2Wn02Hd1S_Sw/w415-h519/alsion%20cotton%20poster.jpg" width="415" /></a></div><br /> <p></p><h1 class="_ap3a _aaco _aacu _aacx _aad7 _aade" dir="auto"><span style="font-size: small;"><span style="font-weight: normal;">New show
announced today for the wondrous Alison Cotton, bow at the ready!
Alison's new album for Rocket Recordings is an incredible project, check
it out!<br /><br />Upset The Rhythm presents…<br /><br /><b>ALISON COTTON</b><br />Friday 5 April<br />St Pancras Old Church, Pancras Road, King's Cross, NW1 1UL<br />7.30pm | Tickets: <a href="https://link.dice.fm/Hc9626d08025">https://link.dice.fm/Hc9626d08025</a><br /><br /><b>ALISON
COTTON</b> is a viola player based in London working in composition and
improvisation. Her debut album ’All Is Quiet at the Ancient Theatre’ was
released in 2018 firstly on cassette on Bloxham Tapes, followed by a
vinyl release on Cardinal Fuzz (UK) and Feeding Tube (USA). In July 2019
her longform piece, ‘Behind the Spiderweb Gates’ was released on the
Australian label, Longform Editions. As well as the viola, she uses an
array of other instruments (her voice, harmonium, percussion, recorder,
omnichord, shruti box and piano) to create long, haunting folk drones.
Cotton’s recent album ‘The Portrait You Painted of Me’, is a 6-track
record – her first for Rocket Recordings. This will be followed up in
March with ‘Engelchen’, an album reflecting on the intrepid Cook sisters
whose efforts helped refugees escape Nazi-occupied Europe in the 1930s.
It’s a celebration of the human spirit, one that reflects a
universality in its narrative which transcends the boundaries of history
and impacts very urgently on our daily lives. Whatever attempts may be
made to tell this story, it’s hard to imagine one that resonates deeper
than ‘Engelchen’. </span></span></h1><h1 class="_ap3a _aaco _aacu _aacx _aad7 _aade" dir="auto"><span style="font-size: small;"><span style="font-weight: normal;"><br /><a href="https://alisoncotton-uk.bandcamp.com">https://alisoncotton-uk.bandcamp.com</a></span></span></h1>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-87416439220319226382024-01-11T06:43:00.000-08:002024-01-11T06:43:50.740-08:00Are You Being Served?<p><span style="white-space: pre-wrap;"></span></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='474' height='355' src='https://www.blogger.com/video.g?token=AD6v5dwFtjAYekVX_ktjVHGCzArKcKJbK4xbKni-OzexhqkHGi9nuqfd54AnD9okaFdjCXrHvDGEOA-gAPU39NjZeA' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><br /><p></p><p><span style="white-space: pre-wrap;">Thrilled that Upset The Rhythm will be setting out our wares in this wonderful independent label department store (across three floors of the Betsey Trotwood) on Sunday 11th Feb, from 1pm-7pm. </span><br /><br /><span style="white-space: pre-wrap;">Russell Walker from The Pheromoans will be performing a 20-min set, alongside many other artists and label DJs throughout the day, well worth the £1 entry fee! Check out the trailer for the full list of ace labels involved.</span><br /><br /><span style="white-space: pre-wrap;">Are You Being Served? is organised by the great minds behind </span><span class="x7l2uk3 xt0e3qv" style="white-space: pre-wrap;">at Skep Wax</span><span style="white-space: pre-wrap;"> and </span><span class="x7l2uk3 xt0e3qv" style="white-space: pre-wrap;">Gar Du Nord Records</span><span style="white-space: pre-wrap;">, it's going to be a hoot, see you there!</span><br /><br /><br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-89222721228351861512024-01-09T07:43:00.000-08:002024-01-09T07:43:55.988-08:00'Wyrd Psearch' by The Pheromoans - out in March!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho2ajjxDX0g_b1BE8y9Wu7_VcmCi_fkOCNIIbZOPymflcDpQy77j_BiYrpo0Rd-3kZLdmqjEQnbzlhSwviaEOndyQNyhTjjB6Vgb-mEjTSyHp5p9vP9UiE9M53dXlTRkgTnojc8vBEjoSqa16yPe-o3IgKg1H7lKhXVrJLsyAFEsiyBwvEqvN-OOBOKlg/s5708/UTR160_cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5708" data-original-width="5708" height="457" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho2ajjxDX0g_b1BE8y9Wu7_VcmCi_fkOCNIIbZOPymflcDpQy77j_BiYrpo0Rd-3kZLdmqjEQnbzlhSwviaEOndyQNyhTjjB6Vgb-mEjTSyHp5p9vP9UiE9M53dXlTRkgTnojc8vBEjoSqa16yPe-o3IgKg1H7lKhXVrJLsyAFEsiyBwvEqvN-OOBOKlg/w457-h457/UTR160_cover.jpg" width="457" /></a></div><br /><br /><p></p><p>Puzzling times are upon us! Today we’re unveiling <b>The Pheromoans</b> new album ‘Wyrd Psearch’, out on March 1st via Upset The Rhythm. This is lucky album number 13 for the deadpan DIY group and sees them on vigorously sceptical form. Lead single ‘Downtown’ is out now as a digital single, fans of Russell Walker and of panoramic Hitchin will find much to like in its accompanying video kindly premiered by <a href="https://www.ravensingstheblues.com/the-pheromoans-downtown/" target="_blank">Raven Sings The Blues</a>.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="360" src="https://www.youtube.com/embed/gA4qyHe6B8k" width="454" youtube-src-id="gA4qyHe6B8k"></iframe></div><br /><p><br /></p><p></p><p></p><p>‘Wyrd Psearch’ is available to <a href="https://upsettherhythm.co.uk/" target="_blank">pre-order</a> now on 180g black vinyl.<br />Remember to always check backwards on the diagonal!<br />UTR<br />x</p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-76212790156556842532023-12-18T09:36:00.000-08:002023-12-18T09:36:37.862-08:009 for 2023!<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGoVZVPKVmN2-_R0ujxUZBk4_OUhDMyYyMjmX8sQD_aoLFZUFDY8LsfSMARVJd5LfTw7naEnLsK0jiADqaHsvI6YKA_2VZWr2GAnadhibG5iBa3UAZ4_3AkYl1OZRNXwz5kYaF_ePY3Os9lr37x296e_OsSJqOW6o4yBMnZdsvFf_7NkixCZb7wi3HYj8/s3069/utr%202023.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3069" data-original-width="2480" height="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGoVZVPKVmN2-_R0ujxUZBk4_OUhDMyYyMjmX8sQD_aoLFZUFDY8LsfSMARVJd5LfTw7naEnLsK0jiADqaHsvI6YKA_2VZWr2GAnadhibG5iBa3UAZ4_3AkYl1OZRNXwz5kYaF_ePY3Os9lr37x296e_OsSJqOW6o4yBMnZdsvFf_7NkixCZb7wi3HYj8/w415-h513/utr%202023.jpg" width="415" /></a></div><br /><p></p><p>Nine lessons and carols and… nine releases from Upset The Rhythm too! 2023 has been a bumper 20th year for UTR with releases by Me Lost Me, Es, Water Machine, Screensaver, The Toads, Terry, Brontez Purnell,Vintage Crop and Historically F*cked. If you like spontaneous rock throttles, gothic restlessness, time-straddling folk role-play or snappy postpunk we’ve got you covered. So many highlights! All of these records are streaming through the digiverse now, whilst you can find pristine vinyl copies in all the best shops and via own webstore <a href="https://upsettherhythm.bigcartel.com/" target="_blank">here</a> too.<br /><br />Thank you for supporting us as ever by listening, it really means the world.<br />May many merry times be bestowed upon thee!<br />x<br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-50568488760115910352023-12-14T02:16:00.000-08:002023-12-14T02:16:00.956-08:00The Umbrellas - London show announced for March 13th!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFhVcohOeunKj3bmpzMznr8ttLwZ4n8s3I10GYZWliwBiyB1YsnImLELDZjGpeVog9LGYB2AX1HJM1ufHXkUk6Mrf-QxpoKCKQezA49jGLRGXnqMkm-BsVkPigv-q7F0SwmBFaaY3Lkjg4BmODC9tfA6DWXkqAjQhVTbpVTnrE8yV6Vi6bSKP6xGLrnKo/s9801/The%20Umbrellas%20%E2%80%A2%20UK%20Tour%20%E2%80%A2%20Artwork%20Template.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="9801" data-original-width="9625" height="464" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFhVcohOeunKj3bmpzMznr8ttLwZ4n8s3I10GYZWliwBiyB1YsnImLELDZjGpeVog9LGYB2AX1HJM1ufHXkUk6Mrf-QxpoKCKQezA49jGLRGXnqMkm-BsVkPigv-q7F0SwmBFaaY3Lkjg4BmODC9tfA6DWXkqAjQhVTbpVTnrE8yV6Vi6bSKP6xGLrnKo/w455-h464/The%20Umbrellas%20%E2%80%A2%20UK%20Tour%20%E2%80%A2%20Artwork%20Template.jpg" width="455" /></a></div><br /> <p></p><p> </p><p>Upset The Rhythm presents…<br /><br /><b>THE UMBRELLAS</b><br />Wednesday 13 March<br />OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/ee39bba86945">https://link.dice.fm/ee39bba86945</a> (on sale this Friday at 10am)<br /><br /><b>THE UMBRELLAS</b> are four renegade romantics crafting irresistible indie pop hymns. The band’s self-titled 2021 debut album became a breakout moment, winning critical praise and sparking an international tour. Follow-up LP ‘Fairweather Friend’ goes a step further – absorbing the sonic attack of their live shows, it balances this with studio finesse, allowing the San Francisco four-piece to become the band they’ve always aspired to be. </p><p><br />It’s a record overflowing with highlights. The candyfloss melodies of introductory track ‘Three Cheers!’ are matched to an impactful percussive punch; ‘Say What You Mean’ finds The Umbrellas working with total confidence, letting the song ride out to its chiming conclusion, four voices working in precision. ‘When You Find Out’ offers rotating notes of guitar punctuated by a vocal that pushes past angst to accept a world full of hope. A lean 10 track affair, it grasps towards beatific pop while fuelled by a sense of risk, and the precision that comes from long months on the road. </p><p><br />Taken as a whole ‘Fairweather Friend’ is a bold indie pop triumph, crafted with purpose and attention. Taking their time over each note, the four-piece have strengthened their songwriting, adding depth and assurance while unlocking their potential. Some bonds last a lifetime – The Umbrellas are ready to capture your heart. <br /><br /><a href="https://theumbrellasca.bandcamp.com/album/the-umbrellas">https://theumbrellasca.bandcamp.com/album/the-umbrellas</a></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-8165225094121948512023-12-12T05:01:00.000-08:002023-12-12T05:01:56.744-08:00UTR20 t-shirts and posters hit the webshop!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnroPYC11-2Rwy-L4kXpgVIup6JP4R2OFfUaSYBK2e2lU3xT2bcGyCRJoo-dsOyGyMsRobtYyfzMJ9A81VMj7rA67NVwZdR1Vtsi83CgRg5-Fegp3b6Ko96rZKa4TzpXTDhASxnAUQ_eVfiYRW0rpf9jXAMXD6MKgyUpQ17bkdbtXdyJU60Ag92_cAEwI/s4032/UTR20_tshirt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="449" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnroPYC11-2Rwy-L4kXpgVIup6JP4R2OFfUaSYBK2e2lU3xT2bcGyCRJoo-dsOyGyMsRobtYyfzMJ9A81VMj7rA67NVwZdR1Vtsi83CgRg5-Fegp3b6Ko96rZKa4TzpXTDhASxnAUQ_eVfiYRW0rpf9jXAMXD6MKgyUpQ17bkdbtXdyJU60Ag92_cAEwI/w337-h449/UTR20_tshirt.jpg" width="337" /></a></div><br /><p></p><p>Ho, ho, woah!<br />Tis the season for jolly merch! <br />Today we added to our webshop our Upset The Rhythm ‘20th anniversary’ t-shirts and risograph posters designed by the wondrous Meg Woof. Our new pin badges and stickers are up there too, joining this year’s UTR releases by Brontez Purnell, Screensaver, Me Lost Me, Vintage Crop, Water Machine, The Toads, Terry, Es and Historically F***ed. To celebrate we’re offering everyone here a festive 20% discount, just use the code <b>UTR20</b> before January and get merry!<br /><br />UTR webshop: <a href="https://upsettherhythm.bigcartel.com/">https://upsettherhythm.bigcartel.com/</a><br />x<br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-77754187036255266712023-12-08T03:14:00.000-08:002023-12-08T03:14:24.710-08:00The Pheromoans at Cafe OTO in March!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtabw7C72iy5OSANaT-6cwruKjluhkjvOeM0irlHK8FyTbmJysLGE87_3qQbPETBsF8UJDGgVjFzsxzPmqmjfnhonTonJqEAdpLcK3TDV50EAE_nT_6zKDGehn1kqyZbTQUTfilIMrN27AZ-IjqA7uwyFDPKk6hy5b9ybb3UC4NSQNuy_FhJHlxcClLCA/s960/IMG_0381.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="479" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtabw7C72iy5OSANaT-6cwruKjluhkjvOeM0irlHK8FyTbmJysLGE87_3qQbPETBsF8UJDGgVjFzsxzPmqmjfnhonTonJqEAdpLcK3TDV50EAE_nT_6zKDGehn1kqyZbTQUTfilIMrN27AZ-IjqA7uwyFDPKk6hy5b9ybb3UC4NSQNuy_FhJHlxcClLCA/w359-h479/IMG_0381.jpeg" width="359" /></a></div><br /><p></p><p>Really thrilled for this new show in March! <br /> </p><p>Upset The Rhythm presents…<br /><br /><b>THE PHEROMOANS<br />APOSTILLE<br />DEAN RODNEY JR. & THE COWBOYS<br />FLEX DJs (HP Sorcery & The Plague)</b><br />Tuesday 5 March<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £10 | Tickets: <a href="https://link.dice.fm/ed1d116c8c37">https://link.dice.fm/ed1d116c8c37</a><br /><br /><b>THE PHEROMOANS</b> were formed in Brighton in 2005 as a quartet of Alex Garran, James Hines, James Tranmer and Russell Walker, and played their first concert in at the Freebutt in Brighton in January 2006. Russell moved to London shortly after, putting the future of the band in doubt. Combinations of the above line-up along with new member Christian Butler-Zanetti. They would play sporadically in London with promoters such as Upset The Rhythm at venues such as Bardens Boudoir in Dalston. The sound was a very basic take on UK DIY bands such as Swell Maps, along with obscure garage rock bands from the 1960s as documented on retrospective compilations such as Back To The Grave. What set the band apart from their peers was a complete disregard for musical competence and rehearsing, along with the effort Russell Walker put into his lyrics. They made a CD to start selling at gigs in 2007, and gradually recorded that would make up the material up that would be included on several singles and a debut LP on the New York label Consulsive in 2011. Several releases followed, with Scott Reeve replacing James Hines as drummer following a dispute. The early 2020s saw founding member of the band Alex Garran moving to Stavanger in Norway, and Christian Butler-Zanetti to Okinaya, Japan. In stepped Brighton resident Henry Holmes and work began on a forthcoming album in Lewes, recorded as usual by James Tranmer.<br /><a href="https://thepheromoans-alter.bandcamp.com">https://thepheromoans-alter.bandcamp.com</a><br /><br /><b>APOSTILLE</b> is a man who's torn through enough soundsystems to know the difference between gesture and meaning. Alongside running his own DIY record label Night School Records, Glasgow native Michael Kasparis has previously made forays into the realm of hardcore punk with his groups Anxiety and The Lowest Form. Throughout all this, his solo electronic venture Apostille has continued to evolve with each twist and turn of the world. What started off as a quest to whip up a mood and force that into a song has steadily become more of a mission in communication. The third Apostille album, ‘Prisoners Of Love And Hate’, was released on Night School last September.<br /><a href="https://apostille.bandcamp.com/album/prisoners-of-love-and-hate">https://apostille.bandcamp.com/album/prisoners-of-love-and-hate</a><br /><br /><b>DEAN RODNEY JR.</b> is an artist and the lead singer of Dean Rodney Jr. & The Cowboys. In this latest project he puts on the golden suit and riffs about food, jiggling body parts and more over tight disco pop. Backed by Rosie Ridgeway, Jack Barraclough, Tom Hirst and Robyn Steward, you better watch out as there’s a new sheriff in town! Their debut album ‘The Yeehaw Moment’ is out now. Dean was also the frontman of The Fish Police, has collaborated with Ravioli Me Away and during lockdown, Dean wrote and recorded 54 albums, describing a fictional alternative version of the present day, Dean TV World. <br /><a href="https://deanrodneyjrandthecowboys.bandcamp.com">https://deanrodneyjrandthecowboys.bandcamp.com</a><br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-13509534388698313262023-12-06T08:28:00.000-08:002023-12-06T08:28:35.484-08:00Upset The Rhythm celebrates turning 20 this Saturday!<p> </p>
<table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="margin-bottom: 5px; margin-top: 5px; width: 100%;"><tbody><tr><td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; padding: 0px;"><div>
<table border="0" cellpadding="0" cellspacing="0" style="width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; padding: 0px; text-align: justify; width: 80%;" valign="top">
<div>Seasonal greets!</div>
<div> </div>
<div>We're donning party hats this Saturday at Cafe OTO as Upset The
Rhythm is celebrating 20 years of rigourous DIY musical operation: 2000
shows, 160 records and a whole lotta late nights!</div>
<div> </div>
<div>Come and help us blow out all those candles! We have thee best company as <b>Linda Smith & Nancy Andrews</b>
will bring their lo-fi pop marvels, ethereal ballads and noir
soundscapes to London for the first time. Long-standing UTR kith and kin
<b>Rattle</b> and <b>Russell Walker</b> (of The Pheromoans) will also be providing entertainment during the evening, plus <b>Simon Marchant</b> (of Normil Hawaiians) will be sharing his DJ talents with us throughout.</div>
<div> </div>
<div>We'll have records for sale, risographed posters and bright orange
t-shirts (designed by Meg woof) to help mark the occasion, read on for
the full story. Mince pies vs birthday cake hmmmm!</div>
<div> </div>
</td>
<td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; padding: 0px; width: 5%;" valign="top"> </td>
<td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; padding: 0px; width: 15%;" valign="top">
<div> </div>
<div> </div>
<div><a href="https://upsettherhythm.co.uk/" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;"><img alt="" height="275" src="https://img.ymlp.com/upset_the_rhythm_Screenshot20231206at151235--1.png" style="border: 0pt none; vertical-align: baseline;" width="300" /></a></div>
<div> </div>
<div> </div>
</td>
</tr>
</tbody></table>
</div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 5px solid #000000; margin-bottom: 5px; margin-top: 5px; width: 100%;">
<tbody><tr>
<td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="margin-bottom: 5px; margin-top: 5px; width: 100%;"><tbody><tr><td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; padding: 0px;"><div style="text-align: justify;">
<div><a href="https://upsettherhythm.co.uk/" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;"><img alt="" height="827" src="https://img.ymlp.com/upset_the_rhythm_UTR20megwoof--1.jpg" style="border: 0pt none; vertical-align: baseline;" width="650" /></a></div>
</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Upset The Rhythm present their 20th birthday party with…<br /><br /><b>LINDA SMITH & NANCY ANDREWS<br />RATTLE<br />RUSSELL WALKER</b></div>
<div style="text-align: justify;"><b>SIMON MARCHANT (Normil Hawaiians) - DJ SET</b></div>
<div style="text-align: justify;">Saturday 9 December<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £12 | Tickets: <a href="https://link.dice.fm/Y1c88667d259" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://link.dice.fm/Y1c88667d259</a><br /><br /><b>LINDA SMITH & NANCY ANDREWS</b>
shared a big house in Baltimore in 1983 with a continuously revolving
cast of artists and musicians. It was there the like-minded artists
formed their first band, Ceramic Madonna Head, a short-lived project
which included housemates Elizabeth Downing and Peggy Bitzer. By the
time the lease was up, Linda and Peggy had decided to move to New York
where they would form a new band called The Woods while Nancy and
Elizabeth remained in Baltimore and formed a performance art band called
Lambs Eat Ivy.<br /><br />While playing guitar in The Woods in the mid-80’s
Linda purchased her first 4-track cassette recorder and embarked on a
pioneering decade of solo, DIY home recording with a series of cassettes
and 7” records of smart and moody singer-songwriter bedroom pop music.
This trailblazing period was recently documented on jewel-box
compilation ‘Sky Girl’ and Captured Tracks’ retrospective compilation
‘Till Another Time: 1988-1996.’ During this same period Nancy pursued
art, animation and filmmaking. The friends stayed in touch but hadn’t
worked on a project together in nearly thirty years.<br /><br />In 2020,
Linda rediscovered in the back of a drawer some old tapes of Nancy’s
songs she had recorded for her in the 90’s. In the process of digitizing
the old recordings she was inspired to reach out and float the idea of a
new collaborative recording project with her old friend. ‘A Passing
Cloud’ (Grapefruit/Gertrude Records) is the fruit of their rekindled
long-distance musical conversation. All the songs were composed
incrementally by passing tracks back and forth between Maine and
Maryland, making for some beguiling pop music that draws us in with a
carefully rendered intimacy.<br /><a href="https://lindasmith2.bandcamp.com/album/a-passing-cloud" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://lindasmith2.bandcamp.com/album/a-passing-cloud</a><br /><br /><b>RATTLE</b>
are a UK-based duo, Rattle focus almost exclusively on drums and more
drums, beneath a delicate overlay of vocal harmonies and percussive
effects. Formed by Katharine Eira Brown and Theresa Wrigley, Rattle
began as an experiment in crafting rich songs and melody using drums and
voice alone. Their music weaves and intertwines post-punk, minimalism
and experimental rock, through off-kilter rhythms, patterns and counter
melodies. Rattle effortlessly blend the avant-garde with irresistible
melodies and hypnotic drum beats, using rhythm and harmony to create a
refreshing sound that is utterly new - a pretty rare feat these days
when we're saturated with so much music. Rattle's immense ‘Sequence’
album came out recently through Upset The Rhythm. <br /><a href="https://rattleon.bandcamp.com/" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://rattleon.bandcamp.com/</a><br /><br /><b>RUSSELL WALKER</b>
is a 43 year old resident of Hitchin, Hertfordshire who dislikes Piers
Morgan's son. He writes / performs on his own as well as in various
projects - his most recent releases are Soothers with Malvern Brume (Are
You Before, 2023) and I Can't Remember as the Lloyd Pack (Digital
Regress, 2023).<br /><a href="https://on.soundcloud.com/aACG9" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://on.soundcloud.com/aACG9</a></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><b>* Amazing poster by Meg Woof! We
will have some risograph posters and some striking orange t-shirts
emblazoned with this image available at the show!<br /></b></div></td></tr></tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 5px solid #000000; margin-bottom: 5px; margin-top: 5px; width: 100%;">
<tbody><tr>
<td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" style="margin-bottom: 5px; margin-top: 5px; width: 100%;">
<tbody><tr>
<td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; padding: 0px;"><br /></td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" style="margin-bottom: 5px; margin-top: 5px; width: 100%;">
<tbody><tr>
<td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; padding: 0px;"><div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: center;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: justify;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div style="text-align: center;">
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>
<div>Look out below for our programme of events for 2024, now boasting a <b>Tara Clerkin Trio</b> concert at the end of febraury at The 100 Club. Looking forward to seeing you on Saturday!</div>
<div> </div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<div style="text-align: center;"><b>Upset The Rhythm<br /></b></div>
<div style="text-align: center;"> </div>
<div style="text-align: center;"> </div>
<div class="separator" data-blogger-escaped-style="clear: both; text-align: center;" style="clear: both; text-align: center;"> <a href="http://www.upsettherhythm.co.uk/" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;"><img alt="" height="33" src="https://img.ymlp.com/upset_the_rhythm_utr.png" style="border: 0pt none; vertical-align: baseline;" width="33" /></a><span style="color: #f6acb3;"> </span> <span style="color: #f6acb3;"> </span> <span style="color: #f6acb3;"> </span> </div>
<div align="center" data-blogger-escaped-style="margin-bottom: 0; margin-left: 0; margin-right: 0; margin-top: 0; padding-bottom: 0; padding-left: 0; padding-right: 0; padding-top: 0;" id="yui_3_16_0_ym19_1_1489757892418_18928" style="margin: 0; padding: 0;">
<div class="separator" style="clear: both; text-align: center;"> </div>
<div> </div>
</div></td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="border-bottom: 5px solid #000000; margin-bottom: 5px; margin-top: 5px; width: 100%;">
<tbody><tr>
<td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table>
<table cellpadding="0" cellspacing="0" style="border-bottom: 1px solid #ffffff; margin-bottom: 10px; margin-top: 10px; width: 100%;">
<tbody><tr>
<td style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 1px; font-weight: normal; padding: 0px;"> </td>
</tr>
</tbody></table><table cellpadding="0" cellspacing="0" style="margin-bottom: 5px; margin-top: 5px; width: 100%;">
<tbody><tr>
<td align="left" style="background-color: white; color: black; font-family: garamond, times new roman, times, serif; font-size: 14pt; font-weight: normal; padding: 0px;">
<div>
<div><b> </b></div>
<div><b>UPSET THE RHYTHM</b></div>
<div><b><i>UPCOMING SHOWS </i></b></div>
</div>
</td>
</tr>
</tbody></table>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">Upset The Rhythm present their 20th birthday party with…<br /><b>LINDA SMITH & NANCY ANDREWS<br />RATTLE<br />RUSSELL WALKER</b></span></div>
<div><b><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">SIMON MARCHANT (Normil Hawaiians) - DJ SET</span></b></div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">Saturday 9 December<br />Cafe OTO, 18-22 Ashwin St, London, E8 3DL<br />7.30pm | £12 | Tickets: <a href="https://link.dice.fm/Y1c88667d259" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://link.dice.fm/Y1c88667d259</a></span></div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao"><br /></span></div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao"><b>LANKUM</b></span></div>
<div><b><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">RACHAEL LAVELLE</span></b></div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">Wednesday 13 December<br />Roundhouse, Chalk Farm Road, London, NW1 8EH</span></div>
<div>
<div>
<div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">(Produced by UTR and Parallel Lines) </span></div>
</div>
</div>
</div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">7.30pm | <b>SOLD OUT<br /></b></span></div>
<div> </div>
<div><b><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">THE HOMESICK</span></span></b></div>
<div><b><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">ROBERT SOTELO<br /></span></span></b></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">Thursday 22 February </span></span></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">The Lexington, 96-98 Pentonville Rd, London, N1 9JB </span></span></div>
<div><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0"><span class="css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0">7.30pm | £10 | Tickets: </span><a class="css-4rbku5 css-18t94o4 css-901oao css-16my406 r-1cvl2hr r-1loqt21 r-poiln3 r-bcqeeo r-qvutc0" dir="ltr" href="https://t.co/Bqstpc57cs" rel="noopener noreferrer nofollow" role="link" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;" target="_blank"><span aria-hidden="true" class="css-901oao css-16my406 r-poiln3 r-hiw28u r-qvk6io r-bcqeeo r-qvutc0">https://</span>link.dice.fm/bf946caa252b</a></span></div>
<div> </div>
<div><b>TARA CLERKIN TRIO</b><br />Monday 26 February<br />100 Club, 100 Oxford St, London, W1D 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/a16641a4040a" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://link.dice.fm/a16641a4040a</a></div>
<div> </div>
<div><b>MARY LATTIMORE</b><br />Tuesday 26 March<br />Scala, 275 Pentonville Rd, London, N1 9NL<br />7.30pm | £15 | Tickets: <a href="https://link.dice.fm/E8624bc1f2eb" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://link.dice.fm/E8624bc1f2eb</a></div>
<div> </div>
<div><b>HOUSE Of ALL</b><br />Thursday 18 April<br />The Dome, 2A Dartmouth Park Hill, Tufnell Park, N19 5QH<br />7pm | £18 | Tickets: <a href="https://link.dice.fm/wac85b671659" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://link.dice.fm/wac85b671659</a></div>
<div> </div>
<div><b>LANKUM</b><br />Saturday 18 May<br />Sunday 19 May<br />Hackney Empire, 291 Mare St, London E8 1EJ
<div>
<div>
<div>
<div><span class="r-qvutc0 r-bcqeeo r-poiln3 css-16my406 css-901oao">(Produced by UTR and Parallel Lines) </span></div>
</div>
</div>
</div>
8pm | £25-£31.50 | Tickets: <a href="https://upsettherhythm.co.uk/" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://upsettherhythm.co.uk/</a></div>
<div> </div>
<div><b>THE REDS, PINKS AND PURPLES</b></div>
Wednesday 12 June - <b>SOLD OUT</b><br />Thursday 13 June <br />The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB<br />7.30pm | £14 | Tickets: <a href="https://link.dice.fm/gf4a71a6788c" style="color: #f16522; font-family: garamond, times new roman, times, serif; font-size: 12pt; font-weight: normal; text-decoration: underline;">https://link.dice.fm/gf4a71a6788c</a><br /><br />UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-65293820464955278922023-12-04T07:35:00.000-08:002023-12-04T07:58:25.748-08:00Tara Clerkin Trio - London show for February!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54ih9IrX8CK8tY_EeaswbDCqTH4CBlv5O-N3J_IPOkcQlx36ry3Bh5J08rqJrpDXy2RuzeVluMHCWI5bL2iTzf9njjt3RPJriunCbP7UUuDB2YEIuId73KZ4Im_o8ZHpzhcbhfTR-mPahxbt1qw-nKBW5H4yvARYQ_fBHwsNsBxPzEEr4ik4HeCXwICg/s1236/TCT_London_2024.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1234" data-original-width="1236" height="419" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54ih9IrX8CK8tY_EeaswbDCqTH4CBlv5O-N3J_IPOkcQlx36ry3Bh5J08rqJrpDXy2RuzeVluMHCWI5bL2iTzf9njjt3RPJriunCbP7UUuDB2YEIuId73KZ4Im_o8ZHpzhcbhfTR-mPahxbt1qw-nKBW5H4yvARYQ_fBHwsNsBxPzEEr4ik4HeCXwICg/w420-h419/TCT_London_2024.jpg" width="420" /></a></div> <br /><p></p><p>OK! February just got interesting!<br /><br />Upset The Rhythm presents…<br /><br /><b>TARA CLERKIN TRIO</b><br />Monday 26 February<br />100 Club, 100 Oxford St, London, W1D 1LL<br />7.30pm | £13 | Tickets: <a href="https://link.dice.fm/a16641a4040a">https://link.dice.fm/a16641a4040a</a><br /><br /><b>TARA CLERKIN TRIO</b> are Pat Benjamin, Sunny Joe Paradisos and Tara Clerkin, three musicians involved in a number of cult Bristol bands over the years before confidently settling down in triangle formation. They are inspired by and borrow from jazz, trip hop, electronica, psychedelia & minimalism, twirling the non-pretentious strands of these threads together into a trippy green winged-cloak, adorning Arthur Russell and dripping in blue jam. <br /><br />Their self-titled debut LP was released in 2020 and was a sleeper hit, coming in at 35 in the Wire's top 100 albums of the year and in Bleeps top 10. Their latest EP, ‘On The Turning Ground’, was released on World of Echo in November. Whilst their inspirations might be centreless, but the trio still possess a very obvious anchor in the form of their hometown. Bristol stands as a city of multitudes, heterogenous and vibrant in such a way as to allow it to renew and remake time and again. Tara Clerkin Trio drink from that same well, duly reflecting a rich musical heritage built on fwd-facing electronic subcultures and experimental urges. As such, ‘On The Turning Ground’ finds them subject to their own subtle internal evolution, the pervasive sense that you've caught them mid-bloom, on their way to becoming but never anything but themselves.</p><p><br /><a href="https://taraclerkintrio.bandcamp.com/">https://taraclerkintrio.bandcamp.com/</a><br /><br /></p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0tag:blogger.com,1999:blog-7519224027990296425.post-65745593690248396452023-12-04T04:43:00.000-08:002023-12-04T04:43:57.906-08:00UTR 20th anniversary radio special for Hello Goodbye!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7FhXbjVYGZxpK4qA_txDUofvaH7xhXVAQTk4_WvC_5gSy5y-NAoT8Od4V13eO8G7r_dJnKzaR7m9v99el8Hnb6FNCPgbvQuUzhiBbSpaj3kEgnOQ5ecMlv71_EVZ5ZDjMMGgDNJMK5TNbgVtg2KH_i89gjz6MfTzPkVXKwNHt8u4-wIPUEAQFtgQr-G4/s816/utr%2020%20sign.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="816" height="323" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7FhXbjVYGZxpK4qA_txDUofvaH7xhXVAQTk4_WvC_5gSy5y-NAoT8Od4V13eO8G7r_dJnKzaR7m9v99el8Hnb6FNCPgbvQuUzhiBbSpaj3kEgnOQ5ecMlv71_EVZ5ZDjMMGgDNJMK5TNbgVtg2KH_i89gjz6MfTzPkVXKwNHt8u4-wIPUEAQFtgQr-G4/w422-h323/utr%2020%20sign.jpeg" width="422" /></a></div><br /><p></p><p>There was an Upset The Rhythm 20th anniversary special on the radio over the weekend. Huge thanks to deXter Bentley & Hello Goodbye on Resonance FM for inviting Chris to chat about two decades of activity, our party at Cafe OTO this coming Saturday and why his right arm is two inches longer than the left. Starts from 7 minutes! Featuring tracks from Brontez Purnell, Linda Smith & Nancy Andrews, The Pheromoans (exclusive first listen) and Rattle (live in session). Nick Carlisle from Bamboo even pops up for a chat too! Magic!<br /><br /><a href="https://www.mixcloud.com/Resonance/the-hello-goodbye-show-2nd-december-2023/" target="_blank">Listen again</a><br /><br />x</p>UPSET THE RHYTHMhttp://www.blogger.com/profile/06416067816721855276noreply@blogger.com0