Friday, 5 September 2025

Upset The Rhythm - label showcase x 2!


 

Join us for a two-day showcase of all things Upset The Rhythm on November 25th & 26th at Cafe OTO! We’ll be celebrating all the amazing artists we’ve worked with on record releases this year and beyond, plus our 22nd birthday, time to buy a big 🎂!




Upset The Rhythm presents…

RATTLE
QUINIE
ES
SHAKE CHAIN (DJ set)

Tuesday 25 November
Cafe OTO, 18-22 Ashwin St, London, E8 3DL


7.30pm | £12 | Tickets: https://link.dice.fm/U19e86228aea

RATTLE released their third album ‘Encircle’ on Upset The Rhythm at the start of the 2025. ‘Encircle’ sees the drumming duo expand their unique experiments in rhythm, metre and tension. Rattle have honed the four songs that make up ‘Encircle’ by playing them live over the last few years, adapting and stretching them into endlessly inventive new shapes, playing with the concept of time and expectation. With ‘Encircle’ Rattle have grown, writing songs alive with elemental power. They build-up and disintegrate, existing in two places at once, embracing the nuance, tracing the circle’s edge. These are modes of song as pure gesture and eternal imagination, refined in mirrors after midnight. Rattle have toured the UK with Animal Collective and Thurston Moore and toured Europe with The Julie Ruin and Protomartyr, and have also performed with Hot Snakes, Bill Orcutt Quartet and Codeine.

https://upsettherhythm.bandcamp.com/album/encircle

QUINIE released her her third album ‘Forefowk, Mind Me’ with Upset The Rhythm back in May this year. The record is largely sung in Scots language, one of Scotland’s three official languages along with Gaelic and English. “Scots gives me a way of expressing myself which is connected directly with the landscapes I love. It brings the songs alive and it is a fascinating language. The name of the record is in Scots - Forefowk means the people who came before, or ancestors. When we say ‘mind me,’ we can mean a few things- remind, remember, watch over or care for me. The record explores how tradition needs to be constantly reconnected with, built upon, looked after, and shared.” To develop this record, Quinie travelled across Argyll with her horse. They went on a pilgrimage of sorts through the ancient landscapes of the West of Scotland to explore the interconnected relationships between people, ancestors, animals, and place.

https://www.quinie.co.uk/

ES released an incredible EP titled ‘Fantasy’ in 2023 (on Upset The Rhythm). Echoing the legendary Pylon or the later, disco-inspired releases from PIL, tracks like ‘Emergency’ and ‘Unreal’ blend the band’s established disjunctive style of gothic restlessness with brighter, poppy, and danceable tones. These stylistically unwind in transition with the increasingly claustrophobic pieces like ‘Too Late’ and ‘Swallowed Whole’, syncopating a parallel design of the frantic and the fashionable. Es deconstruct our modern wreckage of personhood and self-deceit, granting a sense of solidarity inside alienation. This show represents Es’ final show for Upset The Rhythm, as the musical project winds up this December.

https://esband.bandcamp.com/ 




Upset The Rhythm presents…

ME LOST ME
MARY CURRIE & THE PGs - FLAMING TUNES set
DOG CHOCOLATE
NORMIL HAWAIIANS (DJ set)

Wednesday 26 November
Cafe OTO, 18-22 Ashwin St, London, E8 3DL


7.30pm | £12 | Tickets: https://link.dice.fm/S8d66c1f896c

ME LOST ME delights in experimenting with songwriting and storytelling, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully weave together disparate genres, drawing influence from folk, art pop, noise, ambient and improvised music. In 2023 Me Lost Me released the critically regarded album 'RPG' and toured extensively in support of the release. On Me Lost Me's fourth full-length, This Material Moment - released this June through Upset the Rhythm - she has created an "emotionally raw" album, her most honest and vulnerable yet. Me Lost Me presents sound reaching in opposite directions, straddling time towards the archaic and timeless traditions of folktales, and towards the possible and potential futures of pastoral Britain and the world at large. This is an album which uses words as a material, a playful tool for experimentation, full of metaphor, abstraction and analogies. Jayne affirms, "it has softness and anger, humour, hope and despair, intensity of feeling in all directions expressed as textures, objects, places."

https://www.melostme.com/  

MARY CURRIE released a collaborative 7” with Robert Sotelo last October on Upset The Rhythm entitled ‘Dream Songs’. Not only did the title capture the hazy, reflective nature of the music it also expounds on the mysterious origin of the tracks. Mary Currie is best known as half of touchstone DIY experimentalists Flaming Tunes, alongside Gareth Williams (of This Heat). Currie also performed in Officer! with Mick Hobbs amongst others. For this performance Mary appears alongside her bandmates Alison Craig, Marcus Holdaway, Nick Haeffner and William Hayter, as The PGs performing songs from their Flaming Tunes repertoire.

https://flamingtunes.bandcamp.com/album/flaming-tunes

DOG CHOCOLATE sound like a crowded room but are actually four individuals. Abandoning notions of elegance, cred and professionalism they embrace the ramshackle, instant and fun, capturing a vivid spontaneity with their music. Their sound is a shabby, fast, over-excited ball of wet fur falling down the stairs, knocking over plant pots along the way and staining the carpet. With an average song time of 2 minutes, Dog Chocolate are on to the next treat before fully digesting the last. Chewing up bits of punk, post-punk, noise and pop, Matthew and Robert's guitars race around each other like wasps, pitch-shifting and phasing all over the place while Jono's rolled-up-newspaper drums chase them round the room. The band have released a split LP with Ravioli Me Away and two full length albums on Upset The Rhythm. Dog Chocolate’s new album is due out early 2026.

https://dogchocolate.bandcamp.com


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