Upset The Rhythm presents…
ALISON COTTON
Wednesday 1 July
The Old Church, Church St, Stoke Newington, London, N16 9ES
7.30pm | £15 | Tickets: https://link.dice.fm/z09756e9c72e
ALISON COTTON is a London-based composer, vocalist, and multi-instrumentalist whose music centres on viola, harmonium, and layered vocal drones. Originally from Sunderland, she first emerged in the UK underground in bands including Saloon, The Eighteenth Day of May, and more recently, The Left Outsides before beginning her solo career in 2018. Her debut, All Is Quiet at the Ancient Theatre introduced her long-form, place-inspired approach to composition. This was followed with Only Darkness Now and The Portrait You Painted of Me, both acclaimed for their immersive atmospheres and emotional depth. All three albums appeared in The Quietus’ End of Year lists, with Only Darkness Now topping their New Weird Britain chart and The Portrait You Painted of Me was also Folk Record of the Month in The Guardian.
In 2024, Cotton released Engelchen, a work inspired by the lives of Ida and Louise Cook and their efforts to help refugees escape Nazi Germany. The album deepened her interest in narrative composition, blending historical research with her distinctive drone-based sound. Her records have been released by Rocket Recordings, Feeding Tube Records, Cardinal Fuzz, Bloxham Tapes and Clay Pipe Music. Cotton continues to explore drone, experimental folk, and narrative forms, establishing herself as a singular voice in contemporary experimental music. For this show Cotton will be playing music from a new album and will be accompanied by Mark Nicholas on percussion, harmonium and synths.
https://alisoncotton-uk.bandcamp.com
"Cotton may expand folk’s raw emotions into more avant garde territories, but they still feel possessed by a blood-red muscle memory that goes back centuries". – The Guardian
“The power of this music is simply awe-inspiring. When Alison Cotton plays, the world stands still”. – The Quietus
“Alison Cotton’s music speaks of places, people and stories not quite of this world, while orchestrating folk and drone elements meticulously, as if following an arcane ritual” – The Wire
“Her exquisite voice calls to mind both the chill of the best British folk…and the psychedelic detail of Occitanian traditional song” – Uncut Magazine
“Some of the most moving, powerful music you’re likely to hear this year” – NARC Magazine
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