Friday, 14 May 2010

'Not All Theists Believe God Exists' by John Maus


As a theist, I am often asked, “why do you believe all that foolishness?” What exactly am I supposed to believe? That a god exists? Of course not, at least, not in the sense a stone, or a house, exist; not even in the sense a subatomic particle, or a number, exist. But then what is it to exist anyways? A great deal of twentieth century philosophy was dedicated to this question. That effort may seem nothing more than pointless. However, the rationale was, because science rests on some presupposition of being—analyzing this or that being, but never being as such—we should try and understand what being means. Philosophy wanted to understand the meaning of the word “being” because some presupposition about its meaning is the very condition of possibility for science; not to mention history and politics. This concerns theism, then, because it raises the question: how can we know whether or not the divine is when we do not know what it means to be? We know, for example, the stone is, the house is. But none of this is at question, what is at question is what it means that these things are, what it means to be, and whether or not we can attribute the predicate of being to the divine without first understanding what this predicate means.

Assuming we did know what the predicate of being means, many theists would not attribute it to the divine. These theists understand the divine as that which escapes, in a certain sense, all predication, including existential predication, because, for them, the divine is the very possibility of any predication whatever. The divine, as these theists understand it, is without being or non-being, because, for them, it is what calls non-being to being. This particular concept is, then, necessarily different from other concepts; especially the usual beings theists are accused of believing in. It is not a new concept either. The Gospels, for example, do not present the divine as a being. More importantly, they do not present the divine as an answer to the problem of evil; as if there could be justification of the unjustifiable, as if merely attempting such justification would not itself be barbarous. Instead of all this, in the Gospels, Christ himself asks “Why?” The divine is presented as love; the humble and always fleeting trace of the Word, or something glimpsed in the faces of the poor and suffering.

I have referred to the Gospels. The Bible has many fantastic stories. Already in the second century CE, the Church Father Origen explained these stories should not be read literally. Even so, many people do just that, and some of them even boast when the stories fail to withstand this literal reading. Why frame a text solely within a context radically hostile to it? This is like those Evangelicals who try to prove biblical stories using science. It intentionally misses the mark. Anyways, do human beings really possess a means of common measure for that which has nothing in common? With this question, we might be reminded of Marx, for whom the real bad faith was always in a universal equivalence.

We must remember the truth: there is no truth, but rather only the creative possibilities of reckoning with this absence. Regardless of how we enhance our sensory abilities, our knowledge of things, our consciousness, and so on, the world will never cease being mediated to us. We will never have immediate access to the world. Even mathematics is founded on the axiomatic method. Science is only one, albeit extraordinarily productive, way of mediating the world, and it is not above historical mutability or political interest. Consider love. The descriptions given of it by poetry are surely as true in their own right as those given by biology. In a similar way, couldn’t the story of creation given in Genesis be as true as the one given in The Origin of the Species? To insist otherwise betrays a violence, a failure of the imagination, an unthinking opposition to alterity. It is the same posture that suggests religion is something “backwards,” something we are now “growing out of.” By this logic, one is justified in approaching, for example, an indigenous people, and explaining to them everything part and parcel with their culture and their way of life is “old fashioned,” and that they should embrace science in its place. This is precisely the logic used to legitimate the colonial projects that decimated entire peoples. Besides, to believe in progress, in this general sense, is to have learned nothing from the camps.

The supreme question of theism was never a question of being. Theism, as currently embodied in the three great monotheistic traditions, is essentially faith the divine marks the possibility of a relationship—collective or individual—with that for which there can be no idol. There will always be reprehensible human activity in the name of this relationship, just as there will always be reprehensible human activity. To answer the question “Why is such a relationship desirable?” would be to make the divine answer to something other than itself. In other words, it would be to make what is, for those who have faith in it, the absence of any absolute, what exceeds any and every absolute, answer to some absolute. It is not a matter of use, nor is it a matter of certainty in the sense of causality or a positive fact; it is a matter of being faithful. It is certainly not a matter of cowardice or ignorance. This faith is what the philosopher Friederich Nietzsche was about in his famous declaration on the death of god: creative fidelity to the absence of any absolute. In his famous parable of the madman, it was the so-called atheists who did not understand what was meant by the death of god, merely laughing instead, like so many today, “Where then has he gone? Did he lose his way like a child?”

The choice is between worship of an idol or worship of the divine. If they are not demanding whichever fanatics they have taken as exemplary of theism give up one idol for another, many of the so-called atheists of today demand nothing less than the divine itself become an idol, the deus absconditus become the deus manifestus, like the centurions mocking Christ, “If you really are a god, then…” For many theists, however, the whole point is to kneel, precisely, before no idol at all. This does not mean these theists do not recognize the truths of science, of art, of politics, of love, but rather, for them, these truths are not mutually exclusive. This is because they have faith in, and so a relationship with, what lies outside any of these.

Thursday, 13 May 2010

BEST COAST and CHEATAHS and KIT MASON - LAST NIGHT!


Last night was a lot of fun! It was great to meet Bethany and Bobb for the first time and Ali again on drum duties, Best Coast slayed, they have the noise and the swoon. Playing with them we also had Cheatahs now blazing as a power trio and Kit Mason treating us to their first show ever, here's a few highlights for you!
Upset
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Thursday, 29 April 2010

*!*! MALE BONDING RELEASE PARTY *!*!


Major thanks to Barnie Page for this unreal poster!
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Friday, 23 April 2010

Thursday, 22 April 2010

CHAIN AND THE GANG get to grips with our unruly banner


Thank you Owen for the photo!
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TALK NORMAL IN THE UK


TALK NORMAL UK TOUR
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Monday 26 April – LONDON – Cargo w/ Crystal Antlers + Teeth
Tuesday 27 April – BRIGHTON – Hector’s House w/ Peepholes
Wednesday 28 April – SHEFFIELD – Penelope’s
Thursday 29 April – GLASGOW – 13th Note
Friday 30 April – NEWCASTLE – Star & Shadow
Saturday 1 May – NOTTINGHAM – The Chameleon
Sunday 2 May – MANCHESTER – The Angel Centre
Monday 3 May – LONDON – Camp Basement w/ Viv Albertine

TALK NORMAL was born with rigorous beats, post-punk dissonance, and darkly evocative vocals from the friendship of Sarah Register and Andrya Ambro in 2007. Forming in Brooklyn their lightning-strike first guitar-n-drums appearance followed quickly whilst their sound stormed upward and outward, referencing few and relating to many, a jarringly songful gale of rhythm and noise supporting pleas and plaints, signal-calls and marching orders. Echoes of No Wave-era noisemakers - particularly the dogmatic rants of Lydia Lunch's Teenage Jesus and the Jerks and the urgent abstractions of Ut were unmistakable. But the duo also has firm roots in the present New York underground, specifically the noise-rock of veteran trio Sightings, whose Richard Hoffman guests on their records and often performs onstage with them too. After a couple of years having done-it-themselves; including self-released demos, the 2008 EP 'Secret Cog' and shows played alongside Marnie Stern, Major Stars, Chris Corsano and Magik Markers to name just a few, Talk Normal have now perfected their heavy eerie quality of their music, surpassing the cavernous territory first dug out by the early dirges of Sonic Youth and Swans. Talk Normal released their debut album 'Sugarland' on Rare Book Room Records last year and it instantly became one of our favourite records of the year, we are very excited to have them over in the UK on tour for Upset The Rhythm.
http://www.myspace.com/talknormaltalknormal

Talk Normal "In a Strangeland" from Rare Book Room Records on Vimeo.

Tuesday, 20 April 2010

TRASH KIT - RECORD RELEASE THIS SATURDAY!!!!




SO EXCITED ABOUT THIS WE MIGHT EXPLODE!
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TRASH KIT
WETDOG
PHEROMOANS
DJ ANA DA SILVA
Saturday 24 April
Trinity Centre Hall
Beechwood Road, Dalston, E8 3DY
8:00 | £3 | http://www.wegottickets.com/event/73354

TRASH KIT are a gang of facepainted flag-bearers who have a wild feel for melody and a heartfelt kick inside each song. Mixing chaos, considered songcraft and overlapping harmonies in equal measure, the female trio sound as joyful as they are focussed. Rachel Aggs, Rachel Horwood and Ros Murray formed the band in early 2009, and since then have been lighting up London, energising the UK underground with their raw performances and promise. Trash Kit have a sound of their very own, it's both urbane and primal, drawing on the potential of punk and the naturalism of an internal folk music. Tonight celebrates the release of their much-anticipated, self-titled debut album on Upset The Rhythm.
www.myspace.com/trashkit

WETDOG shake their coat and all manner of dirty pretty sounds fall out, demanding inspection. Exhuming and embracing the post-punk aesthetic of The Slits and Au Pairs, they're unlikely to make you ponder your navel and cry, but certs to get you smashing things up with wanton cathartic aggression. Splendid deadbeat drums, lumbering bass and wilfully mis-tuned guitars urge Rivka Gillieron's voice to yelp and admonish - early Banshees stylings are retooled until every sudden rhythm shift counts. Latest album 'Frauhaus!' is out now on Angular Records.
www.myspace.com/wetdogthebest

THE PHEROMOANS are five young men from the suburban hard shoulder that lies between London and Brighton. The quintet have a cavalier approach to their instruments. Everyone seems to get a go at everything, with an admirable disregard for whether they can play it very well or not. Somehow this approach translates into DIY shamble avant garage at its finest in the tradition of The Keggs, Swell Maps, & Danny And The Dressmakers. Catch their new single on Savoury Days out now and future LP on Convulsive coming soon.
www.myspace.com/pheromoans

Sunday, 18 April 2010

VOLCANO FALLOUT



1. THE STICKS will not be playing at the Chain and the Gang show on Monday 18th April as they are stuck in Europe with no chance of getting back for the next few days. We are gutted and wish them a safe journey back to Blighty!

2. We use airmail for our postal orders outside of the UK which means that those of you who have ordered from us in the last week are going to have to wait a while to get your mail. Apologies!

Thursday, 8 April 2010

CHAIN AND THE GANG - p p p poster!

By Diego Mena, screenprinted copies available from the show!
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