Thursday, 17 September 2015

RAT COLUMNS tonight, MARTIN NEWELL this Saturday and TERRY 7" released tomorrow!



Morning all!
Thank you all for coming to see Richard Dawson and Dope Body so far this week, two tremendous concerts, I hope you agree! We’re not letting up though as tonight we have a show at the Montague Arms for Australian jangle merchants RAT COLUMNS, with H. GRIMACE and ATHENS in support, sounds 100% dreamy! Then on Saturday afternoon we’re extremely lucky to have MARTIN NEWELL, known for his spotless solo career alongside his lo-fi escapades with CLEANERS FROM VENUS, visit London for the first time in decades. Taking place at St Giles In The Fields, at the end of Denmark Street where Martin used to live, his ‘Golden Afternoon’ will involve a variety of performances on guitar and piano, accompanied by yarns, poetry, cakes and tea. Looks set to be a very unique experience, I cannot wait. More words to follow on both of those winning events, along with a newly announced listing for the illustrious post-punk outfit MAXIMUM JOY next month, I know! What a party that’ll be!

In other news, this time of a label hue, we’re releasing the debut 7” from TERRY tomorrow, look out shops! Focusing on their own brand of misshapen glam pop, Melbourne’s finest have written some extraordinarily catchy songs, so its with pride that we finally get to share them with the world, click the photo below to hear a track, you can also find the record for £4 in our webshop here too: http://upsettherhythm.bigcartel.com/

https://soundcloud.com/upset-the-rhythm/terry-talk-about-terry?in=upset-the-rhythm/sets/upset-the-rhythm
Thanks for reading!



\\\\\    TONIGHT    /////

RAT COLUMNS
H. GRIMACE
ATHENS
Thursday 17 September
Montague Arms, 289 Queen's Rd, New Cross Gate, SE14 2PA

RAT COLUMNS is the project of Perth native David West, who is also the man behind chic electronic project Lace Curtain. Over the years he’s also played in Total Control and Rank/Xerox too. Rat Columns make beautifully sad, subdued jangle punk, packed with kinetic riffs, woozy synths and rhythms that sound like the landscape rushing by in a rush of haze. West is a nimble extractor of momentary melodies, an ambient-pop balladeer, a lover of unashamed shoegaze bliss-outs. After two LPs on Smart Guy Records and R.I.P. Society Records, this year has seen West release a pair of sublime 12” EPs on ADAGIO830 and Blackest Ever Black.
http://ratcolumns.tumblr.com/ 

H. GRIMACE are a dream punk trio from Homerton, London. Last year they released their debut 10”through their own 7 Eye imprint. Opening track ‘Lands of Gold and Green’ is a carefully constructed atmospheric track, typical of the bands mature approach to songwriting. Frontwoman Hannah Gledhill’s voice is showcased on this track her dusky vocals building to an unusual vocal harmony which soars above the subtly interlaced melodies developed during the tracks’ chorus.
https://h-grimace.bandcamp.com/

ATHENS play sparse, sometimes dissonant post-punk. Spiky, tightly wound interlocking guitar parts weave around acerbic vocals, thudding basslines and pounding drums.
https://www.youtube.com/watch?v=3xp3f-9HZpc




\\\\\    SATURDAY AFTERNOON    /////


MARTIN NEWELL - ‘THE GOLDEN AFTERNOON’
Three sets of music, poetry and yarns!
Saturday 19 September
St Giles In The Fields, 60 St Giles High Street, Covent Garden, WC2H 8LG

MARTIN NEWELL is a purveyor of ingenious pop music. His music is refracted from late 60s rock only shot through with invention from the rough-and-ready explosion of DIY tape releases in 80s Britain. As a songwriter, he’s right up there with Syd Barrett and Ray Davies, capturing a peculiar Englishness that’s very much his own. It is argued that he has never got the commercial success he deserved, but while this may or may not be true he continues to make and sell good records with a degree of international acclaim.

‘The Golden Afternoon’ promises a glorious spell of autumnal dazzle spent in the company of the inestimable Martin Newell (of Cleaners From Venus, Brotherhood Of Lizards, Stray Trolleys, Plod), featuring two sets of music on guitar and piano, poetry, tales about Denmark Street (where Martin lived for some time in the 80s when working in Tin Pan Alley), as well as ample tea vs cake provisions. This is an extremely rare occurrence as ‘The Golden Afternoon’ has never visited London before and Martin’s musical performances in London over the last few decades can be counted on one hand.

Martin started his career in music aged 19 when he joined an Essex glam-rock band called The Mighty Plod as a singer and gigged in rough clubs, pubs and colleges for the next two years. In his early twenties he joined a hard rock/prog band from Ipswich called Gypp and gigged in the UK as well as touring northern Germany several times. In 1979, he won his first record contract and shortly afterwards his first single ‘Young Jobless / Sylvie In Toytown’ was released, first on an indie label and then with Liberty Records. In the 1980s he formed the anarchic and wonderfully offbeat Cleaners From Venus, who after much defiance of music biz convention, signed to a London record company and began making proper records which were well reviewed and well-received. He began co-writing songs with Captain Sensible in 1986, a relationship which endures to some extent to this day. In 1989 he and his friend Nelson, now of New Model Army formed The Brotherhood of Lizards, were signed to make an album and proceeded to promote it, touring the record by bicycle. This led to many TV appearances and some notoriety and amusement in the media. In 1993, with XTC's Andy Partridge in the producer's chair Martin made what was to become his most successful album ‘The Greatest Living Englishman’.

Now in his mid-50s, with an abiding suspicion of commercial convention and arts authorities he remains in north Essex, where he continues to write poems, songs and books at a rate which sometimes surprises even the people who know him. His Selected Poems which came out in 2008 was given an enthusiastic and detailed foreword by Professor Germaine Greer. ‘This Little Ziggy’ his rock memoir is due to be re-published at time of writing. As poet-in-residence for The Sunday Express he writes a weekly pop-poem for the newspaper as well as occasional features for them. He is also a columnist for The East Anglian Daily Times for whom he writes a page The Joy of Essex each week.

After a thorough retrospective of Martin’s work with Cleaners From Venus, Captured Tracks have recently released a ‘best of’ his more recent work entitled ‘Teatime Assortment’. Martin has also re-recorded his classic song ‘Denmark Street’ in honour of this one -off show, holding a very central place in Martin’s heart, being where most of the Cleaners albums were breathed into life. Come see the ‘Wild Man of Wivenhoe’ wade through his waking memories of the West End, this will prove very special indeed!
http://www.martinnewell.co.uk/


Your support is always appreciated, looking forward to seeing you soon!
UPSET THE RHYTHM
x




\\\\\  UPSET THE RHYTHM   /////
/////  UPCOMING    SHOWS   \\\\\

RAT COLUMNS
H. GRIMACE
ATHENS
Thursday 17 September
Montague Arms, 289 Queen's Rd, New Cross Gate, SE14 2PA

MARTIN NEWELL - ‘THE GOLDEN AFTERNOON’
Three sets of music, poetry and yarns!
Saturday 19 September
St Giles In The Fields, 60 St Giles High Street, Covent Garden, WC2H 8LG

PC WORSHIP
HOUSEWIVES
TAR POOLING
Thursday 24 September
DIY Space For London, Unit 1, 96-101 Ormside St, South Bermondsey, SE15 1TF
8pm | £5 Members & Guests | Tickets on the door, become a member of DIYSFL here: http://diyspaceforlondon.org/

TROPICAL TRASH
PERSPEX FLESH
APOSTILLE
Friday 25 September
DIY Space For London, Unit 1, 96-101 Ormside St, South Bermondsey, SE15 1TF
8pm | £5 Members & Guests | Tickets on the door, become a member of DIYSFL here: http://diyspaceforlondon.org/

TO LIVE AND SHAVE IN LA
CASUAL SECT
CLAIRE
Sunday 27 September
In collaboration with Café OTO, 22 Ashwin Street, Dalston, E8 3DL
8pm | £10 | http://tinyurl.com/q26dany

MATANA ROBERTS
‘Coin Coin Chapter Three’
ERIC CHENAUX
Tuesday 6 October
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

AARON DILLOWAY
SISSY SPACEK
MOOR MOTHER GODDESS

Tuesday 13 October

Café OTO, 22 Ashwin Street, Dalston, E8 3DL

8pm | £10 | http://tinyurl.com/nuz7eot

THE SPACE LADY
MELTING HEARTS
Wednesday 14 October
The Old Baths, 80 Eastway, Hackney Wick, London, E9 5JH

NORMIL HAWAIIANS
Saturday 24 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

MAXIMUM JOY
JD TWITCH (OPTIMO / DJ Set)
BULLION (DJ Set)
Tuesday 27 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

PROTOMARTYR
WITCHING WAVES
TENSE MEN

Monday 2 November
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS
7.30pm | £8 |
http://www.wegottickets.com/event/331014 

SHANNON AND THE CLAMS
THE CREEPING IVIES
Wednesday 11 November
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

MIKAL CRONIN
Tuesday 17 November
Scala, 275 Pentonville Road, King´s Cross, London, N1 9NL

CALVIN JOHNSON
Wednesday 18 November
The Tin Tabernacle, 12-16 Cambridge Avenue, Kilburn, NW6 5BA
7pm | £10 | http://www.wegottickets.com/event/330306

Wednesday, 16 September 2015

MAXIMUM JOY are going to play in London next month!


Upset The Rhythm presents…

MAXIMUM JOY
JD TWITCH (OPTIMO / DJ Set)
BULLION (DJ Set)
Tuesday 27 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

Formed in 1980 in Bristol from members of Glaxo Babies and The Pop Group – along with the then 17-year-old singer/clarinetist Janine Rainforth – Maximum Joy represented a break from the dour frown of post-punk. They were a dance band first and foremost, with a raucous disco pulse, blasts of brass and yelping, chanted vocals that lived up to the band’s name. Maximum Joy combined myriad influences from the city's storied music scene to inform a sound that reflected the political and social climate of Thatcher-era Britain; funk, dub, disco, reggae and jazz all informed their particular strain of post-punk. Their output was by turns moody and exuberant but always highly danceable, carried by the ethereal strains of lead singer Janine Rainforth.

The band's output was confined to just a handful of releases: four singles preceded an LP entitled “Station M.X.J.Y”, which was produced in part by legendary producer and dub trailblazer Adrian Sherwood. In spite of this, the band helped lay the foundations for the explosion of creativity and musical cross-pollination that characterised Bristol during the eighties and nineties, and they have amassed a cult following amongst clued-up producers and DJs that endures to this day. Whereas they were once a firm favourite of John Peel's in their heyday, today Maximum Joy are championed by the likes of Andrew Weatherall and Optimo. This year the band have reunited to play at Bristol’s excellently curated Simple Things festival and we’re extremely pleased to have them visit London to play their first show here in 25 years around that date.


MATANA ROBERTS and ERIC CHENAUX performing in London next month!


Upset The Rhythm presents…

MATANA ROBERTS performing ‘Coin Coin Chapter Three’
ERIC CHENAUX
Tuesday 6 October
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL
7.30pm | £12 | http://www.wegottickets.com/event/323005

MATANA ROBERTS is an internationally renowned composer, band leader, saxophonist, sound experimentalist and mixed-media practitioner. Roberts works in many contexts and mediums, including improvisation, dance, poetry, and theater. She made two records as a core member of the Sticks And Stones quartet in the early 2000s and has gone on to release a diverse body of solo and ensemble work under her own name on Constellation and Central Control over the past decade. She is perhaps best known for her acclaimed ‘Coin Coin’ project, a multi-chapter work of “panoramic sound quilting” that aims to expose the mystical roots and channel the intuitive spirit-raising traditions of American creative expression while maintaining a deep and substantive engagement with narrativity, history, community and political expression within improvisatory musical structures. Constellation began documenting the ‘Coin Coin’ project in 2011 and has released the first three of a projected twelve album-length chapters to date.

The third chapter of ‘Coin Coin’, entitled ‘river run thee’ and released on Constellation on February 2014, finds Roberts constructing a sound art tapestry from field recordings, loop and effects pedals, and spoken word recitations, alongside her saxophone and singing voices. ‘Coin Coin Chapter Three: river run thee’ which Roberts will be performing at this concert, could arguably be considered first and foremost a vocal work, and notwithstanding its experimental and esoteric structure, a deeply narrative work as well. Not unlike 2013’s ‘Coin Coin Chapter Two: Mississippi Moonchile’, this most recent chapter unfolds as an uninterrupted album-length flow, this time in what Roberts calls “a fever dream” of sonic material, woven in surrealist fashion.

Matana Roberts from Sax Pax on Vimeo.

“At my artistic core, I am firmly dedicated to creating a unique and very personal experiential body of sound work that speaks to, and reminds people of all walks of life to reach, stand up, give voice, regardless of difference, created from mere labels of intellectual classification. In my ideal world the idea of ‘difference’, is an illusion designed only for the purpose of modern economic division and elitist intellectual hierarchy. Through my life’s work, I stand creatively in defiance.” Matana Roberts

Roberts has played with and alongside Rob Mazurek, Myra Melford, Vijay Iyer, Roscoe Mitchell and Greg Tate to name but a few and has also recorded as a guest musician with rock, pop and electronic groups as diverse as Godspeed You! Black Emperor, TV On The Radio, Savath & Savalas, Thee Silver Mt. Zion, and performance artists My Barbarian.
http://www.matanaroberts.com/


ERIC CHENAUX is an adventurous guitarist, singer and composer based in Paris. Having been an active player in Toronto experimental music circles with a host of group and collaborative works,  Chenaux has more recently amassed a body of solo work across five albums on the Constellation label, centering around his dextrous, fried guitar playing as juxtaposed with a gorgeously lyrical vocal style. An ingenious recombinant use of traditional folk, psychedelic pop and consort music in earlier albums has over time evolved into a wholly uncategorisable form of balladry, shot through with a singular vernacular of guitar improvisation. 2015 has seen Eric release ‘Skullsplitter’, perhaps the strongest document yet of the exquisite, poetical songcraft he snake-charms from the roiling and changeable sonic environments bedded beneath. Alongside it has seen a blooming of his collaboration with Canadian filmmaker Eric Cazdyn, with a set of visual pieces made for each track on the album testament to their ongoing exploration of a fresh, symbiotic approach to music-video.



Eric Chenaux "Le Pouget" + "Skullsplitter" from Constellation Records on Vimeo.


He has performed with Pauline Oliveros, John Oswald, Michael Snow, Brodie West, Han Bennink, Michael Moore, Josephine Foster, Wilbert De Joode, Gareth Davis, Jacob Wren and Norberto Lobo among many. Eric also composes and performs music for film and contemporary dance, and collaborates on numerous sound installations with visual/sound artist Marla Hlady, including Smedaholmen Tourist (with Amplifiers) (2012) for The Thousand And One Birds festival in Norway. Together with Eric Cazdyn he undertook a two-week residency at The Cube Cinema in Bristol, UK, where they produced and performed the film Play The Cube in 2014.
http://cstrecords.com/eric-chenaux/

Sunday, 13 September 2015

Four shows this week! Richard Dawson, Dope Body, Rat Columns and Martin Newell in London!


Hello again!
I trust you’re having a brilliant weekend, in comes I with news of our busy week to come. Tomorrow we’re extremely lucky to have RICHARD DAWSON and ASIQ NARGILE comparing and contrasting their unique styles of narrative songwriting. This rare head to head of English and Georgian folk traditions will take place at Tufnell Park Dome tomorrow, tickets will be available on the door from 7.30pm, with live music beginning an hour later. Wednesday sees us head to the Old Blue Last for a night of gravity defying rawk music from DOPE BODY and OLD FOREST. Whilst, RAT COLUMNS are top of the menu for Thursday night at the Montague Arms, joined by H. GRIMACE and ATHENS. 

If that wasn’t already too much, we’re really pushing the boat out on Saturday afternoon by welcoming the marvelous MARTIN NEWELL, known for his immaculate solo career alongside his lo-fi escapades with CLEANERS FROM VENUS, to London for the first time in decades. Taking place at St Giles In The Fields, at the end of Denmark Street where Martin used to live, the ‘Golden Afternoon’ will involve a variety of performances on guitar and piano, accompanied by tales, poetry, cakes and tea (white chocolate and pistachio cupcake anyone? Have you tried the liquorice brew? Well I never knew that about Queen Matilda!). Now that’s what we call (a week of) music! Read on for everything and more…


\\\\\    MONDAY    /////



RICHARD DAWSON
ASIQ NARGILE
Monday 14 September
Tufnell Park Dome, 2A Dartmouth Park Hill, Tufnell Park, NW5 1HL
7.30pm | £15 | http://www.wegottickets.com/event/322823

A very special union of two bold and visionary performers from very different walks of song: Richard Dawson (Newcastle-Upon-Tyne, UK) and Asiq Nargile (Georgia) are bound together by the distinctive ways in which they channel the ancients to transcend the everyday. Dawson and Nargile met at last October's TUSK Festival in Newcastle, and the seeds were sown for a tour pairing these questing musical spirits for a select run of double-bill occasions across the UK.

RICHARD DAWSON is a skewed troubadour at once charming and abrasive, rising up from the bed of the River Tyne, his voice crumbles and soars being steeped in age-old balladry and finely-chiseled observations of the mundane. His shambolically virtuosic guitar playing stumbles from music-hall tune-smithery to spidery swatches of noise-colour, swathed in amp static and teetering on the edge of feedback. His songs are both chucklesome and tragic, rooted in a febrile imagination that references worlds held dear and worlds unknown. Latest album Nothing Important, out now on Weird World/Domino, has seen Dawson's song visions seep, uncompromised and irrepressible, into wider consciousness, confirming him as an unparalleled voice in today’s over-preened and manufactured music world.
http://www.richarddawson.net/

ASIQ NARGILE aka Nargile Mehtiyeva was born in Tbilisi and is now based in the Borcali region of Southern Georgia, she has been playing saz (long-neck lute) and singing since the age of 15. Fluent in Azerbaijani, Georgian, and Russian, Nargile represents the cosmopolitan heritage of old Tbilisi, a city once known as a meeting point for multilingual aşıq bards who would travel through the region serving as conduits for news, ideas, music and culture. A powerful solo performer, her vocal recital of epic folk poetry is by turns ecstatic and deeply expressive, and is interspersed with bursts of virtuosic, highly ornamented saz. Equally comfortable performing moving laments or upbeat folk dances, Nargile is currently the only female aşıq living and performing in the ethnic Azeri region of Georgia, and has been teaching the art to new generations. Thanks to the efforts of The Sayat Nova Project, a non-profit group aiming to help preserve and promote the diverse musical dialects of the Caucasus, European audiences can now experience the elusive, hypnotic beauty of Nargile's music for themselves.
https://www.youtube.com/watch?v=qgAb87RFgpk




\\\\\    WEDNESDAY    /////



DOPE BODY
OLD FOREST
Wednesday 16 September
Old Blue Last, 38 Great Eastern St, Shoreditch, EC2A 3ES
8pm | £8 | http://www.wegottickets.com/event/318804

DOPE BODY are a primordial, psych-addled noise rock beast from Baltimore! Born in 2008 out of the dance-friendly confines of the city’s Wham City scene, this unclassifiable, heavy group ventured out into the night to find more like-minds, and came back boasting a spasm of styles and directions. Evolving from blasting three-piece to blistering four-piece, Dope Body enjoy writing their own songs, touring endlessly and pummelling basement parties with a gleeful, wide-eyed fanaticism that the more reasonable among us might mistake for insanity (it ain’t entirely so). Dope Body writhe under their own experiments, swinging from gutterish sludge-punk to snake charmer-on-fire within the confines of a single tune. Rather than comparing their ferocity to other contender, just know that Dope Body is punk spelled upside-down and standing on its hands. 2012 saw their stunning album 'Natural History' come out on Drag City. Last year, the Baltimore quartet returned with ‘Lifer’, which saw Dope Body taking on some full-frontal riffing that dynamically ebbs and flows. From the trigger beats and scraping loops of ‘Casual’ to the Bowie-aping ‘Goon Line’ (think Fame re-tooled by Fugazi); from the psyche sway of ‘Doom’ to the epic, closing ‘Void’, brand new album ‘Kunk’ posits Dope Body's unflinching world view into a set of agit observationals. An essential companion piece to its excellent predecessor.
http://dopebody.tumblr.com/
  
OLD FOREST are purveyors of sludge rock and massive Sebadoh and Dinosaur Junior fans. Writing steep and steady with a sound you’d expect from three thirty somethings, Old Forest have a release out on Italian Beach Babes.
https://oldforest.bandcamp.com/




\\\\\    THURSDAY    /////



RAT COLUMNS
H. GRIMACE
ATHENS
Thursday 17 September
Montague Arms, 289 Queen's Rd, New Cross Gate, SE14 2PA

RAT COLUMNS is the project of Perth native David West, who is also the man behind chic electronic project Lace Curtain. Over the years he’s also played in Total Control and Rank/Xerox too. Rat Columns make beautifully sad, subdued jangle punk, packed with kinetic riffs, woozy synths and rhythms that sound like the landscape rushing by in a rush of haze. West is a nimble extractor of momentary melodies, an ambient-pop balladeer, a lover of unashamed shoegaze bliss-outs. After two LPs on Smart Guy Records and R.I.P. Society Records, this year has seen West release a pair of sublime 12” EPs on ADAGIO830 and Blackest Ever Black.
http://ratcolumns.tumblr.com/ 

H. GRIMACE are a dream punk trio from Homerton, London. Last year they released their debut 10”through their own 7 Eye imprint. Opening track ‘Lands of Gold and Green’ is a carefully constructed atmospheric track, typical of the bands mature approach to songwriting. Frontwoman Hannah Gledhill’s voice is showcased on this track her dusky vocals building to an unusual vocal harmony which soars above the subtly interlaced melodies developed during the tracks’ chorus.
https://h-grimace.bandcamp.com/

ATHENS play sparse, sometimes dissonant post-punk. Spiky, tightly wound interlocking guitar parts weave around acerbic vocals, thudding basslines and pounding drums.
https://www.youtube.com/watch?v=3xp3f-9HZpc




\\\\\    SATURDAY AFTERNOON    /////



MARTIN NEWELL - ‘THE GOLDEN AFTERNOON’
Three sets of music, poetry and yarns!
Saturday 19 September
St Giles In The Fields, 60 St Giles High Street, Covent Garden, WC2H 8LG

MARTIN NEWELL is a purveyor of ingenious pop music. His music is refracted from late 60s rock only shot through with invention from the rough-and-ready explosion of DIY tape releases in 80s Britain. As a songwriter, he’s right up there with Syd Barrett and Ray Davies, capturing a peculiar Englishness that’s very much his own. It is argued that he has never got the commercial success he deserved, but while this may or may not be true he continues to make and sell good records with a degree of international acclaim.

‘The Golden Afternoon’ promises a glorious spell of autumnal dazzle spent in the company of the inestimable Martin Newell (of Cleaners From Venus, Brotherhood Of Lizards, Stray Trolleys, Plod), featuring two sets of music on guitar and piano, poetry, tales about Denmark Street (where Martin lived for some time in the 80s when working in Tin Pan Alley), as well as ample tea vs cake provisions. This is an extremely rare occurrence as ‘The Golden Afternoon’ has never visited London before and Martin’s musical performances in London over the last few decades can be counted on one hand.

Martin started his career in music aged 19 when he joined an Essex glam-rock band called The Mighty Plod as a singer and gigged in rough clubs, pubs and colleges for the next two years. In his early twenties he joined a hard rock/prog band from Ispwich called Gypp and gigged in the UK as well as touring northern Germany several times. In 1979, he won his first record contract and shortly afterwards his first single ‘Young Jobless / Sylvie In Toytown’ was released, first on an indie label and then with Liberty Records. In the 1980s he formed the anarchic and wonderfully offbeat Cleaners From Venus, who after much defiance of music biz convention, signed to a London record company and began making proper records which were well reviewed and well-received. He began co-writing songs with Captain Sensible in 1986, a relationship which endures to some extent to this day. In 1989 he and his friend Nelson, now of New Model Army formed The Brotherhood of Lizards, were signed to make an album and proceeded to promote it, touring the record by bicycle. This led to many TV appearances and some notoriety and amusement in the media. In 1993, with XTC's Andy Partridge in the producer's chair Martin made what was to become his most successful album ‘The Greatest Living Englishman’.

Now in his mid-50s, with an abiding suspicion of commercial convention and arts authorities he remains in north Essex, where he continues to write poems, songs and books at a rate which sometimes surprises even the people who know him. His Selected Poems which came out in 2008 was given an enthusiastic and detailed foreword by Professor Germaine Greer. ‘This Little Ziggy’ his rock memoir is due to be re-published at time of writing. As poet-in-residence for The Sunday Express he writes a weekly pop-poem for the newspaper as well as occasional features for them. He is also a columnist for The East Anglian Daily Times for whom he writes a page The Joy of Essex each week.

After a thorough retrospective of Martin’s work with Cleaners From Venus, Captured Tracks have recently released a ‘best of’ his more recent work entitled ‘Teatime Assortment’. Martin has also re-recorded his classic song ‘Denmark Street’ in honour of this one -off show, holding a very central place in Martin’s heart, being where most of the Cleaners albums were breathed into life. Come see the ‘Wild Man of Wivenhoe’ wade through his waking memories of the West End, this will prove very special indeed!
http://www.martinnewell.co.uk/



Thanks for reading, and to all of you who came to see Stephen Steinbrink this week, see you soon and most likely frequently!
UPSET THE RHYTHM
x




\\\\\  UPSET THE RHYTHM   /////
/////  UPCOMING    SHOWS   \\\\\

RICHARD DAWSON
ASIQ NARGILE
Monday 14 September
Tufnell Park Dome, 2A Dartmouth Park Hill, Tufnell Park, NW5 1HL
7.30pm | £15 | http://www.wegottickets.com/event/322823

DOPE BODY
OLD FOREST
Wednesday 16 September
Old Blue Last, 38 Great Eastern St, Shoreditch, EC2A 3ES
8pm | £8 | http://www.wegottickets.com/event/318804

RAT COLUMNS
H. GRIMACE
ATHENS
Thursday 17 September
Montague Arms, 289 Queen's Rd, New Cross Gate, SE14 2PA

MARTIN NEWELL - ‘THE GOLDEN AFTERNOON’
Three sets of music, poetry and yarns!
Saturday 19 September
St Giles In The Fields, 60 St Giles High Street, Covent Garden, WC2H 8LG

PC WORSHIP
HOUSEWIVES
TAR POOLING
Thursday 24 September
DIY Space For London, Unit 1, 96-101 Ormside St, South Bermondsey, SE15 1TF
8pm | £5 Members & Guests | Tickets on the door, become a member of DIYSFL here: http://diyspaceforlondon.org/

TROPICAL TRASH
PERSPEX FLESH
APOSTILLE
Friday 25 September
DIY Space For London, Unit 1, 96-101 Ormside St, South Bermondsey, SE15 1TF
8pm | £5 Members & Guests | Tickets on the door, become a member of DIYSFL here: http://diyspaceforlondon.org/

TO LIVE AND SHAVE IN LA
CASUAL SECT
CLAIRE
Sunday 27 September
In collaboration with Café OTO, 22 Ashwin Street, Dalston, E8 3DL
8pm | £10 | http://tinyurl.com/q26dany

MATANA ROBERTS
‘Coin Coin Chapter Three’
ERIC CHENAUX
Tuesday 6 October
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

AARON DILLOWAY
SISSY SPACEK

Tuesday 13 October

Café OTO, 22 Ashwin Street, Dalston, E8 3DL

8pm | £10 | http://tinyurl.com/nuz7eot

THE SPACE LADY
MELTING HEARTS
Wednesday 14 October
The Old Baths, 80 Eastway, Hackney Wick, London, E9 5JH

NORMIL HAWAIIANS
Saturday 24 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

PROTOMARTYR
WITCHING WAVES
TENSE MEN

Monday 2 November
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS
7.30pm | £8 |
http://www.wegottickets.com/event/331014 

SHANNON AND THE CLAMS
THE CREEPING IVIES
Wednesday 11 November
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

MIKAL CRONIN
Tuesday 17 November
Scala, 275 Pentonville Road, King´s Cross, London, N1 9NL

CALVIN JOHNSON
Wednesday 18 November
The Tin Tabernacle, 12-16 Cambridge Avenue, Kilburn, NW6 5BA
7pm | £10 | http://www.wegottickets.com/event/330306