Tuesday, 20 October 2015

NORMIL HAWAIIANS and MAXIMUM JOY upcoming London shows!


Morning everyone!
Our next two shows take us back to the early 80’s post punk milieu. Both events are taking place at The Lexington and our first involves the remarkable NORMIL HAWAIIANS this Saturday. After having released a slew of singles and two classic outsider-punk albums by the mid-80s, the South London collective went their separate ways, leaving behind a final album that was never properly released. With a penchant for drone, poetic vocal ambience and motoric cadence, Normil Hawaiians are ‘such stuff as dreams are made on’ to us at Upset The Rhythm and so we tracked down the band with the aim of releasing their swansong ‘Return Of The Ranters’. To our huge delight they agreed and this month finally sees the record released. This Saturday’s show at The Lexington, their first in three decades, will act as the album’s release party! If you’re partial you can stream the record right now via The WIRE here: http://www.thewire.co.uk/audio/tracks/listen_normil-hawaiians-return-of-the-ranters

In lieu of this special occasion, we’re giving away five pairs of tickets to Saturday’s event, all you have to do is to answer the following question correctly by replying to upset_the_rhythm@yahoo.com, we’ll randomly select the five winners tomorrow morning and get back to you.

NORMIL HAWAIIANS COMPETITION

Q. How many years have elapsed since ‘Return Of The Ranters’ was recorded?

For Saturday’s show, the band have been working with other performers to engender a carnival atmosphere, intriguing? And have also recruited Nick Hudson and Bertie Marshall (of punk infamy as part of the Bromley Contingent) to present their new NOWHERE SLOW project too.

Remember we mentioned a second show show too? Well that takes place next Tuesday and sees an equally amazing newly regrouped band take to The Lexington stage, this time dance-punk pioneers MAXIMUM JOY. Formed in the wake of the break-up of two of Bristol’s most revered bands, The Pop Group and Glaxo Babies, Maximum Joy are one of the most interesting and influential bands the city has ever produced. They split after their first album but their legacy has lasted to this day. Maximum Joy have gained a cult following with the likes of Andrew Weatherall and Optimo singing their praises, and their angular sound has gone on to inform legions of bands and producers. Having reuinted for Bristol’s Simple Things festival this weekend it’s a total honour to host them in London next week in more of a club setting with both BULLION and JD TWITCH providing DJ sets. We’re seriously excited for both these events and hope you can join us, read on further for everything you need to know…



\\\\\     SATURDAY     /////


NORMIL HAWAIIANS
NOWHERE SLOW
Saturday 24 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

In the austere years of the post-punk permafrost, and under the grip of another ruthless despot, freedom was in part personified by the widely vilified and brutally attacked people’s Peace Convoy - a manifestation of idealism that was grotesquely smashed near Stonehenge on 1st June 1985; 537 arrested, children terrorised, idealism and hope stamped on with fear and violence. What was essentially a class war had been joined in the previous year with horse charges and gloved fists against miners and their families across Yorkshire. This was clearly intended to force home the point - ‘You are nothing. We own you and your labour. You work for us.’ It was during these dark times that NORMIL HAWAIIANS third album, ‘Return Of The Ranters’ was written, recorded and shelved.

Normil Hawaiians have always operated as a collective of musicians rather than a band per se and for this third album, the group comprised of Guy Smith, Simon Marchant, Alun 'Wilf' Williams, Noel Blanden and Jimmy Miller. Recorded at Dave Anderson’s Foel studio in Wales (sonic home of Amon Düül II and Hawkwind) in the Winter of 1985, a time and a place triangulated from political, social and geographical aspects, ‘Return Of The Ranters’ extended their free experiments in compelling arrhythmia and seemingly organised sound, taking a loose trajectory from their previous albums and earlier, more confrontational approach.

The album opens amidst vast clouds of atmosphere before the tape looped violin of ‘Sianne Don’t Work In A Factory’ starts to drag the song out of itself and into a sparse yet tender love song, full of hope, exalted synths and mechanised drum patterns. Acoustic guitars and walls of keyboard drone provide a fitting acre of space for the raw polemics of ‘Slums Still Stand’, whilst ‘The Search For Um Gris’ follows in full head-down, motorik mode with a miraculously hypnotic drum beat and whirling mood. “What’s the colour of your heart?” sings Guy as the song spools out and grows onwards into the distance. ‘Battle Of Stonehenge’ is a powerful and emotive recording detailing the band’s personal experience of the aforementioned Police ransack of the Peace Convoy from the same year, and as a result provides the rallying point of album. Beginning bravely as a solitary spun-out voice, the song eventually becomes awash with choruses of guitar and reverberating synth, joined finally by adornments of violin and an entrancingly agile beat. ‘Mouldwarp’s Journey’ concludes the album with 10 minutes of epic improv, drawing on field recordings, murmured vocals, slowly-phasing tonal clusters, a miasma of percussion and wordless rapture.

Lucid, candid, politically engaged, rarely metronomic but always humane, tired but still fighting, Normil Hawaiians’ third album has waited patiently for thirty years. 'Return of The Ranters' was not released back in 1985 as with Guy, Jimmy and Wilf living in squatting communities in South London, and Simon and Noel re-locating their families to rural Kent - the Family Hawaii splintered and went its separate ways. In the intervening years, the band’s reputation has grown considerably, far beyond the UK. Now the causes and conditions have finally come right, the Family Hawaii are very excited to announce that Upset The Rhythm will finally release ‘Return Of The Ranters’ on October 23rd, 2015 and that Hawaiians old and new will be supporting and celebrating with a live manifestation at The Lexington in London on 24th October. Come rejoice with us. All that falls, now falls into place...and all that was air now becomes solid.

NOWHERE SLOW is a new collaboration between writer Bertie Marshall and musician/ composer Nick Hudson. Taking texts from Marshall’s collection of writings ‘NOWHERE SLOW (1994-2014)’ the duo comb them into word and soundscapes, making for a  performance of psychotic love poems / fragmented prose pieces and declamations of love, devotion, loss and obsession.




\\\\\   NEXT TUESDAY   /////



MAXIMUM JOY
JD TWITCH (OPTIMO / DJ Set)
BULLION (DJ Set)
Tuesday 27 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

Formed in 1980 in Bristol from members of Glaxo Babies and The Pop Group – along with the then 17-year-old singer/clarinetist Janine Rainforth – Maximum Joy represented a break from the dour frown of post-punk. They were a dance band first and foremost, with a raucous disco pulse, blasts of brass and yelping, chanted vocals that lived up to the band’s name. Maximum Joy combined myriad influences from the city's storied music scene to inform a sound that reflected the political and social climate of Thatcher-era Britain; funk, dub, disco, reggae and jazz all informed their particular strain of post-punk. Their output was by turns moody and exuberant but always highly danceable, carried by the ethereal strains of lead singer Janine Rainforth.

The band's output was confined to just a handful of releases: four singles preceded an LP entitled 'Station M.X.J.Y', which was produced in part by legendary producer and dub trailblazer Adrian Sherwood. In spite of this, the band helped lay the foundations for the explosion of creativity and musical cross-pollination that characterised Bristol during the eighties and nineties, and they have amassed a cult following amongst clued-up producers and DJs that endures to this day. Whereas they were once a firm favourite of John Peel's in their heyday, today Maximum Joy are championed by the likes of Andrew Weatherall and Optimo. This year the band have reunited to play at Bristol’s excellently curated Simple Things festival and we’re extremely pleased to have them visit London to play their first show here in 25 years around that date.
https://www.youtube.com/watch?v=OQbOKO8Mmck

JD TWITCH (OPTIMO / DJ Set)

BULLION (DJ Set)


Thanks for reading and for all your support at our recent Space Lady and Aaron Dilloway shows too! See you so soon,
UPSET THE RHYTHM
x




\\\\\  UPSET THE RHYTHM   /////
/////  UPCOMING    SHOWS   \\\\\

NORMIL HAWAIIANS
NOWHERE SLOW
Saturday 24 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

MAXIMUM JOY
JD TWITCH (OPTIMO / DJ Set)
BULLION (DJ Set)
Tuesday 27 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

PROTOMARTYR
WITCHING WAVES
TENSE MEN

Monday 2 November
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS
7.30pm | £8 |
http://www.wegottickets.com/event/331014 

SHANNON AND THE CLAMS
THE CREEPING IVIES
Wednesday 11 November
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

MIKAL CRONIN
J FERNANDEZ
THEO VERNEY
Tuesday 17 November
Scala, 275 Pentonville Road, King´s Cross, London, N1 9NL

CALVIN JOHNSON
INVISIBLE FOXX
Wednesday 18 November
The Tin Tabernacle, 12-16 Cambridge Avenue, Kilburn, NW6 5BA
7pm | £10 | http://www.wegottickets.com/event/330306

SLIM TWIG
TARZANA (Spencer Clark, Jan Anderzen, Floris Vanhoof)
Wednesday 2 December
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS

MOSS LIME
Monday 7 December
Old Blue Last, 38 Great Eastern St, Shoreditch, EC2A 3ES

IAN SVENONIUS (Escapism)
OLIVIA NEUTRON JOHN

Tuesday 15 December
Power Lunches Arts Cafe, 446 Kingsland Road, Dalston, E8
8pm | 7.00 |
http://www.wegottickets.com/event/336321

Monday, 12 October 2015

AARON DILLOWAY, SISSY SPACEK and THE SPACE LADY London shows this week!


Afternoon all!
This week we have two great shows for you: AARON DILLOWAY, SISSY SPACEK and MOOR MOTHER GODDESS at Café OTO tomorrow and THE SPACE LADY and MELTING HEARTS at The Old Baths on Wednesday. Both look like they’ll be nothing short of incredible, so read on for all you need to know. Also this week, WIRE magazine are streaming in full our forthcoming NORMIL HAWAIIANS album ‘Return Of The Ranters’, you can check it out in all its glory here!

  http://www.thewire.co.uk/audio/tracks/listen_normil-hawaiians-return-of-the-ranters

If your head’s still spinning for more entertainment then our blog has lots of new videos from TERRY, THE WHARVES and PEGA MONSTRO that all went up in the last week too: 

In other news we’ve just confirmed that J FERNANDEZ and THEO VERNEY have both been added to our MIKAL CRONIN show, completing the line-up. We’re especially excited to announce a super intimate solo show for IAN SVENONIUS (performing as Escapism) and OLIVIA NEUTRON JOHN in December at Power Lunches too. Tickets onsale now, as indeed they are for all upcoming Upset The Rhythm events, check the listings section that concludes this for details.


\\\\\   TOMORROW   /////



AARON DILLOWAY
SISSY SPACEK
MOOR MOTHER GODDESS

Tuesday 13 October

Café OTO, 22 Ashwin Street, Dalston, E8 3DL

8pm | £10 | http://tinyurl.com/nuz7eot

AARON DILLOWAY hails from Michigan, and is perhaps best known as a founding member of formidable trip metal gods Wolf Eyes. Since he left that band a decade ago, he’s delicately extended his exploration of tape manipulations and found sound appropriation, simultaneously bringing warmth and acidity, high-end assault and dreamy dislocation in a way that could be said to unwittingly form a bridge between Robert Ashley and hauntology. A serial collaborator, he’s also made great records in cahoots with Jason Lescalleet, C. Spencer Yeh and many more and been compared to Maryanne Amacher and Nurse With Wound. Currently based in Oberlin, Ohio, from where he runs the Hanson Records label and mailorder, this is his first (and long overdue) UK appearance since appearing alongside Nate Young at The Grosvenor, over six years ago!
https://www.facebook.com/Aaron-Dilloway-136620113037549/

SISSY SPACEK is the band project of american noise artist John Wiese and often includes Corydon Ronnau and Jesse Jackson. Based out of LA, Wiese often describes them as grindcore though their work more often features rapidly spliced samples and blistering noise. Live their performance is more closely related to a furious punk maelstrom, utilizing bass/guitar/drum machine in rapid, heavy metal and hardcore inspired bursts with screamed vocals.
https://sissyspacek.bandcamp.com/

MOOR MOTHER GODDESS’ music is a history lesson, a future lesson, and a comment on the present all at once. And really it is more than a lesson, its a soundscape to these different time dimensions, so that you are hearing and experiencing not only music, but you get the voices of the ancestors, the whispers of our descendants, and the field sounds of the future and past landscapes. She presents an immersive experience in her music that unfolds or unearths some of the hidden dimensions that are embedded in sounds.
https://moormothergoddess.bandcamp.com/




\\\\\   WEDNESDAY   /////



THE SPACE LADY
MELTING HEARTS
Wednesday 14 October
The Old Baths, 80 Eastway, Hackney Wick, London, E9 5JH

THE SPACE LADY began her odyssey on the streets of San Francisco in the late 70s, playing versions of contemporary pop music an accordion and dressed flamboyantly, transmitting messages of peace and harmony. Following the theft of her accordion, The Space Lady invested in a then-new Casio keyboard, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its lead exponents ever since, with the likes of John Maus, Erol Alkan and Kutmah being devotees.  Of her early street sets, only one recording was made, self-released originally on cassette and then transferred to a homemade CD. "The Space Lady’s Greatest Hits" released last year through Night School features the best of these recordings - mostly covers but with some originals - pressed on vinyl for the first time and features archival photographs and liner notes from The Space Lady herself. “Greatest Hits” contains The Space Lady’s personal favourites; her haunting take on The Electric Prunes’ “I Had Too Much To Dream (Last Night),” a frantic “Ballroom Blitz” amidst other reconstructed pop music. Following on from this wonderful record, The Space Lady has begun writing new material and travelling the world to present her message outside the United States for the first time. This show follows on from her sensational appearance at Rudolf Steiner House last year!
https://soundcloud.com/dazedandconfused/sets/the-space-lady-greatest-hits

MELTING HEARTS is Samuel Meri, a man with a reputation for slow movements but despite this, he has still managed to spend hundreds of hours in some of Helsinki’s sleaziest karaoke bars, gathering inspiration for his enigmatic, fantasy pop group ‘The Melting Hearts’. Taking cues from Dub, Tango, Finnish Schlager music & disco, Samu has contributed several of his songs to various cassette comps over the years (akin the the infamous petrol station only/truck driver friendly cassette comps rife through-out Finland during the 70s & 80s) as well as recording an excellent 7″ for Jaakko Eino Kalevi’s JEKS imprint. Flash forward to 2015 and The Melting Hearts set their sights on the UK & Europe at large with a long player for Neen Records currently in the works.
https://soundcloud.com/meltingheartsmusic


Thanks a lot for your time, and to everyone who came out to see Matana Roberts and Eric Chenaux’s extraordinary concert last week too.
See you all soon!
UTR
x




\\\\\  UPSET THE RHYTHM   /////
/////  UPCOMING    SHOWS   \\\\\

AARON DILLOWAY
SISSY SPACEK
MOOR MOTHER GODDESS

Tuesday 13 October

Café OTO, 22 Ashwin Street, Dalston, E8 3DL

8pm | £10 | http://tinyurl.com/nuz7eot

THE SPACE LADY
MELTING HEARTS
Wednesday 14 October
The Old Baths, 80 Eastway, Hackney Wick, London, E9 5JH

NORMIL HAWAIIANS
(First show in thirty years)
Saturday 24 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

MAXIMUM JOY
JD TWITCH (OPTIMO / DJ Set)
BULLION (DJ Set)
Tuesday 27 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

PROTOMARTYR
WITCHING WAVES
TENSE MEN

Monday 2 November
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS
7.30pm | £8 |
http://www.wegottickets.com/event/331014 

SHANNON AND THE CLAMS
THE CREEPING IVIES
Wednesday 11 November
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

MIKAL CRONIN
J FERNANDEZ
THEO VERNEY
Tuesday 17 November
Scala, 275 Pentonville Road, King´s Cross, London, N1 9NL

CALVIN JOHNSON
INVISIBLE FOXX
Wednesday 18 November
The Tin Tabernacle, 12-16 Cambridge Avenue, Kilburn, NW6 5BA
7pm | £10 | http://www.wegottickets.com/event/330306

SLIM TWIG
TARZANA (Spencer Clark, Jan Anderzen, Floris Vanhoof)
Wednesday 2 December
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS

MOSS LIME
Monday 7 December
Old Blue Last, 38 Great Eastern St, Shoreditch, EC2A 3ES

IAN SVENONIUS (Escapism)
OLIVIA NEUTRON JOHN

Tuesday 15 December
Power Lunches Arts Cafe, 446 Kingsland Road, Dalston, E8
8pm | 7.00 |
http://www.wegottickets.com/event/336321

UNCUT review of 'Return Of The Ranters'


TERRY - 'In The Bin' [VIDEO]

Another new video, this time by TERRY for recent b-side 'In The Bin', karaoke perfecto! Enjoy...



x

Friday, 9 October 2015

Pega Monstro - 'Não Consegues' (VIDEO)

'Não Consegues' is taken from the band's recent album 'Alfarroba' out on Upset The Rhythm now. The song's title translates as 'you can't' and the video was directed by their cousin Lourenço Crespo. Pega Monstro will be touring again over here in February 2016 too. Enjoy!



x



IAN SVENONIUS concert announced!


Upset The Rhythm presents…

IAN SVENONIUS (Escapism)
OLIVIA NEUTRON JOHN
 
Tuesday 15 December
Power Lunches Arts Cafe, 446 Kingsland Road, Dalston, E8
8pm | 7.00 | http://www.wegottickets.com/event/336321


Thursday, 8 October 2015

The Wharves - 'NAZ' (VIDEO)

Here's an emotional rollercoaster of a song/video from The Wharves' forthcoming 7" for Upset The Rhythm too!


Available now to pre-order here.

x

Stream Normil Hawaiians' forthcoming 'Return Of The Ranters' album in full via WIRE magazine!

So happy to share this with everyone!!!
The album steps out into the world of physical formats on October 23rd!

LISTEN HERE!

x

Monday, 5 October 2015

MATANA ROBERTS and ERIC CHENAUX tomorrow and two shows next week!


Morning everyone!
There’s never a dull moment for us at Upset The Rhythm! Tomorrow the incredible MATANA ROBERTS will be performing for us at Hackney’s OSLO. Matana is a storyteller, musician, ethnographer, historian, bandleader, arranger, improviser and activist. Three albums deep into her ‘Coin Coin’ album project for Constellation it’s become clear that she’s also responsible for one of the most engaging unfolding bodies of work by any American artist. For this performance, her first in the UK since the project began, she’ll be joined by friend and label mate ERIC CHENAUX, known for his inspired balladry and tangling guitar and vocal improvisations. You can find the full listing for that show below, along with those for next week’s AARON DILLOWAY, SISSY SPACEK and MOOR MOTHER GODDESS concert and also of next week’s show for THE SPACE LADY and MELTING HEARTS. Thanks for reading…


\\\\\   TOMORROW   /////



MATANA ROBERTS
‘Coin Coin Chapter Three’
ERIC CHENAUX
Tuesday 6 October
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

MATANA ROBERTS is an internationally renowned composer, band leader, saxophonist, sound experimentalist and mixed-media practitioner. Roberts works in many contexts and mediums, including improvisation, dance, poetry, and theater. She made two records as a core member of the Sticks And Stones quartet in the early 2000s and has gone on to release a diverse body of solo and ensemble work under her own name on Constellation and Central Control over the past decade. She is perhaps best known for her acclaimed ‘Coin Coin’ project, a multi-chapter work of “panoramic sound quilting” that aims to expose the mystical roots and channel the intuitive spirit-raising traditions of American creative expression while maintaining a deep and substantive engagement with narrativity, history, community and political expression within improvisatory musical structures. Constellation began documenting the ‘Coin Coin’ project in 2011 and has released the first three of a projected twelve album-length chapters to date.

The third chapter of ‘Coin Coin’, entitled ‘river run thee’ and released on Constellation on February 2014, finds Roberts constructing a sound art tapestry from field recordings, loop and effects pedals, and spoken word recitations, alongside her saxophone and singing voices. ‘Coin Coin Chapter Three: river run thee’ which Roberts will be performing at this concert, could arguably be considered first and foremost a vocal work, and notwithstanding its experimental and esoteric structure, a deeply narrative work as well. Not unlike 2013’s ‘Coin Coin Chapter Two: Mississippi Moonchile’, this most recent chapter unfolds as an uninterrupted album-length flow, this time in what Roberts calls “a fever dream” of sonic material, woven in surrealist fashion.

“At my artistic core, I am firmly dedicated to creating a unique and very personal experiential body of sound work that speaks to, and reminds people of all walks of life to reach, stand up, give voice, regardless of difference, created from mere labels of intellectual classification. In my ideal world the idea of ‘difference’, is an illusion designed only for the purpose of modern economic division and elitist intellectual hierarchy. Through my life’s work, I stand creatively in defiance.” Matana Roberts

Roberts has played with and alongside Rob Mazurek, Myra Melford, Vijay Iyer, Roscoe Mitchell and Greg Tate to name but a few and has also recorded as a guest musician with rock, pop and electronic groups as diverse as Godspeed You! Black Emperor, TV On The Radio, Savath & Savalas, Thee Silver Mt. Zion, and performance artists My Barbarian.
http://www.matanaroberts.com/

ERIC CHENAUX is an adventurous guitarist, singer and composer based in Paris. Having been an active player in Toronto experimental music circles with a host of group and collaborative works, Chenaux has more recently amassed a body of solo work across five albums on the Constellation label, centering around his dextrous, fried guitar playing as juxtaposed with a gorgeously lyrical vocal style. An ingenious recombinant use of traditional folk, psychedelic pop and consort music in earlier albums has over time evolved into a wholly uncategorisable form of balladry, shot through with a singular vernacular of guitar improvisation. 2015 has seen Eric release ‘Skullsplitter’, perhaps the strongest document yet of the exquisite, poetical songcraft he snake-charms from the roiling and changeable sonic environments bedded beneath. Alongside it has seen a blooming of his collaboration with Canadian filmmaker Eric Cazdyn, with a set of visual pieces made for each track on the album testament to their ongoing exploration of a fresh, symbiotic approach to music-video.

He has performed with Pauline Oliveros, John Oswald, Michael Snow, Brodie West, Han Bennink, Michael Moore, Josephine Foster, Wilbert De Joode, Gareth Davis, Jacob Wren and Norberto Lobo among many. Eric also composes and performs music for film and contemporary dance, and collaborates on numerous sound installations with visual/sound artist Marla Hlady, including Smedaholmen Tourist (with Amplifiers) (2012) for The Thousand And One Birds festival in Norway. Together with Eric Cazdyn he undertook a two-week residency at The Cube Cinema in Bristol, UK, where they produced and performed the film Play The Cube in 2014.
http://cstrecords.com/eric-chenaux/




\\\\\   WEEK ON TUESDAY   /////



AARON DILLOWAY
SISSY SPACEK
MOOR MOTHER GODDESS

Tuesday 13 October

Café OTO, 22 Ashwin Street, Dalston, E8 3DL

8pm | £10 | http://tinyurl.com/nuz7eot

AARON DILLOWAY hails from Michigan, and is perhaps best known as a founding member of formidable trip metal gods Wolf Eyes. Since he left that band a decade ago, he’s delicately extended his exploration of tape manipulations and found sound appropriation, simultaneously bringing warmth and acidity, high-end assault and dreamy dislocation in a way that could be said to unwittingly form a bridge between Robert Ashley and hauntology. A serial collaborator, he’s also made great records in cahoots with Jason Lescalleet, C. Spencer Yeh and many more and been compared to Maryanne Amacher and Nurse With Wound. Currently based in Oberlin, Ohio, from where he runs the Hanson Records label and mailorder, this is his first (and long overdue) UK appearance since appearing alongside Nate Young at The Grosvenor, over six years ago!
https://www.facebook.com/Aaron-Dilloway-136620113037549/

SISSY SPACEK is the band project of american noise artist John Wiese and often includes Corydon Ronnau and Jesse Jackson. Based out of LA, Wiese often describes them as grindcore though their work more often features rapidly spliced samples and blistering noise. Live their performance is more closely related to a furious punk maelstrom, utilizing bass/guitar/drum machine in rapid, heavy metal and hardcore inspired bursts with screamed vocals.
https://sissyspacek.bandcamp.com/

MOOR MOTHER GODDESS’ music is a history lesson, a future lesson, and a comment on the present all at once. And really it is more than a lesson, its a soundscape to these different time dimensions, so that you are hearing and experiencing not only music, but you get the voices of the ancestors, the whispers of our descendants, and the field sounds of the future and past landscapes. She presents an immersive experience in her music that unfolds or unearths some of the hidden dimensions that are embedded in sounds.
https://moormothergoddess.bandcamp.com/




\\\\\   WEEK ON WEDNESDAY   /////



THE SPACE LADY
MELTING HEARTS
Wednesday 14 October
The Old Baths, 80 Eastway, Hackney Wick, London, E9 5JH

THE SPACE LADY began her odyssey on the streets of San Francisco in the late 70s, playing versions of contemporary pop music an accordion and dressed flamboyantly, transmitting messages of peace and harmony. Following the theft of her accordion, The Space Lady invested in a then-new Casio keyboard, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its lead exponents ever since, with the likes of John Maus, Erol Alkan and Kutmah being devotees.  Of her early street sets, only one recording was made, self-released originally on cassette and then transferred to a homemade CD. "The Space Lady’s Greatest Hits" released last year through Night School features the best of these recordings - mostly covers but with some originals - pressed on vinyl for the first time and features archival photographs and liner notes from The Space Lady herself. “Greatest Hits” contains The Space Lady’s personal favourites; her haunting take on The Electric Prunes’ “I Had Too Much To Dream (Last Night),” a frantic “Ballroom Blitz” amidst other reconstructed pop music. Following on from this wonderful record, The Space Lady has begun writing new material and travelling the world to present her message outside the United States for the first time. This show follows on from her sensational appearance at Rudolf Steiner House last year!
https://soundcloud.com/dazedandconfused/sets/the-space-lady-greatest-hits

MELTING HEARTS
is Samuel Meri, a man with a reputation for slow movements but despite this, he has still managed to spend hundreds of hours in some of Helsinki’s sleaziest karaoke bars, gathering inspiration for his enigmatic, fantasy pop group ‘The Melting Hearts’. Taking cues from Dub, Tango, Finnish Schlager music & disco, Samu has contributed several of his songs to various cassette comps over the years (akin the the infamous petrol station only/truck driver friendly cassette comps rife through-out Finland during the 70s & 80s) as well as recording an excellent 7″ for Jaakko Eino Kalevi’s JEKS imprint. Flash forward to 2015 and The Melting Hearts set their sights on the UK & Europe at large with a long player for Neen Records currently in the works.
https://soundcloud.com/meltingheartsmusic


Looking forward to seeing you tomorrow!
UPSET THE RHYTHM
x




\\\\\  UPSET THE RHYTHM   /////
/////  UPCOMING    SHOWS   \\\\\

MATANA ROBERTS
‘Coin Coin Chapter Three’
ERIC CHENAUX
Tuesday 6 October
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

AARON DILLOWAY
SISSY SPACEK
MOOR MOTHER GODDESS

Tuesday 13 October

Café OTO, 22 Ashwin Street, Dalston, E8 3DL

8pm | £10 | http://tinyurl.com/nuz7eot

THE SPACE LADY
MELTING HEARTS
Wednesday 14 October
The Old Baths, 80 Eastway, Hackney Wick, London, E9 5JH

NORMIL HAWAIIANS
(First show in thirty years! Two performances)
Saturday 24 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

MAXIMUM JOY
JD TWITCH (OPTIMO / DJ Set)
BULLION (DJ Set)
Tuesday 27 October
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB

PROTOMARTYR
WITCHING WAVES
TENSE MEN

Monday 2 November
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS
7.30pm | £8 |
http://www.wegottickets.com/event/331014 

SHANNON AND THE CLAMS
THE CREEPING IVIES
Wednesday 11 November
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL

MIKAL CRONIN
Tuesday 17 November
Scala, 275 Pentonville Road, King´s Cross, London, N1 9NL

CALVIN JOHNSON
Wednesday 18 November
The Tin Tabernacle, 12-16 Cambridge Avenue, Kilburn, NW6 5BA
7pm | £10 | http://www.wegottickets.com/event/330306

SLIM TWIG
TARZANA (Spencer Clark, Jan Anderzen, Floris Vanhoof)
Wednesday 2 December
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS

MOSS LIME
Monday 7 December
Old Blue Last, 38 Great Eastern St, Shoreditch, EC2A 3ES