Afternoon all!
I hope September is treating you kindly! Our next show on Monday is sold
out already, but have no fear fears, we’re lucky enough to have MISSISSIPPI RECORDS return to Cafe OTO
at the end of the month on September 30th with their live showcase and 'Cosmic and Earthly History of Recorded
Music’ film/talk. For those of you with tickets for
Monday here are the times, get there early!
FILM/ TALK – 7.30pm > 9pm
DRAGGING AN OX THROUGH WATER – 9.10pm
LORI GOLDSTON – 9.50pm
MARISA ANDERSON – 10.30pm
DRAGGING AN OX THROUGH WATER – 9.10pm
LORI GOLDSTON – 9.50pm
MARISA ANDERSON – 10.30pm
Details of that follow up event can be
found below, along with info on our upcoming MAGIK MARKERS concert in a few weeks time. You can also read up on
our newly announced party for E.E.K.
featuring ISLAM CHIPSY, alongside CONTAINER
and Sublime Frequencies DJs
(exciting!!!). If you get through all of that then please check out our new
listings for RODION G.A., DARK BLUE, ED SCHRADER’S MUSIC BEAT, WHITE
FENCE and GUERILLA TOSS too. So
many captivating new shows I’m not sure what to do! Enjoy your weekend…
\\\\\ TUESDAY 23 SEPTEMBER /////
MAGIK MARKERS
SICK LLAMA
ALISON’S BIRTHDAY
Tuesday 23 September
Tuesday 23 September
Café OTO, 22 Ashwin
Street, Dalston, E8 3DL
8pm | £10
| http://www.wegottickets.com/event/280978
MAGIK MARKERS self-referential improvisations and
gritty brand of strutting, spinning and splitting in packed houses, panel
trucks, and the underground sound and light discotheques, began in a Hartford
basement around the Millennium. Whilst consistently releasing some wild
material on their own Arbitrary Signs label the band have also spun out some
remarkable records for Ecstatic Peace, Hospital Productions, Not Not Fun and
most recently Drag City, who released their terrific album 'Surrender To The
Fantasy'. 'STTF' (never too soon for the acronym) kicks off with that hoary old
trope of punk records, the song about the Chesapeake Valley Runoff and the
mating cycle of crabs. After that kind of in-your-face Attenborough-core, where
could the record go? Nowhere but everywhere, all the creepy outposts of
American detritus from other times, when hitchhiking and h-bombs were still
hot, viable new ideas and on beyond. 'Acts of Desperation' is
Shaggs-meets-Stones colour commentary on driveway laying, your mom's Merit
Ultra-Light 100's and the lengths we'll go to filch a feel of some arcane
notion of greatness. Here Pete "koan on loan" Nolan has nixed his kit
into a galvanic psych lead. No lame attempt to smoke nutmeg for this jam; it
scored real weed. For these New England nerfherders, whatever terror
Hawthorne's wood was meant to hold dissolves in a beer fueled frugging party.
'Mirrorless', the deep-focus track/single-that-never-
was/video-that's-about-to-be unspools its jewels and dissolves like all perfect
ballads, with a casual chorus of whistled free-melody and a sweet outro-solo.
'STTF' builds monolithically in it's penultimate moment, then blazes out with
possibly the best prescription cough medicine solo in the history of Elisa
Ambrogio's storied career. This is a Mainliner-ish ode to the American
underbelly that spawned rock and roll heroes and bad life choices; long a topic
of fascination and adoration in the MM camp, and it ends the Fantasy by
beginning another.
http://magikmarkers.tumblr.com/
SICK LLAMA is the solo noise/drone project from the man behind Michigan-based label Fag Tapes. He holds the rotten essence of Midwest Basement Mystery Mind Sound inside the marrow of his weird skull, right behind the strawberry blond tuffs, unblinking bug eyes, and mildewed skin. Sick Llama writes imaginary music for your imagination, walking a fine line between composition and improvisation. It's a wall of your own dreams to contend with, a tunnel with no light at the end, a wrong turn down the right road. New LP out soon on Premier Sang.
http://fagtapes.bandcamp.com/
ALISON’S BIRTHDAY are a sour trio of amateur dramatics from Brighton, conjured via seance to soundtrack your VHS-horror nightscapes. Writing spooked hypnotics of songs, Alison's birthday haunt the crossroads between womb gloom and witch punk. A demo tape is imminent via the band themselves, essential listening!
https://soundcloud.com/alisonsbirthday
http://magikmarkers.tumblr.com/
SICK LLAMA is the solo noise/drone project from the man behind Michigan-based label Fag Tapes. He holds the rotten essence of Midwest Basement Mystery Mind Sound inside the marrow of his weird skull, right behind the strawberry blond tuffs, unblinking bug eyes, and mildewed skin. Sick Llama writes imaginary music for your imagination, walking a fine line between composition and improvisation. It's a wall of your own dreams to contend with, a tunnel with no light at the end, a wrong turn down the right road. New LP out soon on Premier Sang.
http://fagtapes.bandcamp.com/
ALISON’S BIRTHDAY are a sour trio of amateur dramatics from Brighton, conjured via seance to soundtrack your VHS-horror nightscapes. Writing spooked hypnotics of songs, Alison's birthday haunt the crossroads between womb gloom and witch punk. A demo tape is imminent via the band themselves, essential listening!
https://soundcloud.com/alisonsbirthday
\\\\\ TUESDAY 30 SEPTEMBER /////
Mississippi Records
on tour: 'A Cosmic and Earthly History of Recorded Music according to
Mississippi Records' (A film & talk presentation)
Including live
performances from…
MARISA ANDERSON
LORI GOLDSTON
DRAGGING AN OX
THROUGH WATER
Tuesday 30 September
Café OTO, 22 Ashwin
Street, Dalston, E8 3DL
7pm | £10 | http://www.wegottickets.com/event/286496
A once in a blue moon
showcase that features a brand new live film/talk/slide show presentation by
Eric Isaacson (Mississippi Records label boss and store owner) plus three live
acts, all of whom have released records on the Mississippi Record label. Marisa
plays emotive acoustic and electric whirlwinds, Lori wanders across borders
with her atmospheric cello playing and DAOTW gloriously ruptures songs rooted
in folk and country traditions.
Mississippi Records is
modern day record phenomena, where there is never a dull moment and run with
the care and passion that it is hard to suppress. Based in Portland, Oregon,
USA it is a very local shop and a very outernational record label that has
released unheralded lost classic's from all over the globe, collections of
Harry Smith's anthologies as well as Alan Lomax's recordings, some truly
amazing compilations that wear the compilers tastes loud and proud as well as
some punky and quick off the shelf undercover albums that sell out pretty much
as soon as they are made. Eric Isaacson who helped set up and runs a lot of the
Mississippi Records labels and shop activities is also a wonderful, playful and
sincere guide through the highs and lows of music history with a keen eye on
the marvellous outsider types. For this tour he will introduce a brand new show
film/talk presentation and his fellow travellers are three musicians with super
strong ties to the label, all on the bill and performing.
'A
Cosmic and Earthly History of Recorded Music according to Mississippi Records' is Eric Isaacson's new concoction, a
combination of film, slide show, lecture and soundscape. It instinctively and
idiosyncratically illustrates a entire history of recorded music (focusing on
Eric's patch, North America!), from the birth of the first star in the universe
all the way to the dark ages of the 1980's. The ultimate intention of this
travelling exhibition is to give the audience a sense of wonder; that anything
is possible and art is worth doing. Tonally, the presentation navigates into
the outer reaches, bypassing academic stuffiness in favour of entertainment
value and immediacy. All materials will be from Mississippi Records vast and seldom
seen archive of film, music and art.
This whirlwind 90
minute sound and visual representation will attempt to sum up as many important
points in the evolution of recorded music that can be done in such a short
amount of time. Subjects hit upon include:
* The cosmic patterns
that resemble music generated by stars being born and dying.
* The musical
patterns in the natural world that work on the same principals as music.
* The untold early
history of recording technology. Including tales of Archeoacoustic technology
that allows us to hear recordings from 2,000 years or more ago, cat
pianos, the phonautogram which reproduces sounds from dust and much more.
* The rise of the
blues, rock and roll, and other revolutionary American music forms and their
subsequent destruction by the powers that be.
* 45 minutes of
incredibly vibrant archival footage of some some the greatest musicians on
Earth (as well as some novelties) including Bo Diddley, Rosetta Tharpe, The
Collins Kids, Gary Davis, and the Staple Singers.
MARISA ANDERSON is a composer, guitarist and
multi-instrumentalist from Portland, Oregon who works both solo and in
beautiful tandem. Inspired by Delta blues, West African guitar, country and
western radio from the 60′s and 70′s, gospel, noise, rhythms, cycles,
mortality, and praise. Featuring an impressive 12 improvisations for guitar and
lap steel Marisa has released two albums on Mississippi. In the past two years,
Anderson’s music has landed her slots with artists including Godspeed You!
Black Emperor, The Devil Makes 3 and Sharon Van Etten.
LORI GOLDSTON is a cellist, based in Seattle, with
an emotional and magic touch. Classically trained and rigorously de-trained,
possessor of a restless, semi-feral spirit, Lori Goldston is a cellist,
composer, improvisor, producer, writer and teacher . Her voice as a cellist,
amplified or acoustic is full, textured, committed and original. She wanders
recklessly across borders that separate genre, discipline, time and geography,
performing in clubs, cafes, galleries, arenas, concert halls, sheds,
ceremonies, barbecues, and sanctuaries. Collaborations famously include being
thrown in the dark end with Nirvana and enjoying the songs of David Byrne and
Cat Power. Lori also co-founded Black Cat Orchestra and has been key to Earth
live shows. She has received commissions to do live scores for several silent
films.
DRAGGING AN OX
THROUGH WATER
is a solo project from Brian Mumform, performing songs rooted in folk and
country traditions, though ruptured, complicated, and complimented with broken
textures of feedback, drones, tape hiss, and homemade oscillators. Chance
elements and candlelight sensitive instruments destabilize customary
electro-amplified-tightness & introduce improvisation to the recitation of
these songs. Brian also plays in Sun Foot, Jackie-O Motherfucker, Deep
Fried Boogie Band, & Jewelry Rash. He runs a small cassette & CDR label
called Musical Impressions. Brian has collaborated with TJO, Chris Johanson,
John Wiese, Makino Takashi, John Butcher, Gino Robair, Fred Lonberg-Holm,
Vic Chesnutt, Pete Swanson, and many others.
\\\\\ SATURDAY 11 OCTOBER /////
E.E.K. featuring
ISLAM CHIPSY
CONTAINER
SUBLIME FREQUENCIES DJs
Saturday 11 October
Tufnell Park Dome
8pm | £10 | http://www.wegottickets.com/event/288663
CONTAINER
SUBLIME FREQUENCIES DJs
Saturday 11 October
Tufnell Park Dome
8pm | £10 | http://www.wegottickets.com/event/288663
E.E.K. featuring ISLAM CHIPSY come direct from Cairo, launching
their Shaabi keyboard sounds with deadly accuracy at your pineal gland via the
irresistible propulsion of two raging drum kits. Chipsy's new wave Chaabi and
Nile Delta synth has erupted out of the recent change in the social structures
of Egypt, that disrupted existing power structures (to a certain degree) and
created a whole new way of distributing art, politics and philosophy. E.E.K.’s
debut album came out on the brilliant Nashazphone label in January this year,
furnished with sleevenotes by Alan Bishop (of Sun city Girls) and mastering by
his Sublime Frequencies ally Mark Gergis. Chipsy’s shameless yet dazzling
showboating rides atop the gigantic dual rhythms, creating a riotous North
African dance music that could send any audience into an absolute frenzy. The
keyboards sound like sirens and there's a pure, violent virtuosity present.
Traditional piano players use all their fingers to play a chord. House music
revolutionised this, by allowing the producer to use only one finger. Chipsy
introduced a new approach: he fires tone clusters with his fists, palms and
edges of his hands all over the keyboard, and slamming down the keys, but still
in a controlled manner. It's psychedelic and pumping. It 's tight and
distorted. Sometimes there's cheers and yells, but nothing disrupts the very
smart compositional glee lurking beneath.
"I saw him at a street party in Giza where a few hundred people had amassed to dance and scream into the night. Flanked by Khaled Mando & Islam Tata, his two drummers pounding furiously as the signature tone of his synth intensified for almost two hours, Islam Chipsy demonstrated his completely revolutionary take on modern Egyptian Shaabi. The sound was raw and distorted, the volume was deafening, and the energy was high. 30 minutes into the set, the trio pulled out blindfolds and put them on, only to continue their virtuosic performance without missing a beat, synced to the max, playing forwards, backwards, sideways psychedelic noise and showmanship projected through the distortion of a jet engine taking flight for some unknown location in the distant future of Shaabi sound. They were smiling and are very nice cats indeed, but when the PA system is blazing with their audio explosions, you best get up off your ass to dance or get the hell out of the way!" Alan Bishop.
https://www.youtube.com/watch?v=oRlUXXlc_eUU
CONTAINER is the stripped-down, beat-oriented electronic project of Providence, RI’s Ren Schofield, who somehow sculpts viscious punk sonics into raw jackhammer rhythms that groove in the most relentless, hypnotic, unstoppable and psychedelic ways currently working the grid. This lo-fi mesh of maxed-out drum patterns, spiralling loops and mesmerising arrangements makes for live music of serious weight and function, capable of both rushing the high-end dancefloors of Unsound, Donau and Berghain, and banging the below-stairs basements of Europe into submission. After a string of various cassette releases, the debut full length “LP” was released by Editions Mego sub-label Spectrum Spools in 2011, and has since been followed up by a second Spools LP and the Treatment 12” on the Morphine label…a steaming new 12” pulled in earlier this year on Liberation Technologies, as well as the thrillingly violent mauling of Four Tet‘s Kool FM as linked to below.
https://soundcloud.com/gentledefect
SUBLIME FREQUENCIES DJs
http://www.sublimefrequencies.com/
"I saw him at a street party in Giza where a few hundred people had amassed to dance and scream into the night. Flanked by Khaled Mando & Islam Tata, his two drummers pounding furiously as the signature tone of his synth intensified for almost two hours, Islam Chipsy demonstrated his completely revolutionary take on modern Egyptian Shaabi. The sound was raw and distorted, the volume was deafening, and the energy was high. 30 minutes into the set, the trio pulled out blindfolds and put them on, only to continue their virtuosic performance without missing a beat, synced to the max, playing forwards, backwards, sideways psychedelic noise and showmanship projected through the distortion of a jet engine taking flight for some unknown location in the distant future of Shaabi sound. They were smiling and are very nice cats indeed, but when the PA system is blazing with their audio explosions, you best get up off your ass to dance or get the hell out of the way!" Alan Bishop.
https://www.youtube.com/watch?v=oRlUXXlc_eUU
CONTAINER is the stripped-down, beat-oriented electronic project of Providence, RI’s Ren Schofield, who somehow sculpts viscious punk sonics into raw jackhammer rhythms that groove in the most relentless, hypnotic, unstoppable and psychedelic ways currently working the grid. This lo-fi mesh of maxed-out drum patterns, spiralling loops and mesmerising arrangements makes for live music of serious weight and function, capable of both rushing the high-end dancefloors of Unsound, Donau and Berghain, and banging the below-stairs basements of Europe into submission. After a string of various cassette releases, the debut full length “LP” was released by Editions Mego sub-label Spectrum Spools in 2011, and has since been followed up by a second Spools LP and the Treatment 12” on the Morphine label…a steaming new 12” pulled in earlier this year on Liberation Technologies, as well as the thrillingly violent mauling of Four Tet‘s Kool FM as linked to below.
https://soundcloud.com/gentledefect
SUBLIME FREQUENCIES DJs
http://www.sublimefrequencies.com/
Good luck
with all you’re doing!
UPSET THE RHYTHM
x
\\\\\ UPSET
THE RHYTHM /////
///// UPCOMING SHOWS
\\\\\
Mississippi Records
on tour: 'A Cosmic and Earthly History of Recorded Music according to
Mississippi Records' (A film & talk presentation)
Including live
performances from…
MARISA ANDERSON
LORI GOLDSTON
DRAGGING AN OX
THROUGH WATER
Monday 15 September
Café OTO, 22 Ashwin
Street, Dalston, E8 3DL
7pm | £10 | SOLD
OUT
MAGIK MARKERS
SICK LLAMA
ALISON’S BIRTHDAY
Tuesday 23 September
Tuesday 23 September
Café OTO, 22 Ashwin
Street, Dalston, E8 3DL
8pm | £10
| http://www.wegottickets.com/event/280978
Mississippi Records
on tour: 'A Cosmic and Earthly History of Recorded Music according to
Mississippi Records' (A film & talk presentation)
Including live
performances from…
MARISA ANDERSON
LORI GOLDSTON
DRAGGING AN OX
THROUGH WATER
Tuesday 30 September
Café OTO, 22 Ashwin
Street, Dalston, E8 3DL
7pm | £10 | http://www.wegottickets.com/event/286496
E.E.K. featuring
ISLAM CHIPSY
CONTAINER
SUBLIME FREQUENCIES DJs
Saturday 11 October
Tufnell Park Dome
8pm | £10 | http://www.wegottickets.com/event/288663
CONTAINER
SUBLIME FREQUENCIES DJs
Saturday 11 October
Tufnell Park Dome
8pm | £10 | http://www.wegottickets.com/event/288663
SPRAY PAINT
THE GUTTERS
TENSE MEN
Friday 31 October
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS
8pm | £5 | http://www.wegottickets.com/event/277625
Friday 31 October
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS
8pm | £5 | http://www.wegottickets.com/event/277625
RODION G.A.
Wednesday 5 November
Café OTO, 22 Ashwin Street, Dalston, E8 3DL
8pm | £10 | http://www.wegottickets.com/event/288581
Wednesday 5 November
Café OTO, 22 Ashwin Street, Dalston, E8 3DL
8pm | £10 | http://www.wegottickets.com/event/288581
FUTURE ISLANDS
CELEBRATION
Thursday 6
November
O2 Shepherd’s
Bush Empire, Shepherd’s Bush Green, W12 8TT
7pm | £15 | SOLD OUT
ED SCHRADER'S MUSIC BEAT
SEX HANDS
SEX HANDS
DOG CHOCOLATE
Monday 10 November
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB
8pm | £5 | http://www.wegottickets.com/event/289619
Monday 10 November
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB
8pm | £5 | http://www.wegottickets.com/event/289619
TY SEGALL
THE INTELLIGENCE
Wednesday
12 November
Electric
Ballroom, 184 Camden High St, London, NW1 8QP
7.30pm | £15.00 | http://www.wegottickets.com/event/279358
7.30pm | £15.00 | http://www.wegottickets.com/event/279358
DARK BLUE
Monday 24
November
The Victoria,
451 Queensbridge Rd, Dalston, E8 3AS
8pm | £5
| http://www.wegottickets.com/event/289897
GUERILLA TOSS
Tuesday 25 November
Old Blue Last, 38 Great Eastern St, Shoreditch, EC2A 3ES
8pm | £6.00 | http://www.wegottickets.com/event/290255
Tuesday 25 November
Old Blue Last, 38 Great Eastern St, Shoreditch, EC2A 3ES
8pm | £6.00 | http://www.wegottickets.com/event/290255
WHITE
FENCE
Thursday
29 January
100 Club,
100 Oxford St, London, W1D 1LL
8pm | £9
| http://www.wegottickets.com/event/287769
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