Mississippi Records in London tomorrow

Afternoon everyone!

Huge thanks to all of you who came to see Magik Markers last week, what a solid show, so resplendent! We find ourselves back at Café OTO tomorrow for our final instalment of MISSISSIPPI RECORDS ON TOUR, which sees Eric Isaacson from the influential label present a talk / presentation on the history of recorded music. Eric’s talk takes into account everything from the unintentional sound recordings found in Greek pottery to the Victorian craze for laughing records and is a fun, homespun and knowledgeable insight into the same spirit which guides Mississippi to release the exceptional music of MARISA ANDERSON, LORI GOLDSTON and DRAGGING AN OX THROUGH WATER, who will all be performing afterwards. We will have some tickets available on the door and please make sure you get there early for the film/talk commences from 7.30pm. Read on for the whole story plus our show listing for CHIPSY and CONTAINER next month!

Exciting times…

\\\\\ TOMORROW /////

 

MISSISSIPPI RECORDS ON TOUR…

'A Cosmic and Earthly History of Recorded Music

according to Mississippi Records' (A film & talk presentation)

Including live performances from…

MARISA ANDERSON

LORI GOLDSTON

DRAGGING AN OX THROUGH WATER

Tuesday 30 September

Café OTO, 22 Ashwin Street, Dalston, E8 3DL

7pm | £10 | http://www.wegottickets.com/event/286496

A once in a blue moon showcase that features a brand new live film/talk/slide show presentation by Eric Isaacson (Mississippi Records label boss and store owner) plus three live acts, all of whom have released records on the Mississippi Record label. Marisa plays emotive acoustic and electric whirlwinds, Lori wanders across borders with her atmospheric cello playing and DAOTW gloriously ruptures songs rooted in folk and country traditions.

Mississippi Records is modern day record phenomena, where there is never a dull moment and run with the care and passion that it is hard to suppress. Based in Portland, Oregon, USA it is a very local shop and a very outernational record label that has released unheralded lost classic's from all over the globe, collections of Harry Smith's anthologies as well as Alan Lomax's recordings, some truly amazing compilations that wear the compilers tastes loud and proud as well as some punky and quick off the shelf undercover albums that sell out pretty much as soon as they are made. Eric Isaacson who helped set up and runs a lot of the Mississippi Records labels and shop activities is also a wonderful, playful and sincere guide through the highs and lows of music history with a keen eye on the marvellous outsider types. For this tour he will introduce a brand new show film/talk presentation and his fellow travellers are three musicians with super strong ties to the label, all on the bill and performing.

'A Cosmic and Earthly History of Recorded Music according to Mississippi Records' is Eric Isaacson's new concoction, a combination of film, slide show, lecture and soundscape. It instinctively and idiosyncratically illustrates a entire history of recorded music (focusing on Eric's patch, North America!), from the birth of the first star in the universe all the way to the dark ages of the 1980's. The ultimate intention of this travelling exhibition is to give the audience a sense of wonder; that anything is possible and art is worth doing. Tonally, the presentation navigates into the outer reaches, bypassing academic stuffiness in favour of entertainment value and immediacy. All materials will be from Mississippi Records vast and seldom seen archive of film, music and art.

This whirlwind 90 minute sound and visual representation will attempt to sum up as many important points in the evolution of recorded music that can be done in such a short amount of time. Subjects hit upon include:

* The cosmic patterns that resemble music generated by stars being born and dying.

* The musical patterns in the natural world that work on the same principals as music.

* The untold early history of recording technology. Including tales of Archeoacoustic technology that allows us to hear recordings from 2,000 years or more ago, cat pianos, the phonautogram which reproduces sounds from dust and much more.

* The rise of the blues, rock and roll, and other revolutionary American music forms and their subsequent destruction by the powers that be.

* 45 minutes of incredibly vibrant archival footage of some some the greatest musicians on Earth (as well as some novelties) including Bo Diddley, Rosetta Tharpe, The Collins Kids, Gary Davis, and the Staple Singers.

MARISA ANDERSON is a composer, guitarist and multi-instrumentalist from Portland, Oregon who works both solo and in beautiful tandem. Inspired by Delta blues, West African guitar, country and western radio from the 60′s and 70′s, gospel, noise, rhythms, cycles, mortality, and praise. Featuring an impressive 12 improvisations for guitar and lap steel Marisa has released two albums on Mississippi. In the past two years, Anderson’s music has landed her slots with artists including Godspeed You! Black Emperor, The Devil Makes 3 and Sharon Van Etten.

http://www.marisaandersonmusic.com/ 

LORI GOLDSTON is a cellist, based in Seattle, with an emotional and magic touch. Classically trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improvisor, producer, writer and teacher . Her voice as a cellist, amplified or acoustic is full, textured, committed and original. She wanders recklessly across borders that separate genre, discipline, time and geography, performing in clubs, cafes, galleries, arenas, concert halls, sheds, ceremonies, barbecues, and sanctuaries. Collaborations famously include being thrown in the dark end with Nirvana and enjoying the songs of David Byrne and Cat Power. Lori also co-founded Black Cat Orchestra and has been key to Earth live shows. She has received commissions to do live scores for several silent films.

https://soundcloud.com/blackcat

DRAGGING AN OX THROUGH WATER is a solo project from Brian Mumford, performing songs rooted in folk and country traditions, though ruptured, complicated, and complimented with broken textures of feedback, drones, tape hiss, and homemade oscillators. Chance elements and candlelight sensitive instruments destabilize customary electro-amplified-tightness & introduce improvisation to the recitation of these songs.  Brian also plays in Sun Foot, Jackie-O Motherfucker, Deep Fried Boogie Band, & Jewelry Rash. He runs a small cassette & CDR label called Musical Impressions. Brian has collaborated with TJO, Chris Johanson, John Wiese, Makino Takashi, John Butcher, Gino Robair, Fred Lonberg-Holm, Vic Chesnutt, Pete Swanson, and many others.

https://sites.google.com/site/dragginganoxthroughwater/

\\\\\ SATURDAY 11 OCTOBER /////

E.E.K. featuring ISLAM CHIPSY
CONTAINER
SUBLIME FREQUENCIES DJs
Saturday 11 October
Tufnell Park Dome
8pm |  £10 | http://www.wegottickets.com/event/288663

E.E.K. featuring ISLAM CHIPSY come direct from Cairo, launching their Shaabi keyboard sounds with deadly accuracy at your pineal gland via the irresistible propulsion of two raging drum kits. Chipsy's new wave Chaabi and Nile Delta synth has erupted out of the recent change in the social structures of Egypt, that disrupted existing power structures (to a certain degree) and created a whole new way of distributing art, politics and philosophy. E.E.K.’s debut album came out on the brilliant Nashazphone label in January this year, furnished with sleevenotes by Alan Bishop (of Sun City Girls) and mastering by his Sublime Frequencies ally Mark Gergis. Chipsy’s shameless yet dazzling showboating rides atop the gigantic dual rhythms, creating a riotous North African dance music that could send any audience into an absolute frenzy. The keyboards sound like sirens and there's a pure, violent virtuosity present. Traditional piano players use all their fingers to play a chord. House music revolutionised this, by allowing the producer to use only one finger. Chipsy introduced a new approach: he fires tone clusters with his fists, palms and edges of his hands all over the keyboard, and slamming down the keys, but still in a controlled manner. It's psychedelic and pumping. It 's tight and distorted. Sometimes there's cheers and yells, but nothing disrupts the very smart compositional glee lurking beneath.

"I saw him at a street party in Giza where a few hundred people had amassed to dance and scream into the night. Flanked by Khaled Mando & Islam Tata, his two drummers pounding furiously as the signature tone of his synth intensified for almost two hours, Islam Chipsy demonstrated his completely revolutionary take on modern Egyptian Shaabi. The sound was raw and distorted, the volume was deafening, and the energy was high. 30 minutes into the set, the trio pulled out blindfolds and put them on, only to continue their virtuosic performance without missing a beat, synced to the max, playing forwards, backwards, sideways psychedelic noise and showmanship projected through the distortion of a jet engine taking flight for some unknown location in the distant future of Shaabi sound. They were smiling and are very nice cats indeed, but when the PA system is blazing with their audio explosions, you best get up off your ass to dance or get the hell out of the way!" Alan Bishop.
https://www.youtube.com/watch?v=oRlUXXlc_eUU

CONTAINER is the stripped-down, beat-oriented electronic project of Providence, RI’s Ren Schofield, who somehow sculpts viscious punk sonics into raw jackhammer rhythms that groove in the most relentless, hypnotic, unstoppable and psychedelic ways currently working the grid. This lo-fi mesh of maxed-out drum patterns, spiralling loops and mesmerising arrangements makes for live music of serious weight and function, capable of both rushing the high-end dancefloors of Unsound, Donau and Berghain, and banging the below-stairs basements of Europe into submission. After a string of various cassette releases, the debut full length “LP” was released by Editions Mego sub-label Spectrum Spools in 2011, and has since been followed up by a second Spools LP and the Treatment 12” on the Morphine label…a steaming new 12” pulled in earlier this year on Liberation Technologies, as well as the thrillingly violent mauling of Four Tet‘s Kool FM as linked to below.
https://soundcloud.com/gentledefect

SUBLIME FREQUENCIES DJs
http://www.sublimefrequencies.com/

 

Thank you for reading,

See you tomorrow,

UTR

x

http://www.upsettherhythm.co.uk

http://www.upsettherhythm.blogspot.com   

\\\\\  UPSET THE RHYTHM   /////

/////  UPCOMING    SHOWS   \\\\\

Mississippi Records on tour: 'A Cosmic and Earthly History of Recorded Music according to Mississippi Records' (A film & talk presentation)

Including live performances from…

MARISA ANDERSON

LORI GOLDSTON

DRAGGING AN OX THROUGH WATER

Tuesday 30 September

Café OTO, 22 Ashwin Street, Dalston, E8 3DL

7pm | £10 | http://www.wegottickets.com/event/286496

E.E.K. featuring ISLAM CHIPSY
CONTAINER
SUBLIME FREQUENCIES DJs
Saturday 11 October
Tufnell Park Dome
8pm |  £10 | http://www.wegottickets.com/event/288663

SPRAY PAINT

THE GUTTERS

TENSE MEN
Friday 31 October
The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS
8pm | £5 | http://www.wegottickets.com/event/277625

RODION G.A.
Wednesday 5 November
Café OTO, 22 Ashwin Street, Dalston, E8 3DL
8pm | £10 | http://www.wegottickets.com/event/288581

FUTURE ISLANDS

ED SCHRADER’S MUSIC BEAT

CELEBRATION

Thursday 6 November

O2 Shepherd’s Bush Empire, Shepherd’s Bush Green, W12 8TT

7pm | £15 | SOLD OUT

ED SCHRADER'S MUSIC BEAT
SEX HANDS

DOG CHOCOLATE
Monday 10 November
The Lexington, 96-98 Pentonville Rd, Angel, N1 9JB
8pm | £5 | http://www.wegottickets.com/event/289619

TY SEGALL

MOVIE STAR JUNKIES

Wednesday 12 November

Electric Ballroom, 184 Camden High St, London, NW1 8QP
7.30pm | £15.00 | SOLD OUT

DARK BLUE

Monday 24 November

The Victoria, 451 Queensbridge Rd, Dalston, E8 3AS

8pm | £5 | http://www.wegottickets.com/event/289897

GUERILLA TOSS
Tuesday 25 November
Old Blue Last, 38 Great Eastern St, Shoreditch, EC2A 3ES
8pm | £6.00 | http://www.wegottickets.com/event/290255

WHITE FENCE

Thursday 29 January

100 Club, 100 Oxford St, London, W1D 1LL

8pm | £9 | http://www.wegottickets.com/event/287769