Friday, 21 October 2016
Upset The Rhythm XMAS PARTY announced!
Upset The Rhythm Xmas Party featuring…
RAVIOLI ME AWAY
Saturday 17 December
Bethnal Green Working Men’s Club, 44 Pollard Row, Bethnal Green, E2 6NB
7pm | £7 | http://www.wegottickets.com/event/379392
APOSTILLE is the recording and performing project of Night School honcho Michael Kasparis (of Please and The Lowest Form). Having started as a home-damaged pop music, Apostille has grown into a live-wire synth punk prospect that bridges physicality with emotive bleed. Insistent flickering beats hold down a sturdy framework for Kasparis' clouds of echoed vocals and synth cluster quests. Sometimes Michael's voice soars above the music, hanging their like an apparition, other times the cloaked notes surge forwards, bouncing between distorted handclaps, wonky basslines and oblique incantations to deliriously wondrous effect. Apostille’s debut album ‘Powerless’ was released last year through Night School, look out 2017 as a new album is well on the way! http://apostille.bandcamp.com/
BLOOD SPORT formed in Sheffield in 2010, and ever since the trio have forged an arresting sound practice from within the city’s industrious art/music community. Their blistering guitar dynamics and pointed-yet-pointillist lyrics meshing into rough-house, techno-gilded polyrhythms, with an untrammelled urgency pervading their tightly wound sound and all that surrounds and informs it.
Now the band is set to surge and attack. 2016 will see the fruition of a year’s work in both the live and recorded realms, with new record Axe Laid To The Root released on Blast First Petite following three EPs and a strong debut LP Life In Units, all released on DIY labels – Tye Die Tapes, the band’s own Hybrid Vigour Records and via The Audacious Art Experiment, the record-release wing of the independent arts hub they co-run in Sheffield. Blood Sport have a relentless, heavily structuralist live show, a wall of noise and rhythm delivered with ferocious intensity, girding and grinding the audience into movement. With a background playing squats, raves, art happenings and clubs, the band has increasingly sequenced their set for the dancefloor.
GUTTERSNIPE are a Leeds drums/guitar duo who dive straight into a cauldron of hellish improv-skronk, paint-stripping abstract noise and nightmarishly deconstructed sonic catharsis – imagine the esoteric mayhem of Angel Blood combined with the venue-destroying psychic power of early Boredoms and Naked City, and you ain’t even close. Comprising the duo of Xylocopa Violacea and Bdallophytum, if Guttersnipe don’t blow away your cobwebs, nothing will.
RAVIOLI ME AWAY are Sian Dorrer, Rosie Ridgway and Alice Theobald and more recently, have recruited Monika Kroll as an intermittent member. Un-defined by genre, Ravioli Me Away’s high energy, dangerously ambitious and delusional jazzy-post-pop-punk-hip-funk sound with stylistically schizophrenic motifs span all-known past, present and future human cultures and sub-cultures. This is social realism soaked through with a heady dose of fantasy, idiosyncratic poetics, keyboard flurries and vocal vicissitudes described as “vintage drag-queen Bananarama Youtube footage played with twice the sass and in double time with an incredulous broadband connection reflected in the eyes of a much overworked and downright exhausted Julie Burchill on acid.” This November, RMA will release their second album, ‘Living is a Myth’ with Upset The Rhythm.
RATTLE are a Nottingham based duo, focusing almost exclusively on drums and more drums, beneath a delicate overlay of vocal harmonies and percussive effects. Formed by Katharine Eira Brown (also of Kogumaza) and Theresa Wrigley (also of Fists), Rattle began as an experiment in crafting rich songs and melody using drums and voice alone. Their music weaves and intertwines post-punk, minimalism and experimental rock, through off-kilter rhythms, patterns and counter melodies. Often starting by picking out the ghost notes from the drums to develop a melody, the song then reveals itself in rounds and harmonies with layer upon layer of rhythm and vocal, lending a choral feel to some of the tracks. Rattle effortlessly blend the avant-garde with irresistible melodies and hypnotic drum beats, using rhythm and harmony to create a refreshing sound that is utterly new - a pretty rare feat these days when we’re saturated with so much music. Their live performances are at once hypnotic, monastic and danceable, plus their debut self-titled album was released this Summer on Upset The Rhythm and I Own You.