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‘Who’s Terry’ encapsulates what Terry
does best, the queasy marriage of the upbeat and traumatic, the catchy
instant and the nagging distance. Their alliterative lyrics always sharp
as tacks, their sense of melody and beat sunk deep in the heart of now.
‘Who’s Terry?’ is available now on black vinyl in our webshop, it’s also possible to pre-order Lunch Lady’s newly announced debut album ‘Angel’ on CD and LP too.
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Upset The Rhythm presents…
PRISON RELIGION
HYPERSTITION DUO Friday 19 July The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB 7.30pm | £8.50 | TICKETS
PRISON RELIGION are a hardcore
noise project from Richmond, Virginia, comprised of Poozy and False
Prpht. Though the two are solo artists in their own right, they
collaborate regularly to make collages together that are indebted yet
flippant to hip hop, punk, and techno. Working together since 2016, the
duo have dived deep into the space between blown-out trap (2016’s Cage
With Mirrored Bars) and contemporary destructive club music (2018’s O
Fucc Im On The Wrong Planet). Since linking up with Texas-based
experimental label Halcyon Veil, they've connected a global crewsof
likeminded collaborators for a remix album including Rabit, Endgame,
Swan Meat, Lee Gamble and Bonaventure. The production destroys any
notion of comfort afforded in dance music, with cold industrial and
glitchy hip hop textures serving as the stylistic anchor of the record.
With close ties to NON Worldwide, Prison Religion are also ushering in a
new wave of vocal-based club performance.
https://prisonreligion.bandcamp.com/ "The barely tonal beats of tracks like "Shots Fired" have this way of making it feel like the 808s are falling apart or dissociating, like a crowd dispersing as Jones and Black spin kick in the centre… acid drenched tracks draw on the history of industrial music, metal iconography and experimental club music." (Noisey) "Prison Religion are one of the most hardcore, rap-related acts we've heard in years. Philip Best levels of mic-burning bile and vitriol shrieked and expectorated over bludgeoning beats, field recordings and charred electronics." (Boomkat) HYPERSTITION DUO plunge deep to deliver a maximalist collective immersion into their own lysergic phonosphere. Lurching, polyrhythmic pathways crumble and re-assemble; elastic dynamics snap; propulsion sparks from the nerve-centre of machine and corporeal entanglement. Featuring ex-members of Blood Sport, templexing, möbius loops and cybernetic subjectivities abound in an attempt to conjure escape vectors in a world of ubiquitous sound. |
Upset The Rhythm presents…
ADVANCE BASE
ALICE HUBBLE
Monday 22 July Redon, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA 7.30pm | £12 | TICKETS
ADVANCE BASE is the electronic
solo project of Chicago, IL singer/songwriter Owen Ashworth (formerly of
Casiotone for the Painfully Alone). Using a two-handed arsenal of
electric pianos, autoharps, Omnichords, loops, samples & drum
machines, Ashworth builds minimalist, heavy-hearted, &
nostalgia-obsessed tunes around his conversational, baritone vocals. The
sound of Advance Base has been described as "lo-fi," "depressed" &
"weirdly uplifting." Advance Base has supported live dates for The
Postal Service, Pedro the Lion, The Mountain Goats, Dean Wareham, Alan
Sparhawk, Mark Kozelek & Stephin Merritt. The debut Advance Base
album, ‘A Shut-In's Prayer’ (2012), was released by Caldo Verde Records
& Ashworth's own Orindal Records. ‘Nephew in the Wild’, the second
album by Advance Base, was released in 2015 by Orindal Records &
Tomlab Records. PopMatters named ‘Nephew in the Wild’ the number 1 Indie
Album of 2015. ‘Animal Companionship’, the third & most recent
album by Advance Base, was released last September. The sound of the
album is soft and thick and comforting. And when we’re working with
songs as sad as the ones that Ashworth writes, that level of comfort
really comes in handy. He used to write sad love songs, or sad songs
about love. He’s still doing that, really, except that he’s now
middle-aged, with a wife and kids, living in suburban Chicago, and the
songs reflect that. The songs on ‘Animal Companionship’ are full of a
whole life’s worth of regrets and missed opportunities and moments of
acceptance and dead friends. It’s not as bleak, either; there are
moments of happiness, or at least sustenance, sprinkled all through
‘Animal Companionship’. But in its sharp and unrelenting and empathetic
specificity, this is some real masterly heart-wrecker music.
http://advancebasemusic.com/ ALICE HUBBLE is the new project of Alice Hubley (Mass Datura, Cosines, Arthur and Martha), the product of one lady locked at home with her collection of analogue synthesisers. Inspired by 70’s recordings by Tangerine Dream, Delia Derbyshire, Mike and Sally Oldfield, hers is a distinctly feminine take on the sometimes pompous 70’s sound. Her new album will be available on Happy Robots in Summer 2019. https://www.facebook.com/alicehubblemusic/ |
Upset The Rhythm presents…
MOUNT EERIE
KEEL HER
Thursday 8 August EartH, 11-17 Stoke Newington Rd, Dalston, London N16 8BH 7.30pm | £15 | TICKETS MOUNT EERIE is still the name of the songs that come from Phil Elverum, a 41 year old artist/writer from rural maritime Washington state, USA. Over the past couple decades these songs have sprawled across sounds and atmospheres, sometimes cacophonies, sometimes gentle questions. In 2019, in the shadow of death and love and always head-on direct, there will be a performance in London. http://www.pwelverumandsun.com/ KEEL HER’s musical output can rightfully be called prolific. Originally from Winchester, Rose Keeler Schaefler has been writing and recording her own songs from the age of 14 on instruments found in charity shops and at car boot sales, culminating in a cassette release back in 2011 on Maximum Violence Records. Since then Keel Her has made an album with lo-fi legend R Stevie Moore and has released a single on O Genesis Recordings, alongside multiple releases on Critical Heights. Brand new album ‘With Kindness’ is a collection of Keel Her’s experiences over the past few challenging years. Her introverted, thoughtful nature is obvious within the lyrics of tracks such as ‘self-sabotage’ and her deep running empathy effects all aspects of her life, be it others’ feelings, nature or the planet. https://keelher.bandcamp.com/ |
Thanks as always for your time, see you tonight!
Upset The Rhythm
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UPSET THE RHYTHM
UPCOMING SHOWS
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