Upset The Rhythm presents…
NO AGE
SHAKE CHAIN
Saturday 4 March
100 Club, 100 Oxford St, Oxford Street, W1D 1LL
7.30pm | £14 | Tickets: https://link.dice.fm/Zf02f4acddc4
NO AGE have a guiding principle: first thought, best thought. Constantly responding to their own streams of consciousness with reductive flexibility, they’ve taken the basic duo of guitar and drums with vocals WAY farther than anyone listening in halcyon Weirdo Rippers days could have guessed. Expounding on those larval possibilities, they’ve zig-zagged in serpentine precision, in and out of the teeth of the wringer - ranging outside and back in again, as befits the present thought. And now, 16 years deep and six albums into it, these motives have led them to make People Helping People (Drag City).
‘People Helping People’ sees No Age deep in the lab, scraping available nuclii together to see what new compound they find next. Erasing the starting points, reordering the pieces and beginning anew. Side one ricochets expertly back and forth between magisterial instrumentals and sing-song forms cut up on the mixing desk, as with the undeniable hitness of “Plastic (You Want It)”, winningly rewired to MIDI-mangled beat squelches. Straight up punk-style riffs get busy on side B, their aesthetic choices continuously reframe the norms, enhancing their inherent power. ‘People Helping People’ finds their disparate desires operating in perfect sync; prolegomenic weirdness fused immaculately to classic rock propulsion, transforming the energy pouring out from their hands and feet with electronics. This is ‘People Helping People’: unpretentious, suspicious, inviting, and left-field. The most accurate display of the No Age ethos put to record. Yet!
https://noage.bandcamp.com/
SHAKE CHAIN have been busy demolishing audiences and expectations for the best part of the last three years. Vocalist Kate Mahony sets that standard by anything from crawling through the audience’s legs in a bright yellow raincoat to crying and washing her hands in a nearby toilet, as the rest of the band start the set. A feeling of anxiety and unease conjures relevant questioning, ‘what an earth is going on?’, ‘am I hallucinating?’ and ‘is this part of the show?’, all hallmarks of Shake Chain’s unruly and lyric-bespattered rock show. The four-piece from London are completed by Robert Eyres (Synth/Guitar), Chris Hopkins (Bass/Synth/Samples) and Joe Fergey (Drums). Born from the ashes of their former bands, the group met with a desire to create something that would feel new for each of them and audibly take its own course. The result is a nervous propulsion of bass lines, twitchy guitars that jolt and jerk and tack sharp drums, overridden by screeching vocal slurs and sampled television. Kate’s singing is a unique embrace of flights of atonal fancy, head-first repetition and ecstatic frenzy. Opinion-dividing arguably, but singular in making Shake Chain dauntingly brilliant. The band’s debut album ’Snake Chain’ is out now on Upset The Rhythm.
https://upsettherhythm.bandcamp.com/album/snake-chain
Monday, 19 December 2022
No Age return to London next March!
Thursday, 8 December 2022
Shake Chain LPs in the house!
Shake Chain's monolithic debut slab of an album entitled 'Snake Chain' is now flying out of UTR headquarters! All pre-orders have been already dropped off at the festooned post office. These should be in your hands later today/tomorrow.
Do Santa a solid and bag him one for Rudolph now:
https://upsettherhythm.bigcartel.com/
x
Tuesday, 6 December 2022
Eric Chenaux helps us celebrate 19 years of UTR this Friday night!
Winter greetings!
On Friday night we're celebrating 19 years of running Upset The Rhythm with a wondrous concert at West Hampstead Arts Club featuring Eric Chenaux. It's also our last event of 2023, so come make merry amongst the festive warble!
There's an untethered quality to Chenaux's music, taking in a jazz, folk and a pop-inflected balladry that makes for something truly unique and serene, just what we all need as we cruise into Yule. Eric juxtaposes his warm, clear singing voice with fried, noised, semi-improvised guitar and the results are as delirious as they are graceful. Gestural electro-acoustic duo [something's happening] will be playing this harmonious evening too, sublime times. Bring on the mince pies and mulled beverages!
Tickets available in advance or on the door from 7.30pm.
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Upset The Rhythm presents…
ERIC CHENAUX
[something’s happening]
Friday 9th December
West Hampstead Arts Club, 32 Mill Lane, London NW6 1NR
7.30pm | £13 | Tickets: https://link.dice.fm/S2a86ebe0cd6
Friday, 2 December 2022
Historically Fucked album announced!
Three cheers!
We’re working with Historically Fucked on their new album entitled (wait for it…) ‘The Mule Peasants’ Revolt of 12,067’. Out in early February this record is not mere Sedentary Rock but Blasted Basalt, Frog worshipping cave-funk, harmolodic hullabaloo-wop, a musical game of “badger in the bag”.
Historically Fucked is a four way entanglement made to create short, eruptive songs and then set about obliterating them from within. Historically Fucked contains four people, who each share the same duties, and whose names in sequence are Otto Willberg, David Birchall, Greta Buitkuté and Alecs Pierce. They are from Manchester and often other places. Guitar, bass, drums and voices keenly jostle amid the group’s frenzy of spontaneous rock throttles. Some of these rampant exercises in avant are collected on ‘The Mule Peasants’ Revolt of 12,067’. This is Rock and/or Roll as fertilizer, uncivilised and free, as if one were to imagine what the Plastic Ono Band would’ve hit upon if they had read ‘Riddley Walker’, the sound of an entire timeline of expression put back together back-to-front, misshapen and fully irradiated.
‘The Mule Peasants’ Revolt of 12,067’ is now available to pre-order on 180g black vinyl here:
https://upsettherhythm.bigcartel.com/
Friday, 25 November 2022
Upcoming shows and Shake Chain shenanigans!
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Upset The Rhythm presents…
TARA CLERKIN TRIO MXLX Thursday 1 December The Ivy House, 40 Stuart Rd, Nunhead, London SE15 3BE 7.30pm | £10 | Tickets: https://link.dice.fm/J75c8d12d2cf TARA CLERKIN TRIO are Pat Benjamin, Sunny Joe Paradisos and Tara Clerkin, three musicians involved in a number of cult Bristol bands over the years before confidently settling down in triangle formation. Using looped and layered clarinet, vocals, samples, keys & percussion, Tara Clerkin Trio tend to spin you into spacy beguile. They are inspired by and borrow from jazz, trip hop, electronica, psychedelia & minimalism, twirling the non-pretentious strands of these threads together into a trippy green winged-cloak, adorning Arthur Russell and dripping in blue jam. Their self titled debut LP was released in 2020 and was a sleeper hit, coming in at 35 in the Wire's top 100 albums of the year and in Bleeps top 10. The effortless drift of ’In Spring’, the trio’s new EP is a distinctly Bristolian affair in its beatdown pacing and smoky atmosphere, which the label themselves compare to the roster orbiting the city’s Planet Records (Flying Saucer Attack, The Third Eye Foundation) in the ‘90s. Subdued but glowing reveries somewhere between Dominique Lawalrée's intimate parlour music and the sort of skewed narco-pop associated with the Laika x Moonshake axis and Cucina Povera. https://taraclerkintrio.bandcamp.com/ MXLX is prolific Bristol-based musician Matthew Loveridge. Check out his epic back catalogue of recordings on bandcamp, including recent works ‘God Peasant’ and ‘Nebula Rasa’. https://kindarad.bandcamp.com/ |
Upset The Rhythm presents…
ERIC CHENAUX [something’s happening] Friday 9th December West Hampstead Arts Club, 32 Mill Lane, London NW6 1NR 7.30pm | £13 | Tickets: https://link.dice.fm/S2a86ebe0cd6 ERIC CHENAUX lives in Paris but was a fixture of DIY and experimental music in Toronto throughout the 1990s and 2000s, progressing from local postpunk legends Phleg Camp and Lifelikeweeds towards a highly distinctive technical and gestural mastery of amplified acoustic guitar. Eric Chenaux operates among various musical ‘traditions’ but perhaps most broadly, his records grapple with the relationship between improvisation and structure in very particular, unique, idiosyncratic ways – and quite without irony or cynicism, through love. Because fundamentally, Chenaux writes love songs, which he sings in a voice honeyed and clear, while his guitar gently bends, frazzes, chortles, diverges and decomposes. This juxtaposition of his mellow, dexterous crooning and his highly experimental (and equally dexterous) guitar explorations, explodes even unconventional notions of singing and accompaniment, of tonal and timbral interplay between guitar and voice. Constellation has been home to Eric's "solo" records since 2006 – a brilliant discography of adventurous, sumptuous, mostly languorous deconstructed folk, jazz and pop-influenced balladry rooted in the juxtaposition of Chenaux's fried guitar playing and his gorgeously clear and lyrical singing voice. Eric’s new album comes out this February and is his most immaculate and pristine. 'Say Laura' perfectly incarnates the counter-intuitive interplay of instrument and voice that Chenaux has been revealing and revelling in throughout the past decade: his gently unhinged juxtaposition of resplendently smooth, seductively assured singing and puckish, thoroughly destabilized guitar could come from no other musician. The five wandering, wondering ballads on 'Say Laura' bring Chenaux’s semi-improvised but keenly intentional songwriting to its fullest, clearest, warmest and coolest articulation; uncompromising and generous, hyper-specific and loose, spartan and luxurious, elemental and ornate. http://ericchenaux.com/ [something’s happening] is the sound and text duo of poet and performer Iris Colomb and composer Daryl Worthington (Beachers). The project explores textual and sonic permutation through improvisation. Fragments of found text and gestural electro-acoustics weave through spectral guitar textures. Loops of sound and language collide. https://somethingshappening.bandcamp.com/album/something-like-that |