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 Upset The Rhythm presents…
KRISTIN HERSH (Electric Trio) FRED ABONG Thursday 21 April
The Garage, 20-22 Highbury Corner, London, N5 1RD 7.30pm | £25 | Tickets: https://link.dice.fm/LbdJu2HTUjb KRISTIN HERSH, most recognised as the front person for the influential art-punk band Throwing Muses and power trio 50FOOTWAVE, will be touring the UK in Spring 2019 with Rob Ahlers (50 Foot Wave) on drums and Fred Abong (Throwing Muses, Belly) on bass. Throwing Muses first gained traction in the early '80s, playing with similarly singular artists, such as The Pixies and Dinosaur Jr. They continue to release ground-breaking music, most recently with 2013's double CD masterpiece 'Purgatory/Paradise'. Kristin's solo career spun off in 1994 with the release of 'Hips and Makers', a widely acclaimed album that included 'Your Ghost', a duet with R.E.M.'s Michael Stipe. Since then, Kristin has released a steady stream of distinctly individual solo albums, including 2010's 'Crooked', released as her first in the inventive book/CD format for which she is now known. 2016's 'Wyatt at the Coyote Palace', on which Kristin played all of the instruments, received rave reviews; an explosive defined by blistering guitars, powerful drumming and her signature visceral vocal technique. Her poignant true stories bring the listener into what the BBC calls Hersh's "dark and dizzy world". In 2004, Kristin formed the noise rock power trio 50FOOTWAVE, releasing a series of frighteningly intense mini-albums, all available for download free of charge. Their most recent 'Bath White' EP was described as "a series of loud explosions, of velvet like dreams all intermingled at the same time. Bath White takes no prisoners." Kristin's writing career has flourished with the highly acclaimed 'Paradoxical Undressing' (released as 'Rat Girl' in the USA) and the award winning 'Don't Suck, Don't Die', a personal account of her long friendship with the late Vic Chesnutt, as well as the enchanting books which now accompany each of her record releases. Kristin's tenth studio album, 'Possible Dust Clouds' was a highly personalised sociopathic gem delivered as a futuristic rewriting of how music works, a melodious breeze with a tail wind of venomous din. Enveloping the juxtaposition of the concept of 'dark sunshine', a brooding solo record created with friends to expand her off-kilter sonic vision; a squally, squeaky mix of discordant beauty. 'Possible Dust Clouds' is a glorious return to form for one of alternative rock's true innovators. https://www.kristinhersh.com/ FRED ABONG will be supporting Kristin on her current UK tour dates. Fred is a friend of Kristin’s and former Throwing Muses and Belly bass player. Fred will be touring his new solo acoustic EP, described by himself as sounding like a “ragged Replacements”. http://www.fredabong.com/music/ |
 Upset The Rhythm presents…
MODEL HOME - Two day residency HORACIO POLLARD + GAUTE GRANLI (June 10) ROBIN STEWART + DEE BYRNE (June 11) Friday 10 & Saturday 11 June Cafe OTO, 18-22 Ashwin St, Dalston, London, E8 3DL 7.30pm | £12 | Tickets: https://link.dice.fm/D89677f3b3be MODEL HOME is a hyperprolific experimental hip-hop formation from Washington D.C., instigated by rapper NappyNappa and producer Pat Cain. The duo recruits an ever-changing cast of collaborators to give each record a new feel: Model Home can sound like post-modern take on old school hip-hop, glitchy noise or even improvised exploration. The gist of Model Home is that the music pours out like from a faucet, faithfully channeling the chaos of the everyday thought. Model Home’s music would blend right in with a dystopia. The deteriorating sounds of Patrick Cain’s electronics would be impossible to distinguish from the constant construction that is the score of any contemporary city; NappyNappa’s enigmatic missives would be lost in the roar of public service announcements, personalized advertisements, and omnipresent sirens. Built on the edifice of dub sound systems and DIY basement clatter, their sound is made up of slabs of textured noise and decayed vocals. Releases on Disciples, Don Giovanni Records and Future Times. https://modelhomedc.bandcamp.com/ HORACIO POLLARD as ever manages to be absurd, entertaining and challenging all at the same time – it’s frequently hard to position yourself as a listener in the face of this much great / ridiculous music, and you won’t know whether to guffaw or groan. Who can resist the fun-charged pull of these primitive patterns and primitive, near-ugly sounds? Pollard is one of the few creative people on the globe (Romain Perrot is another) who understands that “good taste” is the very death of art, and as such he needs to be cherished like a Siberian Tiger, albeit one whose pelt is made from artificial dayglo blue fur. https://bandcamp.com/tag/horacio-pollard GAUTE GRANLI channels the churning and grating of unknown presences in a field of indeterminacy into the bulk of his disorienting one-man choir, where moans distorted by their own reverberation are sustained by the trickling and pounding of unseen forces. A new state of presence, welcoming heightened sensory lashings that leave a strange, indelible mark. https://soundcloud.com/verletzte-kreature ROBIN STEWART is one half of energetic techno-noise duo Giant Swan with Harry Wright. Recent solo EPs ‘Time Travel' (Trilogy Tapes), ‘Marsupial’ (No Corner) and ‘Albatross’ (ipaadai) showcase Stewart stepping out on his own with bursts of mutated techno, cavernous dub, industrial pulses and echoed vocals. https://soundcloud.com/djmag/premiere-robin-stewart-triffid DEE BYRNE is a London-based saxophonist, composer and improviser. Dee collaborates with artists from the UK and Europe who occupy the area of contemporary jazz, avant-garde and free improvisation. Fuelled by a love of improvisation and a growing obsession for effects pedals, Dee’s solo project blends acoustic sounds with interweaving electronic textures and moody soundscapes. WIRE magazine described Byrne’s music as a collection of “smudged, sultry alto lines that conjure a Fourth Wolrld ambience.” https://deebyrnemusic.com/ |
Thanks for the time, see you on Thursday!
Upset The Rhythm
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UPSET THE RHYTHM
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