Tuesday 9 August 2022

New show for CURRENT AFFAIRS announced!


Upset The Rhythm presents…

CURRENT AFFAIRS
ES

Wednesday 19 October
Mascara Bar, 72 Stamford Hill, London, N16 6XS, UK
7.30pm | £8.00 | Tickets: https://link.dice.fm/Qafa677add88


CURRENT AFFAIRS are a post punk band from Glasgow, neatly navigating the line between new wave and goth. Formed in 2016 and Comprising Joan (ex-The Royal We/Seconds/Rose McDowall’s band), Seb (ex-Anxiety/Pissy), Josh (The Downs/Kaspar Hauser/ex-Rose McDowall’s band) and Andrew (Shopping/As Ondas). A cassette called Object was released along the way on Comodillo Tapes and in December 2018 the band’s first 7” Breeding Feeling -bw- Draw The Line was put out into the world by Not Unloved, followed in June 2019 by Buckle Up -bw- World’s In Crisis, out via Berlin’s Dot Dot Dot. The band’s recent’ LP Object & Subject’ (on Tough Love) is the accumulation of the band’s output over 3 years, now gathered and synthesised into one convenient disc. “We never agonised over our sound or direction, but worked to our punk strengths and leaned into our pop tendencies collectively. On the cusp of releasing an album and re-imagining our live set up, it feels great to be putting out this overview of what we’ve made so far.”
https://currentaffairs.bandcamp.com/

ES is Maria Cecilia Tedemalm (vocals), Katy Cotterell (bass), Tamsin M. Leach (drums) and Flora Watters (keyboards). Their 2016 debut EP, Object Relations, released on influential London punk label La Vida Es Un Mus, was described as "mutant synth-punk for our dystopian present" (Jess Skolnik, Bandcamp, Pitchfork). The band has since become a vital presence in London's underground DIY music scene, as well as having toured the UK with the Thurston Moore Group in 2017. ‘Less of Everything’. The title of Es' first full length LP (on Upset The Rhythm) could be interpreted as a manifesto pledge, an outright demand or a purely literal sonic descriptor of the London quartet's glacial form of punk rock music. This tension between intent and interpretation has been a fundamental element of the group's output from their formation. The dynamic between Cotterell's bass and Watters' keyboard is at the heart of Es’ sound: intertwining sub-zero melodies, gothic anarcho-punk influences and some kind of entirely unlocatable aquatic component. When combined with Leach's precise drumming, the outcome is original and immediately recognisable. This provides the perfect backdrop for Tedemalm's relentless, pointed vocal style. While comparable 'cold' sounding groups might affect an impersonal, safer mode of lyrical or vocal detachment, Tedemalm's strategy is to "push the lyrics as far as I can thematically until they become absurd … overly dramatic ... while still being sincere in the feeling they're trying to invoke.
https://esband.bandcamp.com/

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