Thursday, 13 February 2020

Trash Kit and Handle play London tomorrow, En Attendant Ana this Saturday!

 
 
Hello again!
 
It was wonderful to see so many of you out for Dan Deacon last week, what a full-on headspin of sound that proved to be. Best times! Upset The Rhythm have two further shows on the immediate horizon for you this week. Tomorrow at The Lexington we’re hosting a real meeting of post-punk minds with Trash Kit and Handle both playing. Label party vibes hanging heavy in the air! No room for chocolate hearts and flowers at this Valentine’s day event, but love will certainly be present in the room at transcendent levels! Trash Kit have locked in a choir, harpist and violinist to augment their sound too, so all set to amaze! Both Handle and Trash Kit start their European tours tomorrow with us in London, check out these dates!
 
On Saturday night at PinUps (formerly The Islington) we’re very pleased to have Parisian jangle punks En Attendant Ana in concert for the first time. En Attendant Ana’s incredible new album ‘Julliet’ just came out on Trouble In Mind and is a palpitating chase of a record; all staccato guitars, sweeping arpeggios, blasts of trumpet and vivid fever-dream lyrics. It’s going to be superb, plus new faves Marcel Wave will be crimping some impressionist punk of their own prescription too.
 
Tickets for both events are still available in advance and on the door, plus full write-ups on both follow below, along with blurbs for our upcoming events for Swiss detonators Massicot (New River Studios, Feb 24th), Welsh pop-deconstructors Islet (Space 289, March 5th) and The Silver Field accompanied by their verdant realm of music too (SET, March 6th). Bring it!
 
 
Upset The Rhythm also confirmed this week new shows for April from the harmonically inventive Bonniesongs (Shacklewell Arms, April 22nd), plus two extremely intimate fan-shows for Detroit class acts Protomartyr (Peckham Audio, April 27th / The Lexington, April 28th) showcasing their explosive new songs! Both of those go onsale this Friday at 10am, don’t say we didn’t warn you, tickets will fly!
 
 
 
 
Our record label wing of UTR also outdid itself again this last week by announcing our release of Es’ debut album ‘Less Of Everything’ on April 3rd! Shaping into quite the month of months right? The London quartet have coined an uncanny sound over the last few years, sort of an icy DIY punk creeping with gothic influence and nuanced intensity. ‘Less Of Everything’ revels in pointed anarcho tension and sub-zero twists of almost aquatic melody, its wondrously impactful and eldritch in equal measure.
 
Here’s the video for lead track ‘Chemical’ to set the scene further!
 
 
 
 
 
 
 
Upset The Rhythm presents…

TRASH KIT
HANDLE

Friday 14 February
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £9 | TICKETS

TRASH KIT are Rachel Aggs (guitar, vocals), Rachel Horwood (drums, vocals) and Gill Partington (bass). Three deeply creative individuals who play in a multitude of other groups including Bas Jan, Sacred Paws, Shopping and Bamboo, united by a shared decade of spry musicality that surges through their bodies, hearts and heads with Trash Kit. Their songs once succinct, patchwork post-punk numbers of an honest diary-like nature now tussle more with long-form songwriting, expeditious polyphony and cascades of sung-spoke vocals. This new focus began with their second album ‘Confidence’ (2014) and has now grown into something exhilarating and rapturous. New songs like ‘Disco’ have had their very fabric stretched into smart new shapes, allowing the band to run away with refrains and unlock the dancefloor.

Although Trash Kit have their forebears in bands like Sleater Kinney, The Ex and The Raincoats, their sound is still very much their own take on facing forwards and relies as much on the naturalism of an internalised folk music as on their sincerity of vision. Since forming in 2009, Trash Kit have released three albums for Upset The Rhythm and a selection of singles, last July however they made their most majestic move yet with their resoundingly huge ‘Horizon’ album. Garnering countless glowing reviews and featuring in many end of year lists for 2019 ‘Horizon’ is an album that forever listens for the next moment and will meet you once more at the vanishing point.
https://www.facebook.com/TRASH-KIT-329766302806/

HANDLE incorporate a diverse range of influences from samba to no wave. The three-piece from Manchester (now based between Manchester/London/Brussels) make a uniquely minimal sound, buoyed by poetic, urgent vocals. Each instrument (bass, drums, keyboard and voice) is permitted its own space, yet somehow the result is a brilliantly unified yet understated sonic experience that demands then commands your attention. Handle is made up of Giulio Erasmus and Nirvana Heire (former members of D.U.D.S) and Leo Hermitt, a genderqueer multidisciplinary artist, renowned for their challenging, thought-provoking work on the city’s arts and literary scenes. The group mesh politics with a trans experience of time and a vibrant, avant-garde freedom of approach. Powered by looping, hypnotic synth lines, quaking flexes of bass, clattering tribal percussion and expeditious, often agitated vocals that cordially sprint, Handle's songs - all of which clock in around the two minute mark - owe as much to performance poetry as they do to the vibrancy of post-punk. Handle's debut album ‘In Threes’ will be released March 6th by Upset The Rhythm and Maternal Voice and is a collection of frenetic sounds for frenzied forms.
https://soundcloud.com/upset-the-rhythm/handle-punctured-time
 
 
 
 
Upset The Rhythm presents…

EN ATTENDANT ANA
MARCEL WAVE
Saturday 15 February
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £6 | TICKETS

EN ATTENDANT ANA are a Parisian quintet who diligently craft songs that shimmer, glide and sway with sophistication. Trouble In Mind recently released the group’s second album ‘Juillet’. Many of the songs on ‘Juillet’ feel hopeful, despite their melancholic tone, lacing a lilting melody or triumphant trumpet swell (courtesy of multi-instrumentalist Camille Fréchou) or charging guitar riffs from Tomasso or Bouchaudon. Whereas the tunes on their debut ‘Lost and Found’ felt wild & reckless, the songs on ‘Juillet’ feel focused, a set of songs that feel bonded together by the magnetic pull of each other; viewed as a whole, they dazzle. Songs like "Do You Understand?" and the first single "Words" point toward a new frontier for the group, effortlessly sharpening their razor-sharp hooks to such a fine point, you almost don't realise their complexity. Elsewhere, songs like "Flesh or Blood" and opener "Down The Hill" revel in a push/pull dynamic. Finally, songs like "From My Bruise To An Island" and the sparse "When It Burns" bridge a confessional narrative atop an amorphous ambient float. They feel important, and hint at an exciting future for a band letting go of its past and entrusting fate with its future.
https://enattendantana.bandcamp.com/
 
MARCEL WAVE write eulogies for tragic actresses, ancient riverbeds and concrete obscenity. Meades meets Pat-E-Smith meets Kirklees Borough Council. Featuring members of Cold Pumas and Sauna Youth.
https://marcel-wave.bandcamp.com/releases
 
 
 
 
Upset The Rhythm presents…
 
MASSICOT
SLAGHEAP
SHAKE CHAIN
Monday 24 February
New River Studios, 199 Eade Rd, Harringay, London, N4 1DN
 
MASSICOT are a Geneva trio that sound as if they can hardly contain their own energy. The no-frills bone-dry guitar sounds oscillates between hypnotically repetitive passages and noisy outbursts. Simone Aubert plays her rhythm guitar with a manic relentless energy. Drummer Colline Grosjean works her way from funk to krautrock to tropical beats and back again. Then over all that, in addition to her vocals, Mara Krastina plays her charming bright red mini-bass with a velocity that is guaranteed to ensure bodies start moving. Their new album is due out about now on the Harbinger Sound / Spurge Recordings label.
https://massicot.bandcamp.com/

SLAGHEAP are pure unfiltered energetic post-punk nonsense from four women in their pants. In turns melodic, naïve and raucous. The debut album from this Bristol quartet has been winning over fans everywhere and picking up plenty of airplay and shows no sign of slowing down any time soon. The 12" was the first release from Spurge Recordings and is a must if you're attuned to the attitude and tunes of The Raincoats or Au Pairs amongst others. But be assured this isn't a simply retrospective sound.
https://slagheapband.bandcamp.com

SHAKE CHAIN formed through a love of thought provoking performance art and a yearning for disruption so they were never going to be your average run of the mill project and the band have delivered unpredictable live shows across London and Oxford since their recent inception. Having recorded their debut EP ‘Neil Yonge and Bob Doylan Live at Hyde Park’ (on the day of Neil Young & Bob Dylan Live at Hyde Park) last Summer, with sound artist David Carugo and released by Permanent Slump, the group enter 2020 with a fresh heap of material to take into the studio and on the road around the UK in April. Catch them in the field with their not-to-be-missed fusion of post-punk grooves and chaotic lamenting on the current state of things.
 
 
 
 
Upset The Rhythm presents…
 
ISLET
DESPICABLE ZEE
Thursday 5 March
Space 289, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA
7.30pm | £9 | TICKETS
 
ISLET are a Powys trio whose free-spirited invention and exuberant intensity flows through experimental pop: hypnotic, exhilarating and defiantly unique. They began in Cardiff in 2009 when Emma Daman and brothers Mark and John ‘JT’ Thomas resolved to form a band with one rule: that anything was possible. Soon after, they were joined by Alex Williams. The band had no lead singer or set roles, switching instruments from song to song, melding psych rock, ethereal atmospherics and jagged post punk, with most gigs seeing the walls and spectators played as instruments. They were soon surrounded by a buzz of excitement and mystique, cherished locally, then globally. They wrote about their philosophy in their own zine, started a festival, helped other bands; they are stalwarts of the Welsh DIY community. Two albums (‘Illuminated People’, 2012 – shortlisted for the Welsh Music Prize – and ‘Released By The Movement’, 2013) and a handful of EPs followed, released on their own label, Shape Records. Now Islet have signed to Fire Records, with Emma Daman Thomas moving into focus with her unleashed, mesmerising vocals against a synth-driven sound, unexpected shifts of rhythm, playful inventive lyrics; an exhilarating, electronic purr that provokes thought and feeling. They have matured, are more tender and composed, but still eclectic, mysterious and intriguingly themselves. Brand new album ‘Eyelet’ will be released on March 6th!
https://islet.bandcamp.com/

DESPICABLE ZEE is the solo project of Zahra Haji Fath Ali Tehrani, who has been writing and performing for more than 15 years. She is the director of the Young Women’s Music Project, which continues to inspire her. Zahra specialises in leftfield, electronic lo-fi-pop – wonky yet meditative tunes, punctuated by biting rhythms. With echoes of The Knife, Tirzah, CocoRosie and Madame Gandhi, her recent EP sounds like longing, like searching, like hacking away at old vines to reach what’s behind them.
https://despicablezee.bandcamp.com/
 
 
 
 
 
Upset The Rhythm presents…
 
THE SILVER FIELD
CLEMENTINE MARCH
LOOSE JOINTS (DJ Set)
KATAYOUN JALILI (DJ Set)
Friday 6 March
SET, 27A Dalston Ln, Dalston, London, E8 3DF
7.30pm-2.30am | £6 | TICKETS
 
THE SILVER FIELD is a sound world of Coral Rose & friends. Voice, tapes, bass, strings, reeds, drums, small sounds, big sounds, sunlight, moonlight, a lot of water. March 2020 sees multi-instrumentalist Coral and drummer Kiran Bhatt (Red River Dialect) take to the road across the UK, sharing songs from their forthcoming second album, to be announced early 2020, as well as selections from The Silver Field's debut Rooms. Recorded by Coral at home in south London, Rooms was brought to the world in January 2019 by Tim Burgess' O Genesis Recordings and received high praise for its dreamlike tapestries of tape loops, reverb and folk instrumentation, including plays on BBC 6 Music, BBC 3's Late Junction, NTS and Soho Radio, as well as print and online love from The Quietus, Electronic Sound, God Is In The TV and many more.
https://thesilverfield.bandcamp.com/

CLÉMENTINE MARCH is a London-based chanteuse, composer and filmmaker, her musical forays portray a very personal approach to the pop song, playing with languages and textures, with a Brazilian savoir-faire and a post-punk edge.
 
 
 

 
 
 
 
 
 
All the very best with the rest of the week,
thanks for your time and we’ll see you lots over the weekend!
Upset The Rhythm
 
 
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UPSET THE RHYTHM
UPCOMING SHOWS 
TRASH KIT
HANDLE
Friday 14 February
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £9 | TICKETS
 
EN ATTENDANT ANA
MARCEL WAVE
Saturday 15 February
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT

7.30pm | £6 | TICKETS
 
MASSICOT
SLAGHEAP
SHAKE CHAIN
Monday 24 February
New River Studios, 199 Eade Rd, Harringay, London, N4 1DN
7.30pm | £7.50 | TICKETS
 
ISLET
DESPICABLE ZEE
Thursday 5 March
Space 289, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA
7.30pm | £9 | TICKETS
 
THE SILVER FIELD
CLEMENTINE MARCH
LOOSE JOINTS (DJ Set)
KATAYOUN JALILI (DJ Set)
Friday 6th March
SET, 27A Dalston Ln, Dalston, London, E8 3DF
7.30pm-2.30am | £6 | TICKETS
 
LIMPE FUCHS
WATERLESS HILLS
Saturday 14 March
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
7.30pm |£10 | TICKETS
 
LIMPE FUCHS - Workshop
Sunday 15 March
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
1pm-3pm |£15 | Very limited places: TICKETS 
 
SPINNING COIN
BAS JAN
ROBERT SOTELO
Wednesday 18 March
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £8 | TICKETS
 
Upset The Rhythm & The Barbican present…
RICHARD DAWSON: Delight is Right
Barbican Hall, Silk St, Barbican, London, EC2Y 8DS
Saturday 28 March
3pm - 11pm | SOLD OUT
 
IRMA VEP
SOFT WALLS

Friday 3 April
New River Studios, 199 Eade Rd, Harringay, London, N4 1DN
7.30pm | £7 | TICKETS
 
Upset The Rhythm & The Barbican present…
LANKUM
Wednesday 15 April
Barbican Hall, Silk St, Barbican, London, EC2Y 8DS
7.30pm | £17.50-£22.50 | TICKETS
 
NAP EYES
Wednesday 15 April
Moth Club, Old Trades Hall, Valette St, Hackney Central, E9 6NU
7.30pm | £12 | TICKETS
 
PAN AMERICAN
MIYAGI-LAMMARDO DUO
Tuesday 21 April
Cafe OTO, 18-22 Ashwin St, London, E8 3DL
7.30pm | £10 | TICKETS 
 
BONNIESONGS
YUMI AND THE WEATHER
GARRET MOORE

Wednesday 22 April
Shacklewell Arms, 71 Shacklewell Lane, Dalston, London, E8 2EB
7.30pm | £6.50 | TICKETS
 
PROTOMARTYR
Monday 27 April
Peckham Audio,133 Rye Ln, Peckham, London, SE15 4ST
7.30pm | £15 | TICKETS
(Tickets on sale this Friday at 10am)
PROTOMARTYR
Tuesday 28 April
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £15 | TICKETS
(Tickets on sale this Friday at 10am)
 
OLD TIME RELIJUN
Wednesday 29 April
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £8.50 | TICKETS
 
SHOPPING
Tuesday 5 May
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £10 | TICKETS
 

Wednesday, 12 February 2020

Protomartyr announce two fan shows in London this April!


Upset The Rhythm presents…

PROTOMARTYR
Monday 27 April
Peckham Audio,133 Rye Ln, Peckham, London, SE15 4ST
£15 | 7.30pm | https://link.dice.fm/FhKPbaWfT3 (Tickets on sale this Friday at 10am)

Tuesday 28 April
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
£15 | 7.30pm | https://link.dice.fm/73tJ0jX0S3 (Tickets on sale this Friday at 10am)

PROTOMARTYR return to London this April for two intimate shows showcasing their forthcoming new album! Protomartyr play a taut, austere rock that's been incubated in a freezing Detroit warehouse littered with beer cans and cigarette butts and warmed occasionally by space heaters. Short songs made for short practices, as the band learned quickly not to waste time. Despite the cold, Protomartyr emerged with a sound that is idiosyncratic but relatable, hooky but off-kilter. With respect to the local predecessors, this isn't the primitive stomp of The Dirtbombs or The Stooges' greasy roar. Punk works, kind of, even if it leaves the hardcore kids confused. Post-punk suggests something too retro; indie rock, something too precious. What Protomartyr is, is "stuck between the cracks." If that's the case, though, they aren't alone. Protomartyr's economical rock elicits comparisons to possible antecedents like Pere Ubu or The Fall as well as local contemporaries like Frustrations or Tyvek. Singer Joe Casey's dry declarative snarl serves as a reliable anchor, granting his bandmates (guitarist Greg Ahee, drummer Alex Leonard and bassist Scott Davidson) the opportunity to explore textures and reinforce the rhythm section. This is never more apparent than on the band's last record entitled 'Relatives In Descent', out through Domino. 12 tracks dealing with the unknowable nature of truth and the existential dread that often accompanies that unknowing, an album as sinuous as it is allusive, dense and dizzyingly on the mark.
http://www.protomartyrband.com/ 


Friday, 7 February 2020

Bonniesongs heading to London this April!


Upset The Rhythm presents…

BONNIESONGS
YUMI AND THE WEATHER
GARRET MOORE

Wednesday 22 April
Shacklewell Arms, 71 Shacklewell Lane, Dalston, London, E8 2EB
7.30pm | £6.50 | https://link.dice.fm/jrl99dh7Q3

BONNIESONGS, aka art-folk virtuoso Bonnie Stewart, released her debut album Energetic Mind in September 2019 via Small Pond and Art As Catharsis. For a peck of audiences in Australia over the past couple of years, Stewart has been one of those subtly transcendent artists. Described as “dreamy experimental indie folk”, she’s steadily been creating an ever-broadening platform for her unique sound amongst the Sydney songwriting scene. On much of her earlier material, Stewart’s sweet, ghostly vocals sail over the polyrhythmic backgrounds created between her mandolin, percussion and vocal loops, while her imaginative lyrics tell diverse and dreamlike stories of treehouses, mice, birds, flying and video games. Her four track debut EP Strings (2018) was released on Art Is Catharsis, a bold collaboration with friends Sascha Bota and Freya Schack-Arnott. Six days after a one-off performance as a trio, they made a recording of their experimental, textural and improvised variations on Bonnie's songs. The record was influenced by Jim Black’s improvised jazz record AlasNoAxis, drawing comparisons to Joanna Newsom, Cat Power, and Bjork, and was widely praised for challenging conventions of modern Australian music.
https://bonniesongs.com/

YUMI AND THE WEATHER first emerged in 2013 with her critically acclaimed 'All We Can' EP, since then she has spent the past few years perfecting a unique blend of electrifying technicolour psych-pop, finally emerging with their long-awaited full length offering (released via the MIOHMI RECORDS imprint). Armed with this new arsenal of unrelentingly catchy and stirring pieces of music, Yumi are ready to continue their path of destruction (which has included a stint supporting British Sea Power, a slot at Secret Garden Party, Bad Pond Festival and heavy radio support from BBC 6 Music's Shaun Keaveny, Nemone and Radio X's John Kennedy.
https://www.yumiandtheweather.net/

GARRET MOORE
https://garretmooremusic.bandcamp.com

Thursday, 6 February 2020

Es - 'Less Of Everything' LP announced!


Joy of joys, Es’ debut album ‘Less Of Everything’ will be released through Upset The Rhythm on April 3rd! The London quartet have coined an uncanny sound, sort of an icy DIY punk creeping with gothic influence and nuanced intensity. ‘Less of Everything’ revels in pointed anarcho tension and sub-zero twists of almost aquatic melody, its wondrously impactful and eldritch in equal measure. Check out the video for lead track ‘Chemical’ now, premiered by God Is In The TV!

‘Less Of Everything’ is available to pre-order now here.



x

Wednesday, 5 February 2020

Dan Deacon in London tomorrow, Trash Kit, Handle and En Attendant Ana next week!

 
 
Hey there!
 
Upset The Rhythm return tomorrow to The Scala for a thrilling concert from Dan Deacon! Last week Domino released his dizzying new album of majestic electronics, ‘Mystic Familiar’, tomorrow he brings it stunningly to life in London for the first time, like only he can do. Did someone order an interpretative dance party? Ecstatic tonality? Cherries on the cake include avant-saxophonist Ben Vince who is down to guest with Dan on a few tracks during his set, plus deviant pop-deconstructor The Lone Taxidermist who is primed to wow with her refreshing performance too, one truly for the memory banks! Tickets are available in advance (links below) and on the door from 7.30pm, look out for things to kick off from 8.15pm.
 
Lots more detail on tomorrow night’s P-A-R-T-Y to follow, along with full listings for all our upcoming dates this Febraury including next week’s shows with Trash Kit and Handle at The Lexington on Valentine’s Day and Parisian jangle punks En Attendant Ana who we’ve teamed up with Marcel Wave at PinUps on Feb 15th. Later in the month (Feb 24th) we have riveting Swiss eruptors Massicot playing at New River with band-mates Slagheap and Shake Chain too!
 
Read on for the full picture, our upcoming events programme boasts a new gig from Irma Vep and Soft Walls now in April too. Looking forward so much my neck hurts!
 
 
 
 
 
Upset The Rhythm presents…
 
DAN DEACON
LONE TAXIDERMIST
Thursday 6 February
Scala, 275 Pentonville Road, London, N1 9NL
7.30pm | £15 | TICKETS

DAN DEACON returns in February 2020 with ‘Mystic Familiar’, his first album in five years and the stunning result of years of obsessive work, play, and self-discovery. It’s not only his most emotionally open record but also his most transcendent! Eleven kaleidoscopic tracks of majestic synth-pop that exponentially expand Deacon’s sound with unfettered imagination and newfound vulnerability. Since 2015’s ‘Gliss Riffer’, Deacon has branched out from his core body of work into a dizzying array of collaborative projects: scoring eight films, collaborating with the New York City Ballet’s resident choreographer Justin Peck on the dance piece The Times Are Racing; performing expanded arrangements of his music with the Baltimore Symphony Orchestra; and for the first time producing and co-writing an album with friends Ed Schrader’s Music Beat. Throughout all this Deacon was also working on a new suite of songs that wield the profundity of a philosopher and the absurdity of a jester. These songs make up his forthcoming ‘Mystic Familiar’ album, painting life as a psychedelic journey brimming with bliss and disruption, darkness and light.

Opening track “Become a Mountain” immediately announces itself as something new, for the first time ever on record presenting Dan’s natural singing voice, unprocessed and with only minimal accompaniment. When Deacon proclaims “I rose up” here, it is Dan Deacon singing in the first person as Dan Deacon—a startlingly vulnerable shift in a songbook abundant with characters, metaphors, and distorted vocals. “Hypnagogic” takes us deeper into Deacon’s mind, a synth swirl similar to those which have begun his recent performances, absorbing the pulse of the room and extending that abstract moment in which a journey begins. From there, ‘Mystic Familiar’ then takes a propulsive leap with the robotic drums and soaring melodies of “Sat By a Tree” and the four-part “Arp” suite offering up a dialectic view of life. It’s an album that captures an artist mindfully evolving his music from playful beginnings to encompass a prismatic cosmos of addictive ideas, melody and purpose! This special Scala show celebrates the release of ‘Mystic Familiar’ and Dan’s long-awaited return to his spiritual kingdom of London! Also avant-saxophonist Ben Vince is due to guest on a few songs in Dan’s set, so all looks set to well and truly go off!
https://dandeacon.com/
 
LONE TAXIDERMIST presents intense acid rave howling with psychotic chaos brought to you from the Seychelles via Cumbria. 170 bpm and faster! Lone Taxidermist is the utterly bizarre and otherworldly ruptured activity generated by Cumbrian musician, costume maker, skin decorator, performer and natural provocateur Natalie Sharp. Her performances manifest icons and deities drawn from the corners of the (Post-)Internet and have been known to turn audiences members into exhibitionists. Sharp effortlessly blends ‘instruments’ which come to hand– whether that be songwriting, multi-instrumentalism or mastery of non-standard instruments like musical saw and theremin, stagecraft, costumes, graphic art, video making, face paint, vocal technique, remixing and DJing.
https://lonetaxidermist.bandcamp.com
 
 
 
 
Upset The Rhythm presents…

TRASH KIT
HANDLE

Friday 14 February
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £9 | TICKETS

TRASH KIT are Rachel Aggs (guitar, vocals), Rachel Horwood (drums, vocals) and Gill Partington (bass). Three deeply creative individuals who play in a multitude of other groups including Bas Jan, Sacred Paws, Shopping and Bamboo, united by a shared decade of spry musicality that surges through their bodies, hearts and heads with Trash Kit. Their songs once succinct, patchwork post-punk numbers of an honest diary-like nature now tussle more with long-form songwriting, expeditious polyphony and cascades of sung-spoke vocals. This new focus began with their second album ‘Confidence’ (2014) and has now grown into something exhilarating and rapturous. New songs like ‘Disco’ have had their very fabric stretched into smart new shapes, allowing the band to run away with refrains and unlock the dancefloor.

Although Trash Kit have their forebears in bands like Sleater Kinney, The Ex and The Raincoats, their sound is still very much their own take on facing forwards and relies as much on the naturalism of an internalised folk music as on their sincerity of vision. Since forming in 2009, Trash Kit have released three albums for Upset The Rhythm and a selection of singles, last July however they made their most majestic move yet with their resoundingly huge ‘Horizon’ album. Garnering countless glowing reviews and featuring in many end of year lists for 2019 ‘Horizon’ is an album that forever listens for the next moment and will meet you once more at the vanishing point.
https://www.facebook.com/TRASH-KIT-329766302806/

HANDLE incorporate a diverse range of influences from samba to no wave. The three-piece from Manchester (now based between Manchester/London/Brussels) make a uniquely minimal sound, buoyed by poetic, urgent vocals. Each instrument (bass, drums, keyboard and voice) is permitted its own space, yet somehow the result is a brilliantly unified yet understated sonic experience that demands then commands your attention. Handle is made up of Giulio Erasmus and Nirvana Heire (former members of D.U.D.S) and Leo Hermitt, a genderqueer multidisciplinary artist, renowned for their challenging, thought-provoking work on the city’s arts and literary scenes. The group mesh politics with a trans experience of time and a vibrant, avant-garde freedom of approach. Powered by looping, hypnotic synth lines, quaking flexes of bass, clattering tribal percussion and expeditious, often agitated vocals that cordially sprint, Handle's songs - all of which clock in around the two minute mark - owe as much to performance poetry as they do to the vibrancy of post-punk. Handle's debut album ‘In Threes’ will be released March 6th by Upset The Rhythm and Maternal Voice and is a collection of frenetic sounds for frenzied forms.
https://soundcloud.com/upset-the-rhythm/handle-punctured-time
 
 
 
 
Upset The Rhythm presents…

EN ATTENDANT ANA
MARCEL WAVE
Saturday 15 February
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £6 | TICKETS

EN ATTENDANT ANA are a Parisian quintet who diligently craft songs that shimmer, glide and sway with sophistication. Trouble In Mind recently released the group’s second album ‘Juillet’. Many of the songs on ‘Juillet’ feel hopeful, despite their melancholic tone, lacing a lilting melody or triumphant trumpet swell (courtesy of multi-instrumentalist Camille Fréchou) or charging guitar riffs from Tomasso or Bouchaudon. Whereas the tunes on their debut ‘Lost and Found’ felt wild & reckless, the songs on ‘Juillet’ feel focused, a set of songs that feel bonded together by the magnetic pull of each other; viewed as a whole, they dazzle. Songs like "Do You Understand?" and the first single "Words" point toward a new frontier for the group, effortlessly sharpening their razor-sharp hooks to such a fine point, you almost don't realise their complexity. Elsewhere, songs like "Flesh or Blood" and opener "Down The Hill" revel in a push/pull dynamic. Finally, songs like "From My Bruise To An Island" and the sparse "When It Burns" bridge a confessional narrative atop an amorphous ambient float. They feel important, and hint at an exciting future for a band letting go of its past and entrusting fate with its future.
https://enattendantana.bandcamp.com/
 
MARCEL WAVE write eulogies for tragic actresses, ancient riverbeds and concrete obscenity. Meades meets Pat-E-Smith meets Kirklees Borough Council. Featuring members of Cold Pumas and Sauna Youth.
https://marcel-wave.bandcamp.com/releases
 
 
 
 
Upset The Rhythm presents…
 
MASSICOT
SLAGHEAP
SHAKE CHAIN
Monday 24 February
New River Studios, 199 Eade Rd, Harringay, London, N4 1DN
 
MASSICOT are a Geneva trio that sound as if they can hardly contain their own energy. The no-frills bone-dry guitar sounds oscillates between hypnotically repetitive passages and noisy outbursts. Simone Aubert plays her rhythm guitar with a manic relentless energy. Drummer Colline Grosjean works her way from funk to krautrock to tropical beats and back again. Then over all that, in addition to her vocals, Mara Krastina plays her charming bright red mini-bass with a velocity that is guaranteed to ensure bodies start moving. Their new album is due out about now on the Harbinger Sound / Spurge Recordings label.
https://massicot.bandcamp.com/

SLAGHEAP are pure unfiltered energetic post-punk nonsense from four women in their pants. In turns melodic, naïve and raucous. The debut album from this Bristol quartet has been winning over fans everywhere and picking up plenty of airplay and shows no sign of slowing down any time soon. The 12" was the first release from Spurge Recordings and is a must if you're attuned to the attitude and tunes of The Raincoats or Au Pairs amongst others. But be assured this isn't a simply retrospective sound.
https://slagheapband.bandcamp.com

SHAKE CHAIN formed through a love of thought provoking performance art and a yearning for disruption so they were never going to be your average run of the mill project and the band have delivered unpredictable live shows across London and Oxford since their recent inception. Having recorded their debut EP ‘Neil Yonge and Bob Doylan Live at Hyde Park’ (on the day of Neil Young & Bob Dylan Live at Hyde Park) last Summer, with sound artist David Carugo and released by Permanent Slump, the group enter 2020 with a fresh heap of material to take into the studio and on the road around the UK in April. Catch them in the field with their not-to-be-missed fusion of post-punk grooves and chaotic lamenting on the current state of things.
 
 

 
 
 
 
 
 
Thanks as always for your time and consideration!
Have a blast and we’ll see you tomoz,
Upset The Rhythm
 
 
     facebook  soundcloud  twitter    youtube
 
 
 
 
UPSET THE RHYTHM
UPCOMING SHOWS 
DAN DEACON
LONE TAXIDERMIST
Thursday 6 February
Scala, 275 Pentonville Road, London, N1 9NL
7.30pm | £15 | TICKETS
 
TRASH KIT
HANDLE

Friday 14 February
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £9 | TICKETS
 
EN ATTENDANT ANA
MARCEL WAVE
Saturday 15 February
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT

7.30pm | £6 | TICKETS
 
MASSICOT
SLAGHEAP
SHAKE CHAIN
Monday 24 February
New River Studios, 199 Eade Rd, Harringay, London, N4 1DN
7.30pm | £7.50 | TICKETS
 
ISLET
DESPICABLE ZEE
Thursday 5 March
Space 289, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA
7.30pm | £9 | TICKETS
 
THE SILVER FIELD
CLEMENTINE MARCH
LOOSE JOINTS (DJ Set)
KATAYOUN JALILI (DJ Set)
Friday 6th March
SET, 27A Dalston Ln, Dalston, London, E8 3DF
7.30pm-2.30am | £6 | TICKETS
 
LIMPE FUCHS
WATERLESS HILLS
Saturday 14 March
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
7.30pm |£10 | TICKETS
 
LIMPE FUCHS - Workshop
Sunday 15 March
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
1pm-3pm |£15 | Very limited places: TICKETS 
 
SPINNING COIN
BAS JAN
ROBERT SOTELO
Wednesday 18 March
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £8 | TICKETS
 
Upset The Rhythm & The Barbican present…
RICHARD DAWSON: Delight is Right
Barbican Hall, Silk St, Barbican, London, EC2Y 8DS
Saturday 28 March
3pm - 11pm | £17.50-£25 | TICKETS
 
IRMA VEP
SOFT WALLS

Friday 3 April
New River Studios, 199 Eade Rd, Harringay, London, N4 1DN
7.30pm | £7 | TICKETS
 
Upset The Rhythm & The Barbican present…
LANKUM
Wednesday 15 April
Barbican Hall, Silk St, Barbican, London, EC2Y 8DS
7.30pm | £17.50-£22.50 | TICKETS
 
NAP EYES
Wednesday 15 April
Moth Club, Old Trades Hall, Valette St, Hackney Central, E9 6NU
7.30pm | £12 | TICKETS
 
PAN AMERICAN
MIYAGI-LAMMARDO DUO
Tuesday 21 April
Cafe OTO, 18-22 Ashwin St, London, E8 3DL
7.30pm | £10 | TICKETS 
 
OLD TIME RELIJUN
Wednesday 29 April
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £8.50 | TICKETS
 
SHOPPING
Tuesday 5 May
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £10 | TICKETS
 

Thursday, 30 January 2020

JAKE XERXES FUSSELL is heading to London this May!


Upset The Rhythm presents…

JAKE XERXES FUSSELL
Tuesday 12 May
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB

7.30pm | £9 | https://link.dice.fm/cXBMUgzID3

JAKE XERXES FUSSELL is a singer and guitarist from Durham, North Carolina. Jake’s 2015 self-titled debut record, produced by and featuring William Tyler, transmutes ten arcane folk and blues tunes into vibey cosmic laments and crooked riverine rambles. Collaborating with Tyler and engineer Mark Nevers in Nashville was a conscious decision to depart cloistered trad scenes and sonics for broader, more oblique horizons. In 2017 Fussell followed his debut with a moving new album of Natural Questions in the form of transmogrified folk/blues koans. This time these radiant ancient tunes tone several shades darker while amplifying their absurdist humour, illuminating our national, and psychic, predicaments. What in the Natural World features art by iconic painter Roger Brown and contributions from three notable Nathans: Nathan Bowles (Steve Gunn), Nathan Salsburg (Alan Lomax Archive), and Nathan Golub (Mountain Goats). On his most recent album for Paradise Of Bachelors ‘Out of Sight’, his most finely wrought album yet, Fussell ushers up an utterly transporting selection of traditional narrative folksongs addressing the troubles and delights of love, work, and wine (i.e., the things that matter), collected from a myriad of obscure sources and deftly metamorphosed, Out of Sight contains, among other moving curiosities, a fishmonger’s cry that sounds like an astral lament; a cotton mill tune that humorously explores the unknown terrain of death and memory; and a shanty/gospel song equally concerned with terrestrial boozing and heavenly transcendence. Always compelling and deftly impressive, Jake’s live shows have become must attend events, so its with great honour that we welcome him back this May to London.
https://www.youtube.com/channel/UCHHbQnYmhWiY1zEaz41Mzzg 



x

Saturday, 25 January 2020

Dan Deacon, Trash Kit, En Attendant Ana and Massicot London shows for February!

 
 
Alright 2020!  
 
Upset The Rhythm are gearing up for a busy February with our first show of the year taking place at The Scala on Feb 6th with the inimitable Dan Deacon! Hot on the heels of his dizzying new album of resplendent electronics, ‘Mystic Familiar’ out on Domino next Friday, Deacon will make his long-anticipated return to his spiritual home and favourite city outside of Baltimore! This week we invited avant-saxophonist Ben Vince to guest with Dan on a few tracks during his set, plus masters of the minimal moment Tomaga will perform too, well and truly chasing down the ‘other’ in sound! What a way to jolt the year into life! Did anyone say interpretative dance-off? Let it begin!
 
You can read all about that concert below, along with listings for all our upcoming dates next month including dancefloor-unlocking Trash Kit and Handle (whose off the charts debut album is released March 6th on Upset The Rhythm) performing at The Lexington on Valentine’s Day, Parisian dream punks En Attendant Ana teaming up with new faves Marcel Wave at PinUps on Feb 15th and hypnotic Swiss eruptions Massicot playing New River Studios on Feb 24th with band-mates Slagheap and Shake Chain too!
 
Exciting much?
 
 
 
Concluding this snappy missive we have our full programme of upcoming London events detailed, including recently confirmed appearances from Lankum, Nap Eyes, Bas Jan, Robert Sotelo, Waterless Hills, Clementine March and Despicable Zee.
 
Plenty of additions for that brand new diary there. Enjoy the words and keep it vital.
 
 
 
 
Upset The Rhythm presents…
 
DAN DEACON
TOMAGA
Thursday 6 February
Scala, 275 Pentonville Road, London, N1 9NL
7.30pm | £15 | TICKETS

DAN DEACON returns in February 2020 with ‘Mystic Familiar’, his first album in five years and the stunning result of years of obsessive work, play, and self-discovery. It’s not only his most emotionally open record but also his most transcendent! Eleven kaleidoscopic tracks of majestic synth-pop that exponentially expand Deacon’s sound with unfettered imagination and newfound vulnerability. Since 2015’s ‘Gliss Riffer’, Deacon has branched out from his core body of work into a dizzying array of collaborative projects: scoring eight films, collaborating with the New York City Ballet’s resident choreographer Justin Peck on the dance piece The Times Are Racing; performing expanded arrangements of his music with the Baltimore Symphony Orchestra; and for the first time producing and co-writing an album with friends Ed Schrader’s Music Beat. Throughout all this Deacon was also working on a new suite of songs that wield the profundity of a philosopher and the absurdity of a jester. These songs make up his forthcoming ‘Mystic Familiar’ album, painting life as a psychedelic journey brimming with bliss and disruption, darkness and light.

Opening track “Become a Mountain” immediately announces itself as something new, for the first time ever on record presenting Dan’s natural singing voice, unprocessed and with only minimal accompaniment. When Deacon proclaims “I rose up” here, it is Dan Deacon singing in the first person as Dan Deacon—a startlingly vulnerable shift in a songbook abundant with characters, metaphors, and distorted vocals. “Hypnagogic” takes us deeper into Deacon’s mind, a synth swirl similar to those which have begun his recent performances, absorbing the pulse of the room and extending that abstract moment in which a journey begins. From there, ‘Mystic Familiar’ then takes a propulsive leap with the robotic drums and soaring melodies of “Sat By a Tree” and the four-part “Arp” suite offering up a dialectic view of life. It’s an album that captures an artist mindfully evolving his music from playful beginnings to encompass a prismatic cosmos of addictive ideas, melody and purpose! This special Scala show celebrates the release of ‘Mystic Familiar’ and Dan’s long-awaited return to his spiritual kingdom of London! Also avant-saxophonist Ben Vince is due to guest on a few songs in Dan’s set, so all looks set to well and truly go off!
https://dandeacon.com/
 
TOMAGA are a live-duo formed by Valentina Magaletti and Tom Relleen. They channel various forms of multi-instrumentalism into music that moves by turns through industrial, jazz, psychedelia and minimalism, on it’s way to somewhere wholly other. Devoted to musical exploration, this London based duo obsessively deconstruct familiar tropes, looking for the tension that lies between improvisation and form. Tomaga formed in 2014 and have already released an impressive number of records through Other People, Negative Days, Meakusma and Hands In The Dark. Having been invited to tour with such musical luminaries as Stereolab, Wire, Deerhoof, Thurston Moore, FAUST, Lee Ranaldo and Silver Apples since their formation, Tomaga are truly one of the most inspiring live acts around.
https://tomaga.bandcamp.com/
 
 
 
 
Upset The Rhythm presents…

TRASH KIT
HANDLE

Friday 14 February
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £9 | TICKETS

TRASH KIT are Rachel Aggs (guitar, vocals), Rachel Horwood (drums, vocals) and Gill Partington (bass). Three deeply creative individuals who play in a multitude of other groups including Bas Jan, Sacred Paws, Shopping and Bamboo, united by a shared decade of spry musicality that surges through their bodies, hearts and heads with Trash Kit. Their songs once succinct, patchwork post-punk numbers of an honest diary-like nature now tussle more with long-form songwriting, expeditious polyphony and cascades of sung-spoke vocals. This new focus began with their second album ‘Confidence’ (2014) and has now grown into something exhilarating and rapturous. New songs like ‘Disco’ have had their very fabric stretched into smart new shapes, allowing the band to run away with refrains and unlock the dancefloor.

Although Trash Kit have their forebears in bands like Sleater Kinney, The Ex and The Raincoats, their sound is still very much their own take on facing forwards and relies as much on the naturalism of an internalised folk music as on their sincerity of vision. Since forming in 2009, Trash Kit have released three albums for Upset The Rhythm and a selection of singles, last July however they made their most majestic move yet with their resoundingly huge ‘Horizon’ album. Garnering countless glowing reviews and featuring in many end of year lists for 2019 ‘Horizon’ is an album that forever listens for the next moment and will meet you once more at the vanishing point.
https://www.facebook.com/TRASH-KIT-329766302806/

HANDLE incorporate a diverse range of influences from samba to no wave. The three-piece from Manchester (now based between Manchester/London/Brussels) make a uniquely minimal sound, buoyed by poetic, urgent vocals. Each instrument (bass, drums, keyboard and voice) is permitted its own space, yet somehow the result is a brilliantly unified yet understated sonic experience that demands then commands your attention. Handle is made up of Giulio Erasmus and Nirvana Heire (former members of D.U.D.S) and Leo Hermitt, a genderqueer multidisciplinary artist, renowned for their challenging, thought-provoking work on the city’s arts and literary scenes. The group mesh politics with a trans experience of time and a vibrant, avant-garde freedom of approach. Powered by looping, hypnotic synth lines, quaking flexes of bass, clattering tribal percussion and expeditious, often agitated vocals that cordially sprint, Handle's songs - all of which clock in around the two minute mark - owe as much to performance poetry as they do to the vibrancy of post-punk. Handle's debut album ‘In Threes’ will be released March 6th by Upset The Rhythm and Maternal Voice and is a collection of frenetic sounds for frenzied forms.
https://soundcloud.com/upset-the-rhythm/handle-punctured-time
 
 
 
 
Upset The Rhythm presents…

EN ATTENDANT ANA
MARCEL WAVE
Saturday 15 February
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £6 | TICKETS

EN ATTENDANT ANA are a Parisian quintet who diligently craft songs that shimmer, glide and sway with sophistication. Trouble In Mind recently released the group’s second album ‘Juillet’. Many of the songs on ‘Juillet’ feel hopeful, despite their melancholic tone, lacing a lilting melody or triumphant trumpet swell (courtesy of multi-instrumentalist Camille Fréchou) or charging guitar riffs from Tomasso or Bouchaudon. Whereas the tunes on their debut ‘Lost and Found’ felt wild & reckless, the songs on ‘Juillet’ feel focused, a set of songs that feel bonded together by the magnetic pull of each other; viewed as a whole, they dazzle. Songs like "Do You Understand?" and the first single "Words" point toward a new frontier for the group, effortlessly sharpening their razor-sharp hooks to such a fine point, you almost don't realise their complexity. Elsewhere, songs like "Flesh or Blood" and opener "Down The Hill" revel in a push/pull dynamic. Finally, songs like "From My Bruise To An Island" and the sparse "When It Burns" bridge a confessional narrative atop an amorphous ambient float. They feel important, and hint at an exciting future for a band letting go of its past and entrusting fate with its future.
https://enattendantana.bandcamp.com/
 
MARCEL WAVE write eulogies for tragic actresses, ancient riverbeds and concrete obscenity. Meades meets Pat-E-Smith meets Kirklees Borough Council. Featuring members of Cold Pumas and Sauna Youth.
https://marcel-wave.bandcamp.com/releases
 
 
 
 
Upset The Rhythm presents…
 
MASSICOT
SLAGHEAP
SHAKE CHAIN
Monday 24 February
New River Studios, 199 Eade Rd, Harringay, London, N4 1DN
 
MASSICOT are a Geneva trio that sound as if they can hardly contain their own energy. The no-frills bone-dry guitar sounds oscillates between hypnotically repetitive passages and noisy outbursts. Simone Aubert plays her rhythm guitar with a manic relentless energy. Drummer Colline Grosjean works her way from funk to krautrock to tropical beats and back again. Then over all that, in addition to her vocals, Mara Krastina plays her charming bright red mini-bass with a velocity that is guaranteed to ensure bodies start moving. Their new album is due out about now on the Harbinger Sound / Spurge Recordings label.
https://massicot.bandcamp.com/

SLAGHEAP are pure unfiltered energetic post-punk nonsense from four women in their pants. In turns melodic, naïve and raucous. The debut album from this Bristol quartet has been winning over fans everywhere and picking up plenty of airplay and shows no sign of slowing down any time soon. The 12" was the first release from Spurge Recordings and is a must if you're attuned to the attitude and tunes of The Raincoats or Au Pairs amongst others. But be assured this isn't a simply retrospective sound.
https://slagheapband.bandcamp.com

SHAKE CHAIN formed through a love of thought provoking performance art and a yearning for disruption so they were never going to be your average run of the mill project and the band have delivered unpredictable live shows across London and Oxford since their recent inception. Having recorded their debut EP ‘Neil Yonge and Bob Doylan Live at Hyde Park’ (on the day of Neil Young & Bob Dylan Live at Hyde Park) last Summer, with sound artist David Carugo and released by Permanent Slump, the group enter 2020 with a fresh heap of material to take into the studio and on the road around the UK in April. Catch them in the field with their not-to-be-missed fusion of post-punk grooves and chaotic lamenting on the current state of things.
 
 

 
 
 
 
 
 
Have the best weekend imaginable, see you soon!
Upset The Rhythm
 
 
     facebook  soundcloud  twitter    youtube
 
 
 
 
UPSET THE RHYTHM
UPCOMING SHOWS 
DAN DEACON
TOMAGA
Thursday 6 February
Scala, 275 Pentonville Road, London, N1 9NL
7.30pm | £15 | TICKETS
 
TRASH KIT
HANDLE

Friday 14 February
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £9 | TICKETS
 
EN ATTENDANT ANA
MARCEL WAVE
Saturday 15 February
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT

7.30pm | £6 | TICKETS
 
MASSICOT
SLAGHEAP
SHAKE CHAIN
Monday 24 February
New River Studios, 199 Eade Rd, Harringay, London, N4 1DN
7.30pm | £7.50 | TICKETS
 
ISLET
DESPICABLE ZEE
Thursday 5 March
Space 289, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA
7.30pm | £9 | TICKETS
 
THE SILVER FIELD
CLEMENTINE MARCH
LOOSE JOINTS (DJ Set)
KATAYOUN JALILI (DJ Set)
Friday 6th March
SET, 27A Dalston Ln, Dalston, London, E8 3DF
7.30pm-2.30am | £6 | TICKETS
 
LIMPE FUCHS
WATERLESS HILLS
Saturday 14 March
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
7.30pm |£10 | TICKETS
 
LIMPE FUCHS - Workshop
Sunday 15 March
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
1pm-3pm |£15 | Very limited places: TICKETS 
 
SPINNING COIN
BAS JAN
ROBERT SOTELO
Wednesday 18 March
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £8 | TICKETS
 
Upset The Rhythm & The Barbican present…
RICHARD DAWSON: Delight is Right
Barbican Hall, Silk St, Barbican, London, EC2Y 8DS
Saturday 28 March
3pm - 11pm | £17.50-£25 | TICKETS
 
Upset The Rhythm & The Barbican present…
LANKUM
Wednesday 15 April
Barbican Hall, Silk St, Barbican, London, EC2Y 8DS
7.30pm | £17.50-£22.50 | TICKETS
 
NAP EYES
Wednesday 15 April
Moth Club, Old Trades Hall, Valette St, Hackney Central, E9 6NU
7.30pm | £12 | TICKETS
 
PAN AMERICAN
MIYAGI-LAMMARDO DUO
Tuesday 21 April
Cafe OTO, 18-22 Ashwin St, London, E8 3DL
7.30pm | £10 | TICKETS 
 
OLD TIME RELIJUN
Wednesday 29 April
PinUps (formerly The Islington), 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £8.50 | TICKETS
 
SHOPPING
Tuesday 5 May
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £10 | TICKETS
 

Friday, 24 January 2020

Trash Kit - Euro tour 2020!



Trash Kit are heading out on a European tour this Feb! You know where to be!
Look out London, Feb 14th at The Lexington with Handle!

x