Deep breath!
We have a DC special heading to town this May with Scream and Soulside playing two shows back to back at The Lexington! Tickets are on sale now, most likely for a very short time!
Upset The Rhythm presents…
SCREAM
SOULSIDE
Friday 10 May
Saturday 11 May
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £20.00 | Tickets: https://link.dice.fm/xc9953269e0e & https://link.dice.fm/Qfab66a55a93
SCREAM formed in 1979. Drummer Kent Stacks, bassist Skeeter Enoch Thompson and the brothers Pete and Franz Stahl attended school together in Bailey’s Crossroads, Virginia, when they began to discover the punk and new wave scene in DC and the provocative power of making music. Like most of the punk bands in DC, they were influenced by the Bad Brains, but their rock and roll sensibilities set them apart. In 1982, they went into Inner Ear Studio with Ian MacKaye and Eddie Janney to record Dischord's first full length album, Still Screaming.
Scream followed this with a second full length album, This Side Up, in 1984. The band toured throughout the US and were one of the first US hardcore bands to tour Europe and the UK. In 1987, they released Banging the Drum, which was recorded at both Southern Studios in London and Inner Ear. In 1988, No More Censorship was released on reggae label RAS records. Scream returned to Dischord to release Fumble in 1993.
Scream’s newest album, DC Special, was released late last year on Dischord Records. For this record, Scream invited their extensive music community to help create a unique project that weaves the history of music in Washington DC into the story of the band. DC Special embodies the same sense of community and politics that inspired Scream from the start and is a truly special collection of new music that speaks to the present and also tells the story of DC music, Scream, and the influences that shaped them.
https://dischord.com/release/194/dc-special
SOULSIDE formed in Washington, D.C. in 1985, split up in 1989, then reformed in 2014 and has continued playing and writing music since then. After releasing their debut album on Sammich/Dischord, they recorded Trigger (Dischord, 1988) and Hot Bodi-Gram (Dischord, 1989), which were combined on the Soon Come Happy CD in 1990. The band toured extensively in the US and Europe during these years, including groundbreaking shows in Poland and East Berlin shortly before the Berlin Wall fell in 1989.
In 2020, Soulside put out a new 7-inch, This Ship, their first release in 30 years, which was recorded in Prague. In late 2022, Dischord released a 12-song Soulside album, A Brief Moment in the Sun, which was written during the heart of the pandemic and recorded in person by J. Robbins in November 2021. Soulside toured the US and Europe in 2023 to support the new album. Soulside is: Alexis Fleisig (drums), Scott McCloud (guitar and vocals), Bobby Sullivan (vocals), and Johnny Temple (bass).
https://soulside.bandcamp.com/
Thursday, 22 February 2024
Scream + Soulside in London this May!
Wednesday, 21 February 2024
Tara Clerkin Trio - London show for November announced!
Huge news!
We’ve booked Tara Clerkin Trio to play again for us on Sat 16th November at EartH Theatre. Tickets are on sale… now!
The 100 Club show on Monday is long sold out, so we’re not expecting tickets to linger. Exciting times.
Upset The Rhythm presents…
TARA CLERKIN TRIO
Saturday 16 November
EartH Theatre, 11-17 Stoke Newington Rd, London, N16 8BH
6.30pm-10.30pm | £16 | Tickets: https://link.dice.fm/Aeb338640a1d
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Tuesday, 13 February 2024
Behold... PARSNIP!
Green shoots have burst forth from Parsnip! The Australian group have a super-catchy single out today called ‘The Light’, taken from their sophisticated sophomore album ‘Behold’. Drawing comparisons with Dolly Mixture, Sara Goes Pop and Look Blue Go Purple, Parsnip are an animated ensemble, full of life, emotional complexity and humour. On ‘Behold’ they explore both the inner and outer realms of consciousness with quick wits and some seriously quality jangle and jolt. Take a listen to ‘The Light’, a whip smart workout if there ever was one!
Upset The Rhythm and Anti Fade Records will release ‘Behold’ on April 26th. There’s a limited transparent vinyl edition, available to pre-order (drum roll please)… now!
UTR
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Friday, 9 February 2024
Are you being served this Sunday?
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Upset The Rhythm presents…
THE HOMESICK FINDOM HOME SECRETARY
Thursday 22 February The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB 7.30pm | £10.00 | Tickets: https://link.dice.fm/bf946caa252b THE HOMESICK are Elias Elgersma (Vocals, Effects), Jaap van der Velde (Vocals, Effects) and Erik Woudwijk (Drums). The Homesick fuse post-punk rhythms with melodic whimsical pop into an experimental blend of great songs. The Dutch group have been around since their first EP Television from 2013 and released their debut album Youth Hunt (Subroutine) in 2017. Hailing from the backwater Frisian municipality of Dokkum, the band enjoy exploring the extremes of their music. Their albums play with this ambiguity as they incorporate dark post-punk alongside sure-fire pop earworms. Their second album The Big Exercise (SubPop) from 2020 inverted this sound, second-guessing their core chemistry as a live unit. Where the debut album incorporates vocals drenched in reverb, warped synths and distorted guitars, the Big Excercise leaves a hint of romanticism through the baroque elements such as piano, acoustic guitar, percussion and clarinet. Shortly after the release of The Big Exercise they individually started to explore new musical directions. Guitar and bass were dropped as Elias and Jaap searched for other sounds playing keys, sample boxes and more new rhythmic instruments. “We wanted to come up with something that we can dance to”, Jaap says. “After these last two years we very much felt like this is what we need now.” The new songs are unmistakably The Homesick and at the same time like you've never heard them before. The third and self-titled album by The Homesick is out now. https://thehomesick.bandcamp.com FINDOM know a thing about Britain’s death drive. They know that morbid fascinations of bad faith, morose binds and slow crawls have led us here. Their debut tape (on Gob Nation) confronts the conceit of class deterioration, clashing together energies of No Wave, Jazz, Dub and Goth into a work that, through part satire and part protest, has the hooks to fight back. We are left with five tracks self-described as anti-jazz with an overarching structure that feels like a Killing Joke inspired noir thriller, where moments of dark aggression are sonically punctuated by open stretches of rhythmic disorientation. https://gobnation.bandcamp.com/album/pay-pig HOME SECRETARY are a duo from
South London, creating rickety and occasionally rhythmic non-songs that
combine spoken word with improvised instrumentation. Expect to hear
crude sound collage, fumbled instruments, and vocals whispered and
proclaimed. https://homesec.bandcamp.com |
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Upset The Rhythm presents…
THE PHEROMOANS - Wyrd Psearch album launch APOSTILLE DEAN RODNEY JR. & THE COWBOYS FLEX DJs (HP Sorcery & The Plague) Tuesday 5 March Cafe OTO, 18-22 Ashwin St, London, E8 3DL 7.30pm | £10 | Tickets: https://link.dice.fm/ed1d116c8c37 THE PHEROMOANS are tenants of an unruly domain. Over the last 18 years the group have evolved from garage rock primitivists to auteurs of their own curious sound; a frothy brew of loose electronics, refractory rock and humdrum musing. Their songs are mutable, capricious, unreliable narrations, often withholding as much as they reveal. Russell Walker’s understated vocal has always been the band’s unifying focus, it is wry, unsparing and wilfully honest. Walker’s lyrics are an observational tour de force, sometimes droll, yet often tipping over into unlikely pathos. With previous releases on Upset The Rhythm, Convulsive and Alter, 2024 will witness The Pheromoans return with lucky album number 13, entitled ‘Wyrd Psearch’ (out March 1st on Upset The Rhythm). ‘Wyrd Psearch’ was recorded in Lewes throughout 2023. This was undertaken by founding member James Tranmer, his keen instinct for how the band should sound shaping many of the creative decisions. Joined by new guitarist Henry Holmes, the five piece doubled down on a decidedly breezy, melodic approach. Scott Reeve’s drumming is ever brisk, whilst Daniel Bolger explores AOR peripheries on keyboard and bass. “Wyrd Psearch finds us on relatively zestful form” affirms Walker “whether it be merrily recalling the Jason Williamson / Tim Lovejoy Covid summit, or mentally bathing in the pleasures of lunch hours spent strapped to a listening post in Borders.” With The Pheromoans there is always a familiarity at play, only broken and reassembled, like a bygone sitcom gone rogue in your memory. This contributes to the group’s peculiarly British outsider perspective, one that shouts from the sidelines, but never goes unnoticed. https://upsettherhythm.bandcamp.com/album/wyrd-psearch APOSTILLE is a man who's torn through enough soundsystems to know the difference between gesture and meaning. Alongside running his own DIY record label Night School Records, Glasgow native Michael Kasparis has previously made forays into the realm of hardcore punk with his groups Anxiety and The Lowest Form. Throughout all this, his solo electronic venture Apostille has continued to evolve with each twist and turn of the world. What started off as a quest to whip up a mood and force that into a song has steadily become more of a mission in communication. The third Apostille album, ‘Prisoners Of Love And Hate’, was released on Night School on September 22nd. https://apostille.bandcamp.com/album/prisoners-of-love-and-hate DEAN RODNEY JR. is an artist and the lead singer of Dean Rodney Jr. & The Cowboys. In this latest project he puts on the golden suit and riffs about food, jiggling body parts and more over tight disco pop. Backed by Rosie Ridgeway, Jack Barraclough, Tom Hirst and Robyn Steward, you better watch out as there’s a new sheriff in town! Their debut album ‘The Yeehaw Moment’ is out now. Dean was also the frontman of The Fish Police, has collaborated with Ravioli Me Away and during lockdown, Dean wrote and recorded 54 albums, describing a fictional alternative version of the present day, Dean TV World. https://deanrodneyjrandthecowboys.bandcamp.com |
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Upset The Rhythm presents…
THE UMBRELLAS SWANSEA SOUND
AUTOCAMPER
Wednesday 13 March
OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL 7.30pm | £13 | Tickets: https://link.dice.fm/ee39bba86945 THE UMBRELLAS are four renegade romantics crafting irresistible indie pop hymns. The band’s self-titled 2021 debut album became a breakout moment, winning critical praise and sparking an international tour. Follow-up LP ‘Fairweather Friend’ goes a step further – absorbing the sonic attack of their live shows, it balances this with studio finesse, allowing the San Francisco four-piece to become the band they’ve always aspired to be. It’s a record overflowing with highlights. The candyfloss melodies of introductory track ‘Three Cheers!’ are matched to an impactful percussive punch; ‘Say What You Mean’ finds The Umbrellas working with total confidence, letting the song ride out to its chiming conclusion, four voices working in precision. ‘When You Find Out’ offers rotating notes of guitar punctuated by a vocal that pushes past angst to accept a world full of hope. A lean 10 track affair, it grasps towards beatific pop while fuelled by a sense of risk, and the precision that comes from long months on the road. Taken as a whole ‘Fairweather Friend’ is a bold indie pop triumph, crafted with purpose and attention. Taking their time over each note, the four-piece have strengthened their songwriting, adding depth and assurance while unlocking their potential. Some bonds last a lifetime – The Umbrellas are ready to capture your heart. https://theumbrellasca.bandcamp.com/album/the-umbrellas SWANSEA SOUND are Hue Williams
(The Pooh Sticks), Amelia Fletcher and Rob Pursey (both Talulah
Gosh/Heavenly, The Catenary Wires), Bob Collins (The Dentists, The
Treasures of Mexico), Ian Button, (Death in Vegas, with Louis Philippe,
Pete Astor and Papernut Cambridge). Swansea Sound’s recent album
Twentieth Century was released by Skep Wax Records. On this second album
of unapologetic indie pop and punk they sing about things like Pete
Shelley, vinyl, online shopping and getting older. https://swanseasound.bandcamp.com/album/swansea-sound AUTOCAMPER are a four-piece jangle pop band playing scuzzy C86-inspired music. The band’s recent demo EP came out on Discontinuous Innovation Inc (run by Nick from The Umbrellas), they’ve recently played shows with The Orchids, Lande Hekt, The Vaselines and Jeanines. https://autocamper.bandcamp.com |
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Upset The Rhythm presents… MARY LATTIMORE Tuesday 26 March Scala, 275 Pentonville Rd, London, N1 9NL 7.30pm | £15 | Tickets: https://link.dice.fm/E8624bc1f2eb MARY LATTIMORE is a harpist and composer living in Los Angeles. She experiments with her Lyon and Healy Concert Grand harp and effects. Her solo debut, The Withdrawing Room, was released in 2013 on Desire Path Recordings. Lattimore also writes harp parts for songs and recordings, performing and recording with such great artists as Meg Baird, Thurston Moore, Sharon Van Etten, Jarvis Cocker, Kurt Vile, Steve Gunn, Ed Askew and Fursaxa. Her debut solo record for Ghostly International, 'At The Dam', was recorded during stops along a road trip across America and released in March 2016. The next year, she compiled sounds from her past life in Philadelphia for a cassette tape titled 'Collected Pieces'. Released in May 2018 to acclaim from the likes of NPR, Pitchfork, and The New Yorker Lattimore's next album 'Hundreds of Days' presented an expression of mystified gratitude for the natural world. ‘Goodbye, Hotel Arkada’ (Ghostly International), Lattimore’s new LP, speaks not just for its beloved namesake - a hotel in Croatia facing renovation - but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time. Documented and edited in uncharacteristically measured sessions over the course of two years, the material remains rooted in improvisation while glistening as the most refined and robust in Lattimore’s decade-long catalog. It finds her communing with friends, contemporaries, and longtime influences, in full stride yet slowing down to nurture songs in new ways. The cast includes Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements. https://marylattimoreharpist.bandcamp.com/ |












