Saturday, 6 July 2019

Trash Kit - 'Horizon' out now! Plus upcoming London shows!!

 
 
Hey again!
This week we released Trash Kit’s monumental third album Horizon! Available now on LP (yellow and black vinyl pressings), CD and digitally, Horizon is essential listening for these sun-soaked times, both exhilaratingly bold and rapturous in equal measure! Trash Kit are Rachel Aggs (guitar, vocals), Rachel Horwood (drums, vocals) and Gill Partington (bass). Three deeply creative individuals who play in a multitude of other groups including Bas Jan, Sacred Paws, Shopping and Bamboo, united by a shared decade of spry musicality with Trash Kit.
 
Their songs once succinct, patchwork post-punk numbers of an honest diary-like nature now tussle more with long-form songwriting, expeditious polyphony and cascades of sung-spoke vocals.
 
 
 
 
 
 
Aggs' guitar playing for this album was informed by her love of guitar music from Zimbabwe, her cyclical motifs billow with lean Mbira rhythms. Horwood has similarly approached her drumkit with an untamable freedom, allowing it to breathe as a vivid lead instrument. Trash Kit's music is woven with silence and punctuation, and this is where the resonant, driving bass of Partington fits in. The bass has become now central to shaping the melody of this new collection of songs.
 
Horizon finds itself abrim with themes, especially the notion of looking to the future, “personally as well as to the future of the band, the future of marginalised people making music, political futures, trying to imagine and re-imagine our world, thinking about what possibility and change sound like” attests Aggs.
 
 
 
Pivotal to this new album, ‘Horizon’ is sleeping giant of a title track, forever reaching out and intensifying throughout its lively five-minute lesson in reinforcement. Trash Kit’s approach to life as with music is one of openness, inclusion and potential and Horizon is an album with that in dutiful abundance. It’s an album that forever listens for the next moment and will meet you once more beyond the vanishing point.
 
‘Horizon’ is available now in all the best shops and from our webshop now!
 
 
 
Look out below full concert listings for our July events in London, including next Thursday’s exceptional release party at Café OTO with post-punk pastoralists Normil Hawaiians, the truly outstanding Rattle and Perth’s Erasers. We also focus here on July 16th’s concert for Oakland’s Rays (Trouble In Mind, members of The World too), Design A Wave and Maedchen 84 at The Shacklewell Arms! Whilst our other live plans for the month include Daniel Higgs & Eternal Broadcast (HQI, July 17th), Prison Religion & Hyperstition Duo (The Lexington, July 19th) and finally Advance Base & Alice Hubble (Redon, July 22nd), busy as ever!
 
We’ve also just added new shows in September for Kurws and Handle, whilst November features new shows from Lankum and The Gotobeds too! Our listings section at the end has the full scoop on those.
 
 
 
 
 
 
Upset The Rhythm presents…
 
NORMIL HAWAIIANS
RATTLE
ERASERS

Thursday 11 July
Cafe OTO, 18-22 Ashwin St, London, E8 3DL
7.30pm | £7 | TICKETS
 
NORMIL HAWAIIANS communal take on post punk sprouted leaves from its mouth in 1982, and began carving out a new furrow. Greater emphasis was awarded to improvisation within the group and as a result their songs embarked on longer, freer journeys towards the beaten bounds. They wanted these new songs to bear the weight of their new collective spirit so comfort zones had to be left behind. Tape loops, echo boxes, extended percussive sessions and duteous faith in the tones emanating from a particular old wah-wah pedal were all employed by Normil Hawaiians to stretch their sonic fabric into wild and redolent new dimensions. Within three years the band went on to record three astonishing records, their ambitious double-LP debut ‘More Wealth Than Money’, ‘What’s Going On?’ with its radical collage of movements and ‘Return Of The Ranters’ which teamed up their free experiments in compelling arrhythmia with a more confrontational approach. Upset The Rhythm have released ‘More Wealth’ and ‘Ranters’ recently in remastered form, and this special live manifestation at Cafe OTO celebrates the reissue of 1984’s ‘What’s Going On?’ masterstroke (out June 28th). Lucid, candid, politically engaged, rarely metronomic but always humane, Normil Hawaiians conjure vast clouds of atmosphere. Their songs are bedecked with exalted synth trails, clustering guitar rapture, motorik beats, and spun-out raw polemics. Still light years ahead of us all!
http://normilhawaiians.com/

RATTLE are a Nottingham based duo, Rattle focus almost exclusively on drums and more drums, beneath a delicate overlay of vocal harmonies and percussive effects. Formed by Katharine Eira Brown (also of Kogumaza) and Theresa Wrigley (also of Fists), Rattle began as an experiment in crafting rich songs and melody using drums and voice alone. Their music weaves and intertwines post-punk, minimalism and experimental rock, through off-kilter rhythms, patterns and counter melodies. Often starting by picking out the ghost notes from the drums to develop a melody, the song then reveals itself in rounds and harmonies with layer upon layer of rhythm and vocal, lending a choral feel to some of the tracks. Rattle effortlessly blend the avant-garde with irresistible melodies and hypnotic drum beats, using rhythm and harmony to create a refreshing sound that is utterly new - a pretty rare feat these days when we're saturated with so much music. Rattle's impressive ‘Sequence’ album came out last November through Upset The Rhythm.
https://rattleon.bandcamp.com/

ERASERS deliver up rhythmic and mood-driven music that sits between kosmische and post-punk. Forming as a home recording project in 2009 the Perth, West Australian based Erasers (Rebecca Orchard, Rupert Thomas) released a steady flow of cd-rs, tapes and a 7” before eventually releasing their debut full length ‘Stem Together’ in 2015. In 2017 the duo followed up with the tape release ‘Fault Lines’. In the live sphere Erasers have shared the stage with the likes of Low, Grouper, Acid Mothers Temple, Prince Rama, High Wolf and The Soft Machine as well as multiple shows with long time musical heroes My Disco, Love Of Diagrams and Pikelet. After an extensive recording and mixing process, 2019 sees Erasers with two new releases to share; a 5 track tape titled ‘Forecast’ (through Solid Melts) and the duo’s second full length ‘Pulse Points’ (through Fire Talk and Pouring Dream).
https://erasers.bandcamp.com/
 
 
 
 
 
Upset The Rhythm presents…
 
RAYS
DESIGN A WAVE
MAEDCHEN 84
Tuesday 16 July
Shacklewell Arms, 71 Shacklewell Lane, Dalston, London, E8 2EB
7.30pm | £7 | TICKETS
 
RAYS returned to the fray with their second album, You Can Get There From Here, their first release since their eponymous Trouble In Mind debut in 2016. Rays formed in the fertile crescent of the California Bay Area, a hotbed of musical growth in the past decade, and Rays' members pull not only from that recent miasma but also from a wealth of Bay Area musical history. You Can Get There From Here represents a turning point for the band, angling their scrappy, post-punk fury into a more refined & melodic pop sensibility, drawing inspiration from UK DIY pop & punk like Dolly Mixture, Cleaners From Venus, Television Personalities & more. Straight from the gate, songs like "Fallen Stars" & "The Garden" temper their sonic crunch ever so slightly, relying more on the harmonic wallop of a solid hook than the sheer volume of guitars & cymbal crashes. This is urgent, chiming guitar pop of the highest order that clangs with a sonorous melancholy & a ramshackle grace. Rays can still lay it down with the rest of 'em; tunes like "Subway" & "Work of Art" shuffle & stumble forward, skirting chaos in a flurry of strums, recalling recent antipodean pop groups like UV Race, Dick Diver or The Shifters who cull inspiration from idiosyncratic UK greats like Mark E. Smith or Robyn Hitchcock. With You Can Get There From Here, Rays add their voice to the chorus. The new album finds the core group of Stanley Martinez, Eva Hannan, Troy Hewitt & Alexa Pantalone augmented by new member & keyboardist Britta Leijonflycht, whose synth flourishes add melodic embellishments, sonic heft or psychedelic swirl where needed.
http://www.troubleinmindrecs.com/artists/rays/

DESIGN A WAVE aka Tom Hirst is a London based artist who has recently released music on Rush Hour’s No Label, as well as contributing to Ravioli Me Away’s opera. Design A Wave also has past releases on Alien Jams, Subsubtropics and the Alter label. Tom Hirst has been making music for many moons. Initial buds featured tape collages, distangled pop music, various dictaphone experiments, and over time all this meshed and warped into his solo musical venture known as Design A Wave. Initiated in the late 90s, the project was loosely named after one of the gangs in the Troma film Surf Nazis Must Die which, alongside other similar movies and music of it’s time, informed a particular vision of an idealised weird - a trashy synth orientated 80s B-movie soundtrack, which provided an aesthetic platform on which to dive, surf and ride.
https://soundcloud.com/deswav

MÄDCHEN 84
put a dent in ya head! A sample square of vinyl from wickes and a tearout guardian review of minaj's latest is available to be sent in the post for anyone who needs to feel real.
https://maedchen84.bandcamp.com
 
 
 
 
Upset The Rhythm presents…
 
DANIEL HIGGS
ETERNAL BROADCAST
Wednesday 17 July
HQI, The Rotunda, Wood Lane, White City Place, London, W12 7TP
(3 min walk from White City tube directly north up Wood Lane. Venue is behind the green gates)
7.30pm | £10 | TICKETS
 
DANIEL HIGGS is a musician and artist from Baltimore, Maryland on whose behalf superlatives are destined to fail. It’s not that his artistic output - spanning three decades, numerous albums, books of poetry and collections of drawings - simply eludes classification, it defies it. Often we hear that a true work of art is meant to speak for itself, and with the work of Daniel Higgs the maxim rings truer than ever. Higgs is known primarily for his work as the sole lyricist and frontman of the band Lungfish, a four-piece dedicated to charting, in this listener’s estimation, nothing short of the evolution of all species, known and unknown. They are enshrined as one of America’s last true folk bands, and Higgs anointed as a patron saint to artistic purity. In recent years, Higgs has released a number of solo outings that can only be described as the ultimate in isolation, worlds away from the hypnotic, communal rock of his band. Higgs weaves meditative, casually ruptured drones using acoustic and electric guitar, upright pianos, banjo and jew’s harp, recorded entirely at home on cassette recorder. He pairs the music with a series of paintings that call to mind religious iconography passed through the disfiguring surrealism of Miro. His art is of the cosmos.
https://danielhiggs.bandcamp.com/

ETERNAL BROADCAST are a collective from Sheffield harnesses the background noise of the Universe; the radio waves rippling into space at the speed of light; the fallout from the Big Bang. A cosmic symphony of crackled transmissions. Featuring past and present members of Boring Men, Sister Wives, Feature, Night Flowers, Acid Mass.
https://soundcloud.com/eternalbroadcast/sets/notebooksoep
 
 
 
 
Upset The Rhythm presents…
 
PRISON RELIGION
HYPERSTITION DUO

Friday 19 July
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £8.50 | TICKETS
 
PRISON RELIGION are a hardcore noise project from Richmond, Virginia, comprised of Poozy and False Prpht. Though the two are solo artists in their own right, they collaborate regularly to make collages together that are indebted yet flippant to hip hop, punk, and techno. Working together since 2016, the duo have dived deep into the space between blown-out trap (2016’s Cage With Mirrored Bars) and contemporary destructive club music (2018’s O Fucc Im On The Wrong Planet). Since linking up with Texas-based experimental label Halcyon Veil, they've connected a global crewsof likeminded collaborators for a remix album including Rabit, Endgame, Swan Meat, Lee Gamble and Bonaventure. The production destroys any notion of comfort afforded in dance music, with cold industrial and glitchy hip hop textures serving as the stylistic anchor of the record. With close ties to NON Worldwide, Prison Religion are also ushering in a new wave of vocal-based club performance.
https://prisonreligion.bandcamp.com/

"The barely tonal beats of tracks like "Shots Fired" have this way of making it feel like the 808s are falling apart or dissociating, like a crowd dispersing as Jones and Black spin kick in the centre… acid drenched tracks draw on the history of industrial music, metal iconography and experimental club music." (Noisey)

"Prison Religion are one of the most hardcore, rap-related acts we've heard in years. Philip Best levels of mic-burning bile and vitriol shrieked and expectorated over bludgeoning beats, field recordings and charred electronics." (Boomkat)

HYPERSTITION DUO plunge deep to deliver a maximalist collective immersion into their own lysergic phonosphere. Lurching, polyrhythmic pathways crumble and re-assemble; elastic dynamics snap; propulsion sparks from the nerve-centre of machine and corporeal entanglement. Featuring ex-members of Blood Sport, templexing, möbius loops and cybernetic subjectivities abound in an attempt to conjure escape vectors in a world of ubiquitous sound.
 
 
 
 
Upset The Rhythm presents…
 
ADVANCE BASE
ALICE HUBBLE
Monday 22 July
Redon, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA
7.30pm | £12 | TICKETS
 
ADVANCE BASE is the electronic solo project of Chicago, IL singer/songwriter Owen Ashworth (formerly of Casiotone for the Painfully Alone). Using a two-handed arsenal of electric pianos, autoharps, Omnichords, loops, samples & drum machines, Ashworth builds minimalist, heavy-hearted, & nostalgia-obsessed tunes around his conversational, baritone vocals. The sound of Advance Base has been described as "lo-fi," "depressed" & "weirdly uplifting." Advance Base has supported live dates for The Postal Service, Pedro the Lion, The Mountain Goats, Dean Wareham, Alan Sparhawk, Mark Kozelek & Stephin Merritt. The debut Advance Base album, ‘A Shut-In's Prayer’ (2012), was released by Caldo Verde Records & Ashworth's own Orindal Records. ‘Nephew in the Wild’, the second album by Advance Base, was released in 2015 by Orindal Records & Tomlab Records. PopMatters named ‘Nephew in the Wild’ the number 1 Indie Album of 2015. ‘Animal Companionship’, the third & most recent album by Advance Base, was released last September. The sound of the album is soft and thick and comforting. And when we’re working with songs as sad as the ones that Ashworth writes, that level of comfort really comes in handy. He used to write sad love songs, or sad songs about love. He’s still doing that, really, except that he’s now middle-aged, with a wife and kids, living in suburban Chicago, and the songs reflect that. The songs on ‘Animal Companionship’ are full of a whole life’s worth of regrets and missed opportunities and moments of acceptance and dead friends. It’s not as bleak, either; there are moments of happiness, or at least sustenance, sprinkled all through ‘Animal Companionship’. But in its sharp and unrelenting and empathetic specificity, this is some real masterly heart-wrecker music.
http://advancebasemusic.com/

ALICE HUBBLE is the new project of Alice Hubley (Mass Datura, Cosines, Arthur and Martha), the product of one lady locked at home with her collection of analogue synthesisers. Inspired by 70’s recordings by Tangerine Dream, Delia Derbyshire, Mike and Sally Oldfield, hers is a distinctly feminine take on the sometimes pompous 70’s sound. Her new album will be available on Happy Robots in Summer 2019.
https://www.facebook.com/alicehubblemusic/
 

 
 
 
 
 
 
 
Thanks as ever for reading and for all your support!
Upset The Rhythm
 
 
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UPSET THE RHYTHM
UPCOMING SHOWS 
NORMIL HAWAIIANS
RATTLE
ERASERS

Thursday 11 July
Cafe OTO, 18-22 Ashwin St, London, E8 3DL
7.30pm | £7 | TICKETS

RAYS (Members of The World, Trouble In Mind)
DESIGN A WAVE
MAEDCHEN 84
Tuesday 16 July
Shacklewell Arms, 71 Shacklewell Lane, Dalston, London, E8 2EB
7.30pm | £7 | TICKETS

DANIEL HIGGS
ETERNAL BROADCAST
Wednesday 17 July
HQI, The Rotunda, Wood Lane, White City Place, London, W12 7TP
(3 min walk from White City tube directly north up Wood Lane. Venue is behind the green gates)
7.30pm | £10 | TICKETS
 
PRISON RELIGION (Halcyon Veil)
HYPERSTITION DUO

Friday 19 July
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £8.50 | TICKETS
 
ADVANCE BASE
ALICE HUBBLE
Monday 22 July
Redon, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA
7.30pm | £12 | TICKETS
 
MOUNT EERIE
Thursday 8 August
EartH, 11-17 Stoke Newington Rd, Dalston, London N16 8BH
7.30pm | £15 | TICKETS
 
J. McFARLANE’S REALITY GUEST
THE PHEROMOANS
Wednesday 14 August
The Islington, 1 Tolpuddle St, Angel, London, N1 0XT
7.30pm | £7 | TICKETS
 
TIM PRESLEY’S WHITE FENCE
ROBERT SOTELO
Wednesday 21 August
OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL
7.30pm | £12.50 | TICKETS
 
MARY LATTIMORE
NUMMO TWIN
Thursday 29 August
The Courtyard Theatre, 40 Pitfield Street, Shoreditch, N1 6EU
7.30pm | £10 |TICKETS
 
DEERHOOF
TRASH KIT
DOG CHOCOLATE
Monday 2 September
EartH, 11-17 Stoke Newington Rd, Dalston, London, N16 8BH
7.30pm | £15 | TICKETS
 
DANIEL O’SULLIVAN (octet performance)
BRIGID MAE POWER
Friday 13 September
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £12 | TICKETS
 
KURWS
HANDLE

Saturday 14 September
New River Studios
199 Eade Rd, Harringay Warehouse District, London, N4 1DN
7.30pm | £7 | TICKETS
 
LANKUM
Thursday 21 November
Tufnell Park Dome, 2A Dartmouth Park Hill, London, NW5 1HL
7.30pm | £16.50 | TICKETS
 
THE GOTOBEDS
Tuesday 26 November
The Islington, 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £7.50 | TICKETS
 

Thursday, 4 July 2019

'Bizzo & Tophat'


Clash just premiered 'Bizzo & Tophat': another scorcher from Terry's forthcoming EP 'Who's Terry?' out July 19th on Upset The Rhythm! 



x


Wednesday, 3 July 2019

LANKUM in LONDON this November!


Upset The Rhythm presents…

LANKUM
Thursday 21 November
Tufnell Park Dome, 2A Dartmouth Park Hill, London, NW5 1HL

7.30pm | £16.50 | https://link.dice.fm/ICxUcAc9SX  (tickets on sale this Friday from 10am!)

The Dublin based four-piece present a new live show ahead of their much-anticipated 3rd album which will be released on Rough Trade late Autumn.

Lankum have an alchemical ability to combine traditional folk roots with contemporary undercurrents to forge music that is dark, mysterious and transcendental. Comprising brothers Ian Lynch (uillean pipes, tin whistle, vocals), Daragh Lynch (vocals, guitar) alongside Cormac Mac Diarmada (fiddle) and Radie Peat (harmonium, accordion, vocals), Lankum channel a diverse set of influences and histories to create a beautifully rare thing: a songbook from and for the people.


Born of years criss-crossing Dublin's folk and experimental scenes, their two albums Cold Old Fire (2013, recorded under former name Lynched) and Rough Trade debut Between The Earth and Sky (2017) breath new life into ancient/modern rituals with urban punk fervour, rural psycho-geography and, underpinning it all, the eternal drone of the uilleann pipes.

'An object lesson in how to perform old songs in new ways' The Independent

'The most convincing folk band to come out of Ireland in years' The Guardian

http://lankumdublin.com/


Tuesday, 2 July 2019

THE GOTOBEDS make their London debut for us at the end of November!

Upset The Rhythm presents…

THE GOTOBEDS
Tuesday 26 November
The Islington, 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £7.50 | https://link.dice.fm/UtX89It2QX

THE GOTOBEDS are a modern rock and roll sensation that has always sounded like they have to play. The group's angular tunes and buzzy guitar-fuelled attack took the sound and vision of post-punk and indie rock and put the nervy snarl of punk back into the formula. Never maligned by having the world’s weight on their backs, The Gotobeds - Cary, TFP, Eli and Gavin - returned this May with their third full lengther, 'Debt Begins at 30' (Sub Pop). The esprit de corps and anxiety-free joy that permeates their other LPs and EPs remains intact. The octane is high-test, the engine still has knocks and pings and the battery is overcharged. The Gotobeds - as Pittsburgh as it gets, the folk music of the Steel City - have more tar for us to swallow. The Gotobeds jump between exuberant jangle, brooding romps with tribal beats and slash-and-burn guitar and wrecking ball anthems much like their partners-in-rock-crime Protomartyr.
https://thegotobeds.bandcamp.com/



Monday, 1 July 2019

NEW SHOW: KURWS & HANDLE!


Upset The Rhythm presents…

KURWS
HANDLE

Saturday 14 September
New River Studios

199 Eade Rd, Harringay Warehouse District, London, N4 1DN


KURWS (from Wroclaw, Poland) formed in May 2008 as an unexpected result of a ping pong session. Since then together they pursue their own search, not as much in areas of defined genres, but within the very foundations of rock “base”, expression and sound. It is a workshop, where improvisations penetrate through composed material, which seems to be a congealed form of the creation process. Armed with repetitions, recombinations, variations and contrasts, they frolic with memory and expectations. Post punk, krautrock, rock in opposition, funk, no wave - modes of playing, motives, riffs we heard time and time again, are being here presented in a totally different context - they are dissected from their original environment, placed side by side, used in a brand new manner, deconstructed and distilled.
https://kurws.bandcamp.com/album/alarm

HANDLE are a recently formed trio featuring a few familiar faces from Manchester’s creative underground scene. On bass guitar and drums, there’s Giulio Erasmus and Nirvana Heire, former members of the much-loved punk band DUDS; while upfront on vocals and keyboards is Leo Hermitt, a genderqueer multidisciplinary artist renowned for their challenging, thought-provoking work on the city’s arts and literary scenes. The end result, in Handle, is a wonderful amalgam of each member’s respective CVs – a band which absorbs punk, poetry, politics and the avant-garde, while wearing its Manc DIY credentials proudly on its sleeve. Powered by looping, hypnotic synth lines, tribal percussion and urgent, agitated vocals, their songs – all of which clock in around the two minute mark – owe as much to performance poetry as they do to post-punk and new wave. In these times of anxiety and confusion, Handle provide a much-needed dose of musical catharsis.
https://absolutefiction.bandcamp.com/album/handle-demonstrations



Friday, 28 June 2019

Constant Mongrel's new 7" released today! Plus upcoming London shows for Current Affairs, Normil Hawaiians and Rays

 
 
Hello there!
 
Constant Mongrel's rollicking new 'Experts In Skin' record greets the world today! Here's the riotous aforementioned 7" trying to turn the lights on in broad daylight! Classic!
 
‘Experts in Skin’ is the Melbourne bands’ little sister follow-up to 2018’s ‘Living In Excellence’ LP. The A side single holds the familiar post-post punk angst Constant Mongrel is known for, only building ever higher with a triple saxophone flurry and singer Tom Ridgewell’s mutters on the often awkward nature of mainstream consumerism.
 
 
 
 
 
 
The flip side sees the band turn to its pop sensibilities producing the tough but sweet sounding ‘Schnuki’. Bassist Amy Hill’s bouncing vocals make for a contrast to the anarcho-punk growl below. The subject matter this time occupied by ‘fake nice’ people. Can I help you darling? Honey? Sweetie? Deary? Pumpkin?...... no thanks.
 
Constant Mongrel’s new 7” can be purchased in all good shops now, as well as from our ‘online presence’ (sounds tech-spooky) here:
 
 
 
 
You’ll also find below full show listings for our next three hurrahs in the capital, including next Friday’s jaunt at The Islington with Current Affairs, Powerplant and Livid, July 11th Café OTO shindig with Normil Hawaiians, Rattle and Erasers, plus July 16th’s concert for Oakland’s Rays, Design A Wave and Maedchen 84 at The Shacklewell Arms!
 
Other live plans for July include Daniel Higgs, Prison Religion and last but not least Advance Base, you’ll find more details on those in our listings section, enjoy…
 
 
 
 
 
 
 
 
Upset The Rhythm presents…
 
CURRENT AFFAIRS
POWERPLANT
LIVID

Friday 5 July
The Islington, 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £6 | TICKETS
 
CURRENT AFFAIRS are a post punk band from Glasgow, neatly navigating the line between new wave and goth. Formed in 2016 and Comprising Joan (ex-The Royal We/Seconds/Rose McDowall's band), Seb (ex-Anxiety/Pissy), Josh (The Downs/Kaspar Hauser/ex-Rose McDowall's band) and Andrew (Shopping/As Ondas). Collectively they present a muscular unity, with a pounding post-punk rhythm section augmented by wild, effected guitar and the impressive, soulful-but-gothic vocal. A demo cassette was released along the way and In December 2018 the band’s first 7” Breeding Feeling -bw- Draw The Line was put out into the world by Not Unloved records. Another 7” is imminent via the IRRK label.
https://currentaffairs.bandcamp.com/

POWERPLANT embark on an eternal crusade with sizzling synthesisers & pleading vocals. They are the true essence of synth-punk released into thin air. They truly are the last of man.
https://www.youtube.com/watch?v=DcyyEqoJ2pc&feature=youtu.be

LIVID are a blazing new punk group, fight or flight vocals, pummelsome drums and decidedly frenzied riffs galore. Nothing online yet, featuring ex-Nachthexen members.
 
 
 
 
Upset The Rhythm presents…
 
NORMIL HAWAIIANS
RATTLE
ERASERS

Thursday 11 July
Cafe OTO, 18-22 Ashwin St, London, E8 3DL
7.30pm | £7 | TICKETS
 
NORMIL HAWAIIANS communal take on post punk sprouted leaves from its mouth in 1982, and began carving out a new furrow. Greater emphasis was awarded to improvisation within the group and as a result their songs embarked on longer, freer journeys towards the beaten bounds. They wanted these new songs to bear the weight of their new collective spirit so comfort zones had to be left behind. Tape loops, echo boxes, extended percussive sessions and duteous faith in the tones emanating from a particular old wah-wah pedal were all employed by Normil Hawaiians to stretch their sonic fabric into wild and redolent new dimensions. Within three years the band went on to record three astonishing records, their ambitious double-LP debut ‘More Wealth Than Money’, ‘What’s Going On?’ with its radical collage of movements and ‘Return Of The Ranters’ which teamed up their free experiments in compelling arrhythmia with a more confrontational approach. Upset The Rhythm have released ‘More Wealth’ and ‘Ranters’ recently in remastered form, and this special live manifestation at Cafe OTO celebrates the reissue of 1984’s ‘What’s Going On?’ masterstroke (out June 28th). Lucid, candid, politically engaged, rarely metronomic but always humane, Normil Hawaiians conjure vast clouds of atmosphere. Their songs are bedecked with exalted synth trails, clustering guitar rapture, motorik beats, and spun-out raw polemics. Still light years ahead of us all!
http://normilhawaiians.com/

RATTLE are a Nottingham based duo, Rattle focus almost exclusively on drums and more drums, beneath a delicate overlay of vocal harmonies and percussive effects. Formed by Katharine Eira Brown (also of Kogumaza) and Theresa Wrigley (also of Fists), Rattle began as an experiment in crafting rich songs and melody using drums and voice alone. Their music weaves and intertwines post-punk, minimalism and experimental rock, through off-kilter rhythms, patterns and counter melodies. Often starting by picking out the ghost notes from the drums to develop a melody, the song then reveals itself in rounds and harmonies with layer upon layer of rhythm and vocal, lending a choral feel to some of the tracks. Rattle effortlessly blend the avant-garde with irresistible melodies and hypnotic drum beats, using rhythm and harmony to create a refreshing sound that is utterly new - a pretty rare feat these days when we're saturated with so much music. Rattle's impressive ‘Sequence’ album came out last November through Upset The Rhythm.
https://rattleon.bandcamp.com/

ERASERS deliver up rhythmic and mood-driven music that sits between kosmische and post-punk. Forming as a home recording project in 2009 the Perth, West Australian based Erasers (Rebecca Orchard, Rupert Thomas) released a steady flow of cd-rs, tapes and a 7” before eventually releasing their debut full length ‘Stem Together’ in 2015. In 2017 the duo followed up with the tape release ‘Fault Lines’. In the live sphere Erasers have shared the stage with the likes of Low, Grouper, Acid Mothers Temple, Prince Rama, High Wolf and The Soft Machine as well as multiple shows with long time musical heroes My Disco, Love Of Diagrams and Pikelet. After an extensive recording and mixing process, 2019 sees Erasers with two new releases to share; a 5 track tape titled ‘Forecast’ (through Solid Melts) and the duo’s second full length ‘Pulse Points’ (through Fire Talk and Pouring Dream).
https://erasers.bandcamp.com/
 
 
 
 
 
Upset The Rhythm presents…
 
RAYS
DESIGN A WAVE
MAEDCHEN 84
Tuesday 16 July
Shacklewell Arms, 71 Shacklewell Lane, Dalston, London, E8 2EB
7.30pm | £7 | TICKETS
 
RAYS returned to the fray with their second album, You Can Get There From Here, their first release since their eponymous Trouble In Mind debut in 2016. Rays formed in the fertile crescent of the California Bay Area, a hotbed of musical growth in the past decade, and Rays' members pull not only from that recent miasma but also from a wealth of Bay Area musical history. You Can Get There From Here represents a turning point for the band, angling their scrappy, post-punk fury into a more refined & melodic pop sensibility, drawing inspiration from UK DIY pop & punk like Dolly Mixture, Cleaners From Venus, Television Personalities & more. Straight from the gate, songs like "Fallen Stars" & "The Garden" temper their sonic crunch ever so slightly, relying more on the harmonic wallop of a solid hook than the sheer volume of guitars & cymbal crashes. This is urgent, chiming guitar pop of the highest order that clangs with a sonorous melancholy & a ramshackle grace. Rays can still lay it down with the rest of 'em; tunes like "Subway" & "Work of Art" shuffle & stumble forward, skirting chaos in a flurry of strums, recalling recent antipodean pop groups like UV Race, Dick Diver or The Shifters who cull inspiration from idiosyncratic UK greats like Mark E. Smith or Robyn Hitchcock. With You Can Get There From Here, Rays add their voice to the chorus. The new album finds the core group of Stanley Martinez, Eva Hannan, Troy Hewitt & Alexa Pantalone augmented by new member & keyboardist Britta Leijonflycht, whose synth flourishes add melodic embellishments, sonic heft or psychedelic swirl where needed.
http://www.troubleinmindrecs.com/artists/rays/

DESIGN A WAVE aka Tom Hirst is a London based artist who has recently released music on Rush Hour’s No Label, as well as contributing to Ravioli Me Away’s opera. Design A Wave also has past releases on Alien Jams, Subsubtropics and the Alter label. Tom Hirst has been making music for many moons. Initial buds featured tape collages, distangled pop music, various dictaphone experiments, and over time all this meshed and warped into his solo musical venture known as Design A Wave. Initiated in the late 90s, the project was loosely named after one of the gangs in the Troma film Surf Nazis Must Die which, alongside other similar movies and music of it’s time, informed a particular vision of an idealised weird - a trashy synth orientated 80s B-movie soundtrack, which provided an aesthetic platform on which to dive, surf and ride.
https://soundcloud.com/deswav

MÄDCHEN 84
put a dent in ya head! A sample square of vinyl from wickes and a tearout guardian review of minaj's latest is available to be sent in the post for anyone who needs to feel real.
https://maedchen84.bandcamp.com
 

 
 
 
 
 
 
 
That’s all for now! Thanks for your time and consideration.
Have the best weekend imaginable!
Upset The Rhythm
 
 
     facebook  soundcloud  twitter    youtube
 
 
 
 
UPSET THE RHYTHM
UPCOMING SHOWS 
CURRENT AFFAIRS 
POWERPLANT
LIVID
Friday 5 July
The Islington, 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £6 | TICKETS
 
NORMIL HAWAIIANS
RATTLE
ERASERS

Thursday 11 July
Cafe OTO, 18-22 Ashwin St, London, E8 3DL
7.30pm | £7 | TICKETS

RAYS
(Trouble In Mind)
DESIGN A WAVE
MAEDCHEN 84
Tuesday 16 July
Shacklewell Arms, 71 Shacklewell Lane, Dalston, London, E8 2EB
7.30pm | £7 | TICKETS

DANIEL HIGGS
ETERNAL BROADCAST
Wednesday 17 July
HQI, The Rotunda, Wood Lane, White City Place, London, W12 7TP
(3 min walk from White City tube directly north up Wood Lane. Venue is behind the green gates)
7.30pm | £10 | TICKETS
 
PRISON RELIGION (Halcyon Veil)
HYPERSTITION DUO

Friday 19 July
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £8.50 | TICKETS
 
ADVANCE BASE
ALICE HUBBLE
Monday 22 July
Redon, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA
7.30pm | £12 | TICKETS
 
MOUNT EERIE
Thursday 8 August
EartH, 11-17 Stoke Newington Rd, Dalston, London N16 8BH
7.30pm | £15 | TICKETS
 
J. McFARLANE’S REALITY GUEST
THE PHEROMOANS
Wednesday 14 August
The Islington, 1 Tolpuddle St, Angel, London, N1 0XT
7.30pm | £7 | TICKETS
 
TIM PRESLEY’S WHITE FENCE
ROBERT SOTELO
Wednesday 21 August
OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL
7.30pm | £12.50 | TICKETS
 
MARY LATTIMORE
NUMMO TWIN
Thursday 29 August
The Courtyard Theatre, 40 Pitfield Street, Shoreditch, N1 6EU
7.30pm | £10 |TICKETS
 
DEERHOOF
TRASH KIT
DOG CHOCOLATE
Monday 2 September
EartH, 11-17 Stoke Newington Rd, Dalston, London, N16 8BH
7.30pm | £15 | TICKETS
 
DANIEL O’SULLIVAN (octet performance)
BRIGID MAE POWER
Friday 13 September
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £12 | TICKETS
 

Friday, 21 June 2019

Trash Kit - 'Confidence' white vinyl LP re-issue out this July!


We’re re-issuing Trash Kit’s incredible 2014 album ‘Confidence’ this July on white vinyl! New album ‘Horizon’ due out July 5th too!


“an album of a million small gestures arranged with jaw-dropping exactitude. It's 11 calamity-skirting post-punk tunes that teeter between control and chaos.” PITCHFORK

“Disciplined yet eccentric, refined but raucous, Confidence is a bold and fantastically assured album!” LINE OF BEST FIT

“Each song feels like the sleek silhouette of a few hundred practices, a few hundred happy accidents coaxed right into place — aggressive and brave.” TINY MIX TAPES

x

Friday, 14 June 2019

Bamboo's new album out today! Patience, Elf Power and Constant Mongrel shows next week!

 
 
Hello again!
Today we released Bamboo’s astonishing new album ‘Daughters Of The Sky’ on 180g gold vinyl, CD with lyric book and digitally! Bamboo are a British electronic duo, shaped by the twin forces of Rachel Horwood’s flawless folk cadence and Nick Carlisle’s dazzling synth production.
 
‘Daughters Of The Sky’ is the band’s third album for Upset The Rhythm and makes for a seriously transportive listen, its ten songs immaculately rendered in atmosphere and meaning. Vast dreamscapes are conjured with TR808 drum machines and harmonised acoustic drums locking together with ARP synths and Mellotron flutes. Horwood’s vocal weaves through this waking vision, her voice drifting between euphoria and mournfully reflective modes.
 
 
 
Bamboo have always written songs that surge with revolutionary spirit and ‘Daughters Of The Sky’ is no exception, evoking themes of motherhood, cyclical nature, liberation and renewal! It’s an album that soars towards the sun, deliriously serene and always hopeful. To listen is to love this record, it really is something else! Singles ‘Weeping Idols’ and ‘A World Is Born’ will certainly set the scene for you, as does this animated advert packed full of glowing press quotes.
 
 
Bamboo’s new album ‘Daughters Of The Sky’ is available in all good shops today, as well as directly from our virtual market stall here.

 
 
 
 
 
You can catch Bamboo live in London next week too as we have them playing next Wednesday at Oslo, Hackney with US psych pop legends Elf Power. Over the last 25 years Elf Power have recorded 13 albums of sublime song for the Elephant 6 Recording Co as well as Orange Twin and Rykodisc, it’ll be a great thrill to have them play for us. Bring it on!
 
 
 
 
The day before, next Tuesday, sees Upset The Rhythm heading to Moth Club too as we’re very lucky to be hosting Patience for the first time in London. Oxford’s Despicable Zee and Viennetta are both down to perform too. Prismatic synth-pop guaranteed, plus DJ duo Time Is Away, whose NTS show sets the high water mark for fleeting reverie, will be spinning records throughout the night too. Not one to miss.
 
 
 
Our final event for this month will take place at New River Studios next Saturday (June 22nd) and features a real carnival of post-punk with Melbourne’s Constant Mongrel launching their new 7” on Upset The Rhythm in the company of Slumb Party, Peter Simpson and Sniffany And The Nits.
 
Read on for more detail on all three of those exceptional nights out…
 
 
 
 
 
 
 
 
 
Upset The Rhythm presents…
 
PATIENCE
DESPICABLE ZEE
VIENNETTA
TIME IS AWAY (DJ-set)
Tuesday 18 June
MOTH Club, Old Trades Hall, Valette Street, London, E8 1EL
7.30pm | £8 | TICKETS
 
PATIENCE began as bedroom synth project for songwriter Roxanne Clifford after the break up of her acclaimed indie pop band Veronica Falls. Born out of a desire to experiment with a new sound and analogue synthesisers, the project has since grown to become an all-encompassing persona and serves as the main vehicle for the full emotional spectrum always latent in Clifford’s songwriting. From her first long-sold-out 7” singles on Night School, her knack for melodic hooks and oblique emotional stances already contained a glistening sheen of promise. Debut album, Dizzy Spells, serves as an intimate portrait of Clifford’s creative adventure, almost diaristic, conceived and recorded in her home studio, as well as with collaborators Todd Edwards (Daft Punk/Uk Garage fame), Lewis Cook (Free Love/Happy Meals) and engineer Misha Hering (Virginia Wing). Dizzy Spells delivers a debut album that twists Clifford’s songwriting into new shapes and ecstasies. The album dances around melancholy, thrown to the floor like a bad dream to be circled, emerging bright-eyed into the early morning full of hope.
https://patienceworld.bandcamp.com/album/dizzy-spells

DESPICABLE ZEE is the solo project of Zahra Haji Fath Ali Tehrani, who has been writing and performing for more than 15 years. She is the director of the Young Women’s Music Project, which continues to inspire her. Zahra specialises in leftfield, electronic lo-fi-pop – wonky yet meditative tunes, punctuated by biting rhythms. With echoes of The Knife, Tirzah, CocoRosie and Madame Gandhi, her recent EP sounds like longing, like searching, like hacking away at old vines to reach what’s behind them.
https://despicablezee.bandcamp.com/

VIENNETTA melt gently into your ears from the melancholy serving platter of a chintzy cruise ship cafeteria. Pensive waves of crisp, desire-dusted synthpop are topped with yearning, heartbreak-laden confessionals—a bleary epiphany at the end of another desperate night.
https://viennetta.bandcamp.com/
 
TIME IS AWAY
 
 
 
 
 
 
Upset The Rhythm presents…
 
ELF POWER
BAMBOO
UTR (DJ-set)
Wednesday 19 June
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL
7.30pm | £12.50 | TICKETS
 
ELF POWER are among the few bands from the Elephant 6 Recording Company that continue to make music to this day, and their prolificacy has been an absolute treat to fans. Elf Power formed in 1994 and over the last 23 years have released thirteen albums, two eps, and a handful of singles, while touring North America, Europe, and Japan many times. Albums such as 1998's Dave Fridmann-produced "A Dream In Sound" and 2008's collaboration with the late Vic Chesnutt, "Dark Developments" have cemented the bands' reputation as the finest purveyors of modern melodic psychedelic folk rock around. Their tour in support of their last album , 2013's "Sunlight on the Moon", took them on an extensive tour in support of Neutral Milk Hotel's much acclaimed reunion tour, as well as dates with Broken Bells and headlining dates.

Their latest album "Twitching in Time" (Orange Twin, 2017) combines experimental arrangements and sublime songwriting with their powerful live bombast, into their strangest, most cohesive, and most exciting sounding album yet. Opening track "Halloween Out Walking" combines minimal and beautiful folk rock arrangements with otherworldy Moog synthesizer gurglings to awe-inspiring effect. Other highlights include "Watery Shreds", a piano ballad that transforms itself into an explosive an unexpected distorted guitar drone freakout, sounding like an unlikely marriage of avant-garde keyboardist Laurie Anderson and drone metallers Sunn 0)) . Songs like the title track and "Cycling Aimlessly" are classic fuzzed out melodic rock songs the likes of which the band has become known for , while songs like "Gorging on the Feast" explore a jazzy, melancholy terrain before descending into a shredding heavy rock assault. The constant shifting of sounds and styles makes for one of the band's most diverse and satisfying albums yet. On this album, singer/songwriter Andrew Rieger and longtime collaborator multi-instrumentalist Laura Carter are joined by Matthew Garrison on bass, Peter Alvanos on drums, and Davey Wrathgabar on guitar.
https://orangetwinrecords.bandcamp.com/album/twitching-in-time

BAMBOO is the majestic pop project of Nick Carlisle and Rachel Horwood. Their music is vivid and deeply poignant, locking into a magnetic pull between Rachel's flawlessly resonant folk cadence and Nick's pristine synth pop production. Bamboo’s second studio album, The Dragon Flies Away, was released last year on Upset The Rhythm. The Dragon Flies Away tells a story loosely associated with the Hannya demon mask of Noh theatre plays such as Dojoji, and reflects the range of emotion the Hannya mask is capable of displaying: obsession, jealousy, sorrow and rage. The album presents its story in two acts and is presented with a gatefold sleeve and lyric / artwork sheet. Horwood’s evocative paintings are given centre stage with the packaging, allowing the album's story to grow beyond sound, making the journey all the more immersive. Bamboo are currently a live quartet and have just finished off their new record, ‘Daughters of the Sky’, look out June 14th!
http://www.bamboosongs.co.uk/
 
 
 
 
Upset The Rhythm presents…
 
CONSTANT MONGREL
SLUMB PARTY
PETER SIMPSON
SNIFFANY & THE NITS
Saturday 22 June
New River Studios
199 Eade Rd, Harringay Warehouse District, London, N4 1DN
7.30pm | £7 | TICKETS
 
CONSTANT MONGREL are a Melbourne post-punk band with releases on Silt Breeze, RIP Society and most recently La Vida Es Un Mus and Antifade records. Over their 10 year existence Constant Mongrel have added members while developing a unique sound and continually built momentum leading to their successful 'Living In Excellence' LP in 2018. The latest record has a sharper British Post Punk expression reminiscent of legendary acts such as Wire, The Fall, Flux of Pink Indians while maintaining their Australian edge and character that exist among their local brother/sister bands Total Control, UV Race, Ausmuteants, Lowlife and Terry. With striking riffs and catchy rolling bass over an often unhinged, vibrant rhythm section with fried saxophone and synths Constant Mongrel are a captivating live band. The bands lyrics and themes vary in subject matter from songs of certain romance, to the joy of a riot, atrocity of western religion, an abundance of a fresh modern fascism, white-middle-class-self-entitled guilt and the beauty in misinterpretation. But behind every idea the tongue remains continually in cheek as the band’s humour seeps through and prevails in its sound.
https://lavidaesunmus.bandcamp.com/album/living-in-excellence

SLUMB PARTY are funked up post punkers from Nottingham. Point your ears in their direction and you'll find the righteous blast of a post-punk-skronk party of such hip-gyrating magnitude that you'll wanna take a bulldozer to your nearest nightclub and pull shapes on the ruins. Their debut 7" dropped earlier this year via German label Erste Theke Tontraeger, and their debut LP (Drunken Sailor) followed shortly afterwards. Fittingly, songs are concise and snappy, with flashes of everything from the rhythms of 80s Athens, GA (Pylon, early B-52s), the soul/punk hybrid of both The Nation of Ulysses and The Make-Up, the hyper-whacked sax rush of the Contortions...plus yer Minutemen, yer Gang Of Fours, yer Shoppings, yer favourite bands with attitude and heads so full of ideas you'll find yourself wondering why most bands fail to make a sassy combination of arts and smarts sound this essential.
https://slumbparty.bandcamp.com/

PETER SIMPSON just debuted his self titled mini-album. Running with the mantle that post-punk was actually prog in disguise, the record evokes that particular vein of popular music, in the 80s, where the prior generation of outward thinking rockers re-energised their approach by absorbing the new-wave. Fans of Peter Hammill’s K-Group albums, Bill Nelson’s Red Noise or even the Eno-inflected John Cale Island period, will no doubt recognise elements of each in these 6 mazy compositions.
https://petersimpson.bandcamp.com/

SNIFFANY & THE NITS are an itchy, twitchy new pogo punk outfit feat members of Artefact and The Snivellers.
 

 
 
 
 
 
 
 
Thanks for reading, have a fantastic weekend!
Upset The Rhythm
 
 
     facebook  soundcloud  twitter    youtube
 
 
 
 
UPSET THE RHYTHM
UPCOMING SHOWS 
PATIENCE
DESPICABLE ZEE
VIENNETTA
Tuesday 18 June
MOTH Club, Old Trades Hall, Valette Street, London, E8 1EL
7.30pm | £8 | TICKETS
 
ELF POWER
BAMBOO
UTR (DJ-set)
Wednesday 19 June
OSLO, 1a Amhurst Road, Hackney Central, E8 1LL
7.30pm | £12.50 | TICKETS
 
CONSTANT MONGREL
SLUMB PARTY
PETER SIMPSON
SNIFFANY & THE NITS
Saturday 22 June
New River Studios
199 Eade Rd, Harringay Warehouse District, London, N4 1DN
7.30pm | £7 | TICKETS
 
CURRENT AFFAIRS
POWERPLANT
LIVID

Friday 5 July
The Islington, 1 Tolpuddle Street, Angel, London, N1 0XT
7.30pm | £6 | TICKETS
 
NORMIL HAWAIIANS
RATTLE
ERASERS

Thursday 11 July
Cafe OTO, 18-22 Ashwin St, London, E8 3DL
7.30pm | £7 | TICKETS

RAYS
(Trouble In Mind)
DESIGN A WAVE
Tuesday 16 July
Shacklewell Arms, 71 Shacklewell Lane, Dalston, London, E8 2EB
7.30pm | £7 | TICKETS

DANIEL HIGGS
ETERNAL BROADCAST
Wednesday 17 July
HQI, The Rotunda, Wood Lane, White City Place, London, W12 7TP
(3 min walk from White City tube directly north up Wood Lane. Venue is behind the green gates)
7.30pm | £10 | TICKETS
 
PRISON RELIGION (Halcyon Veil)
HYPERSTITION DUO

Friday 19 July
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £8.50 | TICKETS
 
ADVANCE BASE
ALICE HUBBLE
Monday 22 July
Redon, Railway Arches, 289 Cambridge Heath Rd, London, E2 9HA
7.30pm | £12 | TICKETS
 
MOUNT EERIE
Thursday 8 August
EartH, 11-17 Stoke Newington Rd, Dalston, London N16 8BH
7.30pm | £15 | TICKETS
 
J. McFARLANE’S REALITY GUEST
Wednesday 14 August
The Islington, 1 Tolpuddle St, Angel, London, N1 0XT
7.30pm | £7 | TICKETS
 
TIM PRESLEY’S WHITE FENCE
ROBERT SOTELO
Wednesday 21 August
OSLO, 1a Amhurst Road, Hackney Central, London, E8 1LL
7.30pm | £12.50 | TICKETS
 
MARY LATTIMORE
Thursday 29 August
The Courtyard Theatre, 40 Pitfield Street, Shoreditch, N1 6EU
7.30pm | £10 |TICKETS
 
DEERHOOF
TRASH KIT
DOG CHOCOLATE
Monday 2 September
EartH, 11-17 Stoke Newington Rd, Dalston, London, N16 8BH
7.30pm | £15 | TICKETS
 
DANIEL O’SULLIVAN (octet performance)
BRIGID MAE POWER
Friday 13 September
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £12 | TICKETS