Upset The Rhythm presents…
MOOR MOTHER
Wednesday 10 January
The Islington, 1 Tolpuddle St, Angel, London, N1 0XT
7.30pm | £7 | http://www.wegottickets.com/event/423052
MOOR MOTHER is the viscerally
charged output of Philadelphia based interdisciplinary artist, Camae
Ayewa. Her music is often harsh and strange, projecting both the cathartic
anger of punk and the expansive improvisatory spirit of Sun Ra. Using a
variety of machines, field recordings, and analog noisemakers, Ayewa constructs
fractured, cacophonous waves for her words of punishing pertinence to ride. As
a musician performing under the name she has toured in Europe and the U.S. at
numerous festivals, colleges and universities sharing the stage with King
Britt, Islam Chipsy, Claudia Rankine and Bell Hooks. As a
soundscape artist she has had work featured at Samek Art Museum, Metropolitan
Museum of Art Chicago, and Everson Museum of Art.
Her latest
album, Fetish Bones, was released through Don Giovanni
Records in September 2016. The album features 13 songs conceived and
recorded in Camae’s home studio and it is an album intended as a form of
protest and as form of time travel — a collection of sounds that are events
themselves, telling stories rich in history about the journey that brings us to
today and the future we are creating. Fetish Bones is not an album meant to
help you forget. It is made so that you will remember the injustices that we
bear witness to and participate in.
“Fetish Bones is her masterclass on creating a sensory experience that
interrogates your complicity, pushing you through a door that sends you
hurtling through time.” – PITCHFORK
“Moor Mother might be the most radical – even the most useful –
Afrofuturist artist to emerge for years. Fetish Bones works not just as an
atlas and an archive but as a mausoleum, housing the bones of those who have
fallen along a bloody trail stretching all the way back to 1886.” – WIRE
“Her music is deliberately raw and unfiltered, like human feelings” – FADER
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